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X-WR-CALNAME;VALUE=TEXT:Aga Khan Lecture Series: “On the Edge: The Divan of Sultan Ahmad Jalayir”
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SUMMARY:Aga Khan Lecture Series: “On the Edge: The Divan of Sultan Ahmad Jalayir”
DESCRIPTION:<drupal-media data-entity-type="media" data-entity-uuid="8e19be52-c015-4815-b2de-3d39847661f9">&nbsp;</drupal-media><p>&nbsp;</p><p><span>April 10, 2025, 6:00pm</span></p><p><span>“On the Edge: The Divan of Sultan Ahmad Jalayir”</span></p><p><span>Massumeh Farhad</span></p><p><span>The Ebrahimi Family Curator of Persian, Arab, and Turkish Art, Senior Associate Director for Research, Smithsonian’s National Museum of Asian Art</span></p><p>&nbsp;</p><p><span>The </span><em><span>Divan</span></em><span>&nbsp;of the Jalayirid Sultan Ahmad (reigned 1382-1410) in the collection of the Freer Gallery of Art remains one of the most original and intriguing early Persian manuscripts. Commissioned by the ruler and patron as a personal copy, it contains one section of his seven-part poetic work. &nbsp;The volume’s fine binding, elegant calligraphy, and especially its extraordinary marginal ink drawings that draw on both Eastern and Western pictorial ideals, belie the tumultuousness of the period. Despite Timur’s repeated incursions into Jalayirid territory, internal political strife, and frequent outbreaks of the bubonic plague, Sultan Ahmad succeeded in attracting a talented group of artists to his peripatetic court and commissioned several manuscripts, such as the </span><em><span>Divan</span></em><span>, which changed the course of Persian arts of the book. This paper will examine the </span><em><span>Divan</span></em><span>&nbsp;as a whole and consider it in the light of the broader artistic, literary, and historical context of the late fourteenth century and early fifteenth century.</span></p><p>&nbsp;</p>
LOCATION:HAA Lower Lecture Hall
STATUS:CONFIRMED
DTSTART:20250410T220000Z
DTEND:20250410T233000Z
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