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X-WR-CALNAME;VALUE=TEXT:Lecture, "Wall Mosaics, Ekphrasis, and Cultural Memory between Byzantium, Persia, and Early Islam" - Faculty Club 
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SUMMARY:Lecture, "Wall Mosaics, Ekphrasis, and Cultural Memory between Byzantium, Persia, and Early Islam" - Faculty Club 
DESCRIPTION:<div style="text-align:start;-webkit-text-stroke-width:0px">	<p style="margin:0px">		<span><span style="color:#000000"><span style="Helvetica,sans-serif"><span style="font-style:normal"><span style="font-variant-ligatures:normal"><span style="font-variant-caps:normal"><span style="font-weight:400"><span style="letter-spacing:normal"><span style="orphans:2"><span style="text-transform:none"><span style="white-space:normal"><span style="widows:2"><span style="word-spacing:0px"><span style="background-color:#ffffff"><span style="text-decoration-style:initial"><span style="text-decoration-color:initial"><span>A lecture by </span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span>Sean V. Leatherbury of Bowling Green State University.	</p>	<p style="margin:0px">		 	</p>	<p style="margin:0px">		<span><span style="color:#000000"><span style="Helvetica,sans-serif"><span style="font-style:normal"><span style="font-variant-ligatures:normal"><span style="font-variant-caps:normal"><span style="font-weight:400"><span style="letter-spacing:normal"><span style="orphans:2"><span style="text-transform:none"><span style="white-space:normal"><span style="widows:2"><span style="word-spacing:0px"><span style="background-color:#ffffff"><span style="text-decoration-style:initial"><span style="text-decoration-color:initial"><span>Very few wall mosaics, or walls at all, survive from the early Byzantine buildings of the eastern Mediterranean. To supplement surviving programs, we must turn to texts that preserve references to, or perform extended ekphraseis on, lost works of art. Two under-explored ninth-century texts purport to describe now-lost mosaics that decorated earlier Byzantine and Persian buildings: a poem (<em>qaṣīda</em>) by the Abbasid poet al-Buḥturī on a mosaic at the Sasanian palace at Ctesiphon; and the <em>Letter of the Three Patriarchs to the Emperor Theophilus</em>, which refers to a mosaic of the Virgin and Child and the Three Magi in the Church of the Nativity at Bethlehem.</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span>	</p></div><div style="text-align:start;-webkit-text-stroke-width:0px">	<p style="margin:0px">		<span><span style="color:#000000"><span style="Helvetica,sans-serif"><span style="font-style:normal"><span style="font-variant-ligatures:normal"><span style="font-variant-caps:normal"><span style="font-weight:400"><span style="letter-spacing:normal"><span style="orphans:2"><span style="text-transform:none"><span style="white-space:normal"><span style="widows:2"><span style="word-spacing:0px"><span style="background-color:#ffffff"><span style="text-decoration-style:initial"><span style="text-decoration-color:initial"> </span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span>	</p></div><div style="text-align:start;-webkit-text-stroke-width:0px">	<p style="margin:0px">		<span><span style="color:#000000"><span style="Helvetica,sans-serif"><span style="font-style:normal"><span style="font-variant-ligatures:normal"><span style="font-variant-caps:normal"><span style="font-weight:400"><span style="letter-spacing:normal"><span style="orphans:2"><span style="text-transform:none"><span style="white-space:normal"><span style="widows:2"><span style="word-spacing:0px"><span style="background-color:#ffffff"><span style="text-decoration-style:initial"><span style="text-decoration-color:initial"><span>After addressing the possibility that the mosaics existed as physical objects outside of texts, this lecture explores the features shared by the poem and the <em>Letter</em>, including a fascination with cross-cultural encounter, between Abbasid writer/viewer and Sasanian mosaic, and between Persian viewers and Byzantine work of art. </span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span>	</p></div>
LOCATION:Harvard Faculty Club
STATUS:CONFIRMED
DTSTART:20191010T221500Z
DTEND:20191010T234500Z
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