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X-WR-CALNAME;VALUE=TEXT:University of Oxford | Cognitive Art History as New Humanities: How to Capture a Painter’s Brain?
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SUMMARY:University of Oxford | Cognitive Art History as New Humanities: How to Capture a Painter’s Brain?
DESCRIPTION:<p class="text-align-justify" dir="ltr">It is rare for an artist to paint her own brain. Yet Irene Chou (1924–2011), a leading Hong Kong ink painter, did just that. When confronted with the X-ray that confirmed her diagnosis of cerebellar atrophy, Chou saw her life inscribed within it: “I saw vital images of&nbsp;<em>tree branches</em> … that is life—my life.”</p><p class="text-align-justify" dir="ltr">Her artistic engagement with trees had begun decades earlier. In the secluded forests of Hong Kong, she obsessively sketched “ten thousand trees,” a practice that became both a psychological necessity and a means of imposing order on overwhelming inner turmoil. Her later work connected these outward forms with the vascular and neural patterns revealed in medical images of her brain.</p><p class="text-align-justify" dir="ltr"><a href="https://www.hoa.ox.ac.uk/events/painters-brain-towards-cognitive-art-history"><strong>Click here for more information.</strong></a></p>
LOCATION:University of Oxford: Oakeshott Room, Lincoln College
STATUS:CONFIRMED
DTSTART:20261028T210000Z
DTEND:20261029T035859Z
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