Sarah Lund researches the visual culture of eighteenth- and nineteenth-century Europe, with a focus on female artists and works on paper. Her dissertation in progress is titled “Matrices: Female Printmakers in Revolutionary France" and focuses on female engravers, etchers, and lithographers during the French revolution of 1789 and its aftermath, arguing that female artists found in their printmaking processes and material engagement the ability to work through and disrupt gender binaries and biases. Her research can be found in Dix-huitième siècle and Nineteenth-Century Studies.

Sarah has received fellowships from the École normale supérieure, New York Public Library, Huntington Library, Decorative Arts Trust, and Harvard's Weatherhead Center for International Affairs, Graduate Society, and Smith Foundation. Her curatorial experience includes work at the Getty Research Institute, the Hood Museum of Art, and the Harvard Art Museums. Sarah is the current Membership Coordinator for the Association of Print Scholars, and she previously worked as Technical Art Historian and Research Coordinator in the new Scientific Research department at Sotheby's New York.