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X-WR-CALNAME;VALUE=TEXT:CAMLab Conference: Chinese Kinesthetic Forms
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SUMMARY:CAMLab Conference: Chinese Kinesthetic Forms
DESCRIPTION:<p>	 </p><p style="margin: 0in; -webkit-text-stroke-width: 0px; text-align: center;">	<drupal-media data-entity-type="media" data-entity-uuid="b49bddc4-9444-44a0-841c-a2b5c228bb18" alt="kinesthetics" data-view-mode="hwp_full_width"></drupal-media></p><p style="margin: 0in; -webkit-text-stroke-width: 0px; text-align: center;">	 </p><p style="margin: 0in; -webkit-text-stroke-width: 0px; text-align: center;">	<span><span style="sans-serif"><span style="caret-color:#212121"><span style="color:#212121"><span style="font-style:normal"><span style="font-variant-caps:normal"><span style="font-weight:400"><span style="letter-spacing:normal"><span style="orphans:auto"><span style="text-transform:none"><span style="white-space:normal"><span style="widows:auto"><span style="word-spacing:0px"><span style="-webkit-text-size-adjust:auto"><span style="text-decoration:none"><strong>CAMLab Conference: Chinese Kinesthetic Forms</strong></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></p><p style="margin: 0in; -webkit-text-stroke-width: 0px; text-align: center;">	<span><span style="sans-serif"><span style="caret-color:#212121"><span style="color:#212121"><span style="font-style:normal"><span style="font-variant-caps:normal"><span style="font-weight:400"><span style="letter-spacing:normal"><span style="orphans:auto"><span style="text-transform:none"><span style="white-space:normal"><span style="widows:auto"><span style="word-spacing:0px"><span style="-webkit-text-size-adjust:auto"><span style="text-decoration:none"><strong>Date: </strong></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span><span><span style="sans-serif"><span style="caret-color:#212121"><span style="color:#212121"><span style="font-style:normal"><span style="font-variant-caps:normal"><span style="font-weight:400"><span style="letter-spacing:normal"><span style="orphans:auto"><span style="text-transform:none"><span style="white-space:normal"><span style="widows:auto"><span style="word-spacing:0px"><span style="-webkit-text-size-adjust:auto"><span style="text-decoration:none"><span style="color:#767171">Friday, November 11, 2022 (All day) to Saturday, November 12, 2022 (All day)</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span><br><span><span style="sans-serif"><span style="caret-color:#212121"><span style="color:#212121"><span style="font-style:normal"><span style="font-variant-caps:normal"><span style="font-weight:400"><span style="letter-spacing:normal"><span style="orphans:auto"><span style="text-transform:none"><span style="white-space:normal"><span style="widows:auto"><span style="word-spacing:0px"><span style="-webkit-text-size-adjust:auto"><span style="text-decoration:none"><strong>Location: </strong></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span><span><span style="sans-serif"><span style="caret-color:#212121"><span style="color:#212121"><span style="font-style:normal"><span style="font-variant-caps:normal"><span style="font-weight:400"><span style="letter-spacing:normal"><span style="orphans:auto"><span style="text-transform:none"><span style="white-space:normal"><span style="widows:auto"><span style="word-spacing:0px"><span style="-webkit-text-size-adjust:auto"><span style="text-decoration:none"><span style="color:#767171">Lower Level Lecture Hall, 485 Broadway</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></p><p style="margin:0in;text-align:start;-webkit-text-stroke-width:0px">	 </p><p style="margin:0in;text-align:start;-webkit-text-stroke-width:0px">	 </p><p style="margin:0in;text-align:start;-webkit-text-stroke-width:0px">	<span><span style="sans-serif"><span style="caret-color:#212121"><span style="color:#212121"><span style="font-style:normal"><span style="font-variant-caps:normal"><span style="font-weight:400"><span style="letter-spacing:normal"><span style="orphans:auto"><span style="text-transform:none"><span style="white-space:normal"><span style="widows:auto"><span style="word-spacing:0px"><span style="-webkit-text-size-adjust:auto"><span style="text-decoration:none"><span><span style="sans-serif"><span style="color:black"><span style="line-height:1.2">Movement has a distinctively rich tradition in China. Chinese Kinesthetic Forms considers movement as an organizing principle across myriad media and cultural forms—from dance and music, to painting and calligraphy, to theater and martial arts. The conference explores how movement, as both expression and object of perception, opens experiential dimensions, even beyond the corporeal. Coinciding with the presentation of installations from CAMLab’s Cave Dance project, the conference joins fresh conversations on dance, kinesthetics, and China’s long history of performance, and it seeks to further understanding of movement as a way of defining experience.</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></p><p style="margin:0in;text-align:start;-webkit-text-stroke-width:0px">	 </p><p style="margin:0in;text-align:start;-webkit-text-stroke-width:0px">	<span><span style="sans-serif"><span style="caret-color:#212121"><span style="color:#212121"><span style="font-style:normal"><span style="font-variant-caps:normal"><span style="font-weight:400"><span style="letter-spacing:normal"><span style="orphans:auto"><span style="text-transform:none"><span style="white-space:normal"><span style="widows:auto"><span style="word-spacing:0px"><span style="-webkit-text-size-adjust:auto"><span style="text-decoration:none"><span><span style="sans-serif"><span style="color:black"><span style="line-height:1.2">This conference is organized by Harvard FAS CAMLab, with support from the Department of History of Art and Architecture.</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></p><p style="margin:0in;text-align:start;-webkit-text-stroke-width:0px">	 </p><p style="margin:0in;text-align:start;-webkit-text-stroke-width:0px">	 </p><h3>	Schedule:</h3><p dir="ltr" style="margin-top:0pt;margin-bottom:8pt">	<span style="line-height:1.295"><span><span style="sans-serif"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="text-decoration:underline"><span style="text-decoration-skip-ink:none"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">Friday, November 11</span></span></span></span></span></span></span></span></span></p><p dir="ltr" id="docs-internal-guid-2161f03b-7fff-d17c-1f32-20b6cc6f63a4">	<strong>9:30 AM Welcome Remarks</strong><br>David Roxburgh, Harvard University<br><br><strong>9:45</strong>–<span style="line-height:1.2"><span><span style="sans-serif"><span style="font-weight:700"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">–10:30 AM Keynote</span></span></span></span></span></span></span></span><br><span style="line-height:1.2"><span><span style="sans-serif"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">“When and How Did Art Become Art? Crane Dances in Chinese Imagination,” Eugene Wang, Harvard University</span></span></span></span></span></span></span></p><p dir="ltr" style="margin-top:0pt;margin-bottom:0pt">	<span style="line-height:1.295"><span><span style="sans-serif"><span style="font-weight:700"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">11:00–12:30 PM The Lightness of Being: Sensorial Kinesthetics</span></span></span></span></span></span></span></span></p><p dir="ltr" style="margin-top:0pt;margin-bottom:0pt">	<span style="line-height:1.295"><span><span style="sans-serif"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">“Flame and Fragrance: The Bodiless Body of Dancing Apsaras in Medieval Buddhist Art,” Chenchen Lü, Harvard University </span></span></span></span></span></span></span></p><p dir="ltr" style="margin-top:0pt;margin-bottom:0pt">	<span style="line-height:1.295"><span><span style="sans-serif"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">“Taking Flight: The Modern Art of the Apsaras in East Asia,” Anne Feng, Boston University</span></span></span></span></span></span> </span></p><p dir="ltr" style="margin-top:0pt;margin-bottom:0pt">	<span style="line-height:1.295"><span><span style="sans-serif"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">Panel Discussant: </span></span></span></span></span></span></span>Shanti Pillai, Williams College</p><p dir="ltr" style="margin-top:0pt;margin-bottom:10pt">	<span style="line-height:1.295"><span><span style="sans-serif"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">Panel Chair: Alice Tseng, Boston University</span></span></span></span></span></span></span></p><p dir="ltr" style="margin-top:0pt;margin-bottom:0pt">	<span style="line-height:1.295"><span><span style="sans-serif"><span style="font-weight:700"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">1:00–3:00 PM Sword Dance: Three Readings of Lady Gongsun</span></span></span></span></span></span></span></span></p><p dir="ltr" style="margin-top:0pt;margin-bottom:0pt">	<span style="line-height:1.295"><span><span style="sans-serif"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">“Where the Feet Touch the Ground,” Stephen Owen, Harvard University </span></span></span></span></span></span></span></p><p dir="ltr" style="margin-top:0pt;margin-bottom:0pt">	<span style="line-height:1.295"><span><span style="sans-serif"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">“The Phantom of the Dance,” Xiaofei Tian, Harvard University</span></span></span></span></span></span></span></p><p dir="ltr" style="margin-top:0pt;margin-bottom:0pt">	<span style="line-height:1.295"><span><span style="sans-serif"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">“Sharp Turns, Indirect Transmission, and the Unity of the Arts,” Lucas Bender, Yale University</span></span></span></span></span></span></span></p><p dir="ltr" style="margin-top:0pt;margin-bottom:0pt">	<span style="line-height:1.2"><span><span style="sans-serif"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">Panel Discussant: Wai-yee Li, Harvard University</span></span></span></span></span></span></span></p><p dir="ltr" style="margin-top:0pt;margin-bottom:10pt">	<span style="line-height:1.2"><span><span style="sans-serif"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">Panel Chair: Michael Szonyi, Harvard University</span></span></span></span></span></span></span></p><p dir="ltr" style="margin-top:0pt;margin-bottom:0pt">	<span style="line-height:1.295"><span><span style="sans-serif"><span style="font-weight:700"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">3:30–5:00 PM Reviving Repertoire: Dunhuang Dance, Then and Now</span></span></span></span></span></span></span></span></p><p dir="ltr" style="margin-top:0pt;margin-bottom:0pt">	<span style="line-height:1.295"><span><span style="sans-serif"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">“How to Get From Dance Scores to Murals?: Bridging Representations of Tang Dance Events,” Muyun Zhou, Pennsylvania State University</span></span></span></span></span></span></span></p><p dir="ltr" style="margin-top:0pt;margin-bottom:0pt">	<span style="line-height:1.295"><span><span style="sans-serif"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">“From Wall to Stage: </span></span></span></span></span></span><span><span style="sans-serif"><span style="font-style:italic"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">Flowers and Rain on the Silk Road </span></span></span></span></span></span></span><span><span style="sans-serif"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">(1979) and the Making of Contemporary Dunhuang Dance,” Emily Wilcox, College of William &amp; Mary</span></span></span></span></span></span></span></p><p dir="ltr" style="margin-top:0pt;margin-bottom:0pt">	<span style="line-height:1.295"><span><span style="sans-serif"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">Panel Discussant: Thomas Kelly, Harvard University</span></span></span></span></span></span></span></p><p dir="ltr" style="margin-top:0pt;margin-bottom:10pt">	<span style="line-height:1.295"><span><span style="sans-serif"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">Panel Chair: Rowan Flad, Harvard University</span></span></span></span></span></span></span></p><p dir="ltr" style="margin-top:0pt;margin-bottom:8pt">	<span style="line-height:1.295"><span><span style="sans-serif"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="text-decoration:underline"><span style="text-decoration-skip-ink:none"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">Saturday, November 12</span></span></span></span></span></span></span></span></span></p><p dir="ltr" style="margin-top:0pt;margin-bottom:0pt">	<span style="line-height:1.295"><span><span style="sans-serif"><span style="font-weight:700"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">9:00–11:00 AM Furor and Festivity: The Song-Yuan Turn</span></span></span></span></span></span></span></span></p><p dir="ltr" style="margin-top:0pt;margin-bottom:0pt">	<span style="line-height:1.295"><span><span style="sans-serif"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">“No More Fear: How Did the Southern Song </span></span></span></span></span></span><span><span style="sans-serif"><span style="font-style:italic"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">Nuo </span></span></span></span></span></span></span><span><span style="sans-serif"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">Exorcists Cope with Pandemics?” Huiping Pang, Hangzhou Normal University</span></span></span></span></span></span></span></p><p dir="ltr" style="margin-top:0pt;margin-bottom:0pt">	<span style="line-height:1.295"><span><span style="sans-serif"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">Discussant: Heping Liu, Wellesley College</span></span></span></span></span></span></span></p><p dir="ltr" style="margin-top:0pt;margin-bottom:0pt">	<span style="line-height:1.295"><span><span style="sans-serif"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">“</span></span></span></span></span></span><span><span style="sans-serif"><span style="font-style:italic"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">Tage</span></span></span></span></span></span></span><span><span style="sans-serif"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap"> (Stomping Songs): Images of Rural Festive Dancing in Chinese Paintings,” Wen-chien Cheng, Royal Ontario Museum</span></span></span></span></span></span></span></p><p dir="ltr" style="margin-top:0pt;margin-bottom:0pt">	<span style="line-height:1.295"><span><span style="sans-serif"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">Discussant: Heping Liu, Wellesley College</span></span></span></span></span></span></span></p><p dir="ltr" style="margin-top:0pt;margin-bottom:0pt">	<span style="line-height:1.295"><span><span style="sans-serif"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">“Demonic Divine: Reassessing ‘Dance of the Sixteen Heavenly Devils’ in the Mongol-Yuan Court”</span></span></span></span></span></span></span></p><p dir="ltr" style="margin-top:0pt;margin-bottom:0pt">	<span style="line-height:1.295"><span><span style="sans-serif"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">Xiaotian Yin, Harvard University</span></span></span></span></span></span></span></p><p dir="ltr" style="margin-top:0pt;margin-bottom:0pt">	<span style="line-height:1.295"><span><span style="sans-serif"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">Discussant: Jinah Kim, Harvard University</span></span></span></span></span></span></span></p><p dir="ltr" style="margin-top:0pt;margin-bottom:8pt">	<span style="line-height:1.295"><span><span style="sans-serif"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">Panel Chair: Leonard van der Kuijp, Harvard University</span></span></span></span></span></span></span></p><p dir="ltr" style="margin-top:0pt;margin-bottom:0pt">	<span style="line-height:1.295"><span><span style="sans-serif"><span style="font-weight:700"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">11:00 AM–12:30 PM Calligraphic Kinesthetics</span></span></span></span></span></span></span></span></p><p dir="ltr" style="margin-top:0pt;margin-bottom:0pt">	<span style="line-height:1.295"><span><span style="sans-serif"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">“Martial Heroics in the Calligraphy and Painting of Xu Wei,” Kathleen Ryor, Carleton College</span></span></span></span></span></span></span></p><p dir="ltr" style="margin-top:0pt;margin-bottom:0pt">	<span style="line-height:1.295"><span><span style="sans-serif"><span style="background-color:#ffffff"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">“Like the Splash of a Great Whale Rising: Motion in the Criticism and Practice of ‘Mad Cursive’ Calligraphy,” </span></span></span></span></span></span></span><span><span style="sans-serif"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">Amy McNair, University of Kansas</span></span></span></span></span></span></span></p><p dir="ltr" style="margin-top:0pt;margin-bottom:0pt">	<span style="line-height:1.295"><span><span style="sans-serif"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">Panel Discussant: Aida Yuen Wong, Brandeis University</span></span></span></span></span></span></span></p><p dir="ltr" style="margin-top:0pt;margin-bottom:8pt">	<span style="line-height:1.295"><span><span style="sans-serif"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">Panel Chair: Jeffrey Moser, Brown University</span></span></span></span></span></span></span></p><p dir="ltr" style="margin-top:0pt;margin-bottom:0pt">	<span style="line-height:1.295"><span><span style="sans-serif"><span style="font-weight:700"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">1:30–3:30 PM Kinesthetic Media</span></span></span></span></span></span></span></span></p><p dir="ltr" style="margin-top:0pt;margin-bottom:0pt">	<span style="line-height:1.295"><span><span style="sans-serif"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">“Haptic Vision: Kinetic Architecture in Middle-Period China,” Jeehee Hong, McGill University</span></span></span></span></span></span></span></p><p dir="ltr" style="margin-top:0pt;margin-bottom:0pt">	<span style="line-height:1.295"><span><span style="sans-serif"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">Discussant: Aurelia Campbell, Boston College</span></span></span></span></span></span></span></p><p dir="ltr" style="margin-top:0pt;margin-bottom:0pt">	<span style="line-height:1.295"><span><span style="sans-serif"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">“Dancing Pictures: Mei Lanfang’s ‘The Goddess Spreads Flowers’ and the Inherent Ambiguity of Modernism,” Catherine Yeh, Boston University </span></span></span></span></span></span></span></p><p dir="ltr" style="margin-top:0pt;margin-bottom:0pt">	<span style="line-height:1.295"><span><span style="sans-serif"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">Discussant: Eugene Wang, Harvard University</span></span></span></span></span></span></span></p><p dir="ltr" style="margin-top:0pt;margin-bottom:0pt">	<span style="line-height:1.295"><span><span style="sans-serif"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">“Recreating the Sword-dance, Reinventing Qiu Jin (1875–1907),” Hu Ying, University of California, Irvine</span></span></span></span></span></span></span></p><p dir="ltr" style="margin-top:0pt;margin-bottom:0pt">	<span style="line-height:1.295"><span><span style="sans-serif"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">Discussant: Weihong Bao, University of California, Berkeley</span></span></span></span></span></span></span></p><p dir="ltr" style="margin-top:0pt;margin-bottom:8pt">	<span style="line-height:1.295"><span><span style="sans-serif"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">Panel Chair: Christina Yu Yu, Museum of Fine Arts, Boston</span></span></span></span></span></span></span></p><p dir="ltr" style="margin-top:0pt;margin-bottom:0pt">	<span style="line-height:1.295"><span><span style="sans-serif"><span style="font-weight:700"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">4:00–5:00 PM From Immersion to Access: Lenora Lee Dance’s Filmic Remediation</span></span></span></span></span></span></span></span></p><p dir="ltr" style="margin-top:0pt;margin-bottom:0pt">	<span style="line-height:1.295"><span><span style="sans-serif"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">Lenora Lee, Lenora Lee Dance</span></span></span></span></span></span></span></p><p dir="ltr" style="margin-top:0pt;margin-bottom:0pt">	<span style="line-height:1.295"><span><span style="sans-serif"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">SanSan Kwan, University of California, Berkeley</span></span></span></span></span></span></span></p><p dir="ltr" style="margin-top:0pt;margin-bottom:8pt">	<span style="line-height:1.295"><span><span style="sans-serif"><span style="font-variant-numeric:normal"><span style="font-variant-east-asian:normal"><span style="vertical-align:baseline"><span style="white-space:pre-wrap">Moderator: Simone Levine, Harvard FAS CAMLab</span></span></span></span></span></span></span></p><p>	 </p><p>	 </p><p>	 </p>
LOCATION:Lower Level Lecture Hall, 485 Broadway
STATUS:CONFIRMED
DTSTART:20221111T050000Z
DTEND:20221112T050000Z
END:VEVENT
END:VCALENDAR