CURRICULUM VITAE
Jeffrey F. Hamburger

(revised March 1, 2023)

BIOGRAPHICAL INFORMATION/ADDRESS

Born 2.19.1957, London, United Kingdom (U.S. citizen from birth)

Dept. of History of Art and Architecture
Harvard University 
Sackler Museum
485 Broadway
Cambridge MA 02138 USA

Dept. Phone: 617 495–2377
Office Phone/Voice Mail: 617 495–8732
Fax: 617 495–1769
Email: jhamburg@fas.harvard.edu

Home address
46 Orchard St. 
Belmont MA 02478

EDUCATION:

Ph.D., 1987, Department of the History of Art, Yale University, “The Rothschild Canticles: Art and Mysticism in Flanders and the Rhineland ca. 1300,” supervisor, Prof. Walter Cahn, awarded the Francis Blanshard Prize for “the outstanding doctoral dissertation submitted to the History of Art Department,” and the Theron Rockwell Field Prize for an “outstanding “poetic, literary or religious work” in the Humanities.

M.A., 1982, Department of the History of Art, Yale University.

B.A, 1979, Yale College, Summa cum laude.
Warren Scholarship, for the graduating senior with the highest academic standing in the Humanities.
Mark Dietz Memorial Prize, for original research in the History of Art.
Tinker Prize, for the outstanding senior in the English department.
Bergin Cup, for achievement in the Humanities.
Distinction in the History of Art; Distinction in English; Phi Beta Kappa, 1977.

EMPLOYMENT:

Harvard University, Dept. of History of Art and Architecture, Kuno Francke Professor of German Art &
	Culture, 2008–; Full Professor, 2000–2007
University of Toronto, Dept. of History of Art, Full Professor, 1998–, Associate Professor, 1997–1998
Oberlin College, Irving E. Houck (Associate) Professor in the Humanities, 1992–1997; Associate 
	Professor with tenure, 1991–1992; Assistant Professor, 1987–1991; Instructor, 1986–1987.
Freelance journalist for Frankfurter Allegmeine Zeitung, 2013–2016

VISITING PROFESSORSHIPS

LECTIO Chair, University of Leuven, May, 2014
University of Hamburg, Kunsthistorisches Institut, June, 2014
École des Hautes Études, Paris, Groupe d’Anthropologie historique de l’Occident Médiéval (Prof. J.
	Baschet) Professeur de Conférences Invité, April, 2012
Senior Visiting Fellow, Warburg Institute, London, March, 2012
Wolfgang Stammler Gastprofesseur, Freiburg i.Ü., 2009–2010
Aston Visiting Lecturership, Oxford University, April 2008
Erasmus Seminar, University of Notre Dame, “Image, Text and Context,” June, 2005
Blockseminar, “Text und Bild: Buchmalerei und Druckgraphik in Schweizer Bibliotheken,” Deutsches
	Seminar der Universität Zürich, January, 2005 (with Prof. Hildegard Keller)
Blockseminar, “Text und Bild: Buchmalerei in Schweizer Bibliotheken,” Deutsches Seminar der
	Universität Zürich, November, 2003 (with Prof. Hildegard Keller)
École des Hautes Études, Paris, Groupe d’Anthropologie historique de l’Occident Médiéval (Prof. J.–C.
	Schmitt) Maître de Conférences Invité, May, 1997

HONORS:

Panizzi Lectures, The British Library, 2022
Gutenberg Prize of the International Gutenberg Society and the City of Mainz, 2022
Elected Corresponding Member, Akademie der Wissenschaften zu Göttingen
Kress-Beinecke Professorship, Center for Advanced Study in the Visual Arts, National Gallery of Art,
	Washington, D.C., 2019–2020
William Channing Cabot Fellow, Harvard University, 2016–2017
Corresponding Fellow, Monumenta Germaniae Historica, 2016
Bross Lectures, University of Chicago, 2015
Anneliese Maier Research Prize, Humboldt Foundation, 2015–2020
Honorary Degree, University of Bern, 2013
James and Suzanne Mellor Prize, National Museum of Women in the Arts, 2010
Elected Member, American Philosophical Society, 2010
Phi Beta Kappa teaching prize, Harvard University, 2009.
Elected Member of the American Academy of Arts & Sciences, 2009
Elected Fellow of the Medieval Academy of America, 2001
M.A. honoris causa, 2000, Harvard University.
College Art Association, Charles Rufus Morey Prize, 1999, “for an especially distinguished book in the
	History of Art,” for The Visual and the Visionary.
Sixteenth–Century Studies Conference, Roland H. Bainton Book Prize in Art & Music, 1999, for The 
	Visual and the Visionary.
International Congress of Medieval Studies, Otto Gründler Prize, 1999, for Nuns as Artists.
Finalist, Charles Rufus Morey Prize, College Art Association “for an especially distinguished book in the
	History of Art,” 1998, for Nuns as Artists.
American Philosophical Society, Jacques Barzun Prize in Cultural History, 1998, for Nuns as Artists.
Medieval Academy of America, John Nicholas Brown Prize, “for a first book or monograph on a medieval
	subject, judged to be of outstanding quality,” 1994, for The Rothschild Canticles.
Council of Graduate Schools, Gustave O. Arlt Award in the Humanities made “to a young scholar 
	teaching in the Humanities at an American University who has earned the doctorate within the
	past five years and who has published a book deemed to be of outstanding scholarly 
	significance,” 1991, for The Rothschild Canticles.

RESEARCH AWARDS:

Kress-Beinecke Professorship, CASVA, National Gallery of Art, Washington DC, 2019–2020
NEH Fellowship, 2015–2016
Dumbarton Oaks, Visiting Scholar, 2015–2016
Mellon Foundation Planning Grant (Principal Investigator), 2011
Gerda–Henkel–Stiftung Research Award (German Manuscript Illumination in the Age of Gutenberg),
	2011
Mellor Prize, American Museum for Women in the Arts, 2010
American Philosophical Society, Sabbatical Fellowship, 2007
Humboldt–Stiftung Fellowship renewal, 2006.
Harvard University, Inter–Faculty Grant, Provost’s Office, 2007–2008 (with Prof. Daniel Smail, Dept. of
	History).
Harvard University, Inter–Faculty Grant, Provost’s Office, 2004–2006 (with Prof. Beverly Kienzle, Divinity
	School).
Harvard University Divinity School, Senior Fellowship, Center for the Study of World Religions, 2003.
College Art Association, Millard Meiss Publications Grant (for St. John the Divine), 2000.
SSHRC (Social Sciences and Humanities Research Council), 2000, 3–year Research Grant (declined).
University of Toronto, Connaught Research Grant, 2000 (Research Leave, declined).
CASVA, National Gallery of Art, Mellon Senior Fellowship, 2000 (declined)
University of Toronto, Dean’s Travel Grant, 1999.
University of Toronto, Special Research Grant, 1998–1999.
Guggenheim Foundation, Guggenheim Fellowship, 1997.
Oberlin College, Research & Development Grant, 1996.
College Art Association, Millard Meiss Publication Grant (for Nuns as Artists), 1996.
Alexander von Humboldt–Stiftung Research Fellowship, 1996.
Oberlin College, Research and Development Grant, 1995.
Oberlin College, Powers Travel Grant, 1994.
Oberlin College, Research and Development Grant, 1994.
Institute of Advanced Study, School of Historical Studies, Membership, 1993.
National Endowment for the Humanities, Fellowship, 1993.
Oberlin College, Research and Development Grant, 1993.
Oberlin College, Powers Travel Grant, 1993.
DAAD, Study Visit Grant, 1989.
ACLS, Travel Grant, 1989.
J. Paul Getty Trust, Publication Grant, 1989.
National Endowment for the Humanities, Summer Travel Grant, 1988.
Oberlin College, Research and Development Grant, 1988.
Oberlin College, Research Status for 1989–1990, 1988.
Oberlin College, Powers Travel Grant, 1988.
Oberlin College, Mellon Colloquium Grant, 1988.
Center for Advanced Study in the Visual Arts, National Gallery, David E. Finley Fellowship, 1983–86.
Belgian–American Educational Foundation, Honorary Fellowship, 1983.
Yale University, Kress Summer Travel Grant, 1982.
Yale University Council on West European Studies, Graduate Research Grant, 1981.
Fulbright Fellowship, United Kingdom, University of London, Courtauld Institute, 1979.

BOOKS/EDITED VOLUMES

Power, Patronage and Production: Book Arts from Central Europe (ca. 800–1500) in American      
Collections, co-edited with Beatrice Kitzinger and Joshua O’Driscoll (Toronto, Pontifical Institute of Mediaeval Studies Press), forthcoming.

Flesh and Fabric: The Raiment of the Passion in a Crucifixion by Pietro Lorenzetti. With a Technical Report by Kate Smith and Cristina Morilla (Florence: I Tatti, 2024), forthcoming. 

The Diagram as Paradigm: Medieval Diagrams in a Cross-Cultural Perspective   (Byzantine, Western  
European, and Islamicate), eds. Jeffrey F. Hamburger, David Roxburgh, and Linda Safran (Washington, D.C.: Dumbarton Oaks, 2022).

Color in Cusanus (Stuttgart: Anton Hiersemann, 2021).

The Birth of the Author: Pictorial Prefaces in Glossed Books of the Twelfth Century (Toronto: 
Pontifical Institute of Mediaeval Studies, 2021).

Imperial Splendor: The Art of the Book in the Holy Roman Empire, 800–1500 (New York: P. Morgan Library and Museum, 2021), co-authored with Joshua O’Driscoll. Translated as Kaiserliche Pracht: Deutsche Buchkunst von 800 bis 1500. Luzern: Quaternio Verlag, 2021.

Beyond Words: New Research on Illuminated Manuscripts in Boston Collections, eds. Jeffrey F. Hamburger, Lisa Fagin Davis, Anne-Marie Eze, Nancy Netzer and William Stoneman (Toronto: PIMS, 2021).

Diagramming Devotion: Berthold of Nuremberg’s Transformation of Hrabanus Maurus’s Poems in Praise of the Cross (Chicago: University of Chicago Press, 2020).

The Liber ordinarius of Nivelles: Liturgy as Interdisciplinary Intersection, eds. Jeffrey F. Hamburger and Eva Schlotheuber, Spätmittelalter, Humanismus, Reformation 111 (Tübingen: Mohr Siebeck, 2019).

Painting the Page in the Age of Print: Central European Manuscript Illumination of the Fifteenth Century, Ed. Jeffrey F. Hamburger, trans. David Sánchez and Jeffrey F. Hamburger (Toronto: PIMS, 2018).

Unter Druck. Mitteleuropäische Buchmalerei im 15. Jahrhundert. Akten der Tagung, Wien, Österreichische Akademie der Wissenschaften, 13.1.–17.1.2016, eds. Jeffrey F. Hamburger and Maria Theisen (Petersberg: Imhoff, 2018).

Liturgical Life and Latin Learning at Paradies bei Soest, 1300–1425, 2 vols. [xiii + 782 + 626 pp.] (Münster: Aschendorff Verlag, 2017), co–authored with Margot Fassler, Susan Marti & Eva Schlotheuber.

Sign and Design: Script as Image in a Cross–Cultural Perspective (300–1600 CE), co–edited with Brigitte Bedos–Rezak (Washington D.C.: Dumbarton Oaks, 2016).

The Prayer Book of Ursula Begerin, 2 vols. (Dietikon: Urs Graf Verlag, 2015), co–authored with Nigel Palmer.

Unter Druck: Mitteleuropäische Buchmalerei im Zeitalter Gutenbergs, co–authored with Robert Suckale and Gude Suckale–Redlefsen, Buchmalerei des 15. Jahrhunderts in Mitteleuropa 2 (Luzern: Quaternio Verlag, 2015).

10 Stationen zur mitteleuropäischen Buchmalerei des 15. Jahrhunderts, eds. Jeffrey F. Hamburger and Christoph Mackert, 10 vols. (Luzern: Quaternio Verlag Luzern, 2015).

Script as Image, Corpus of Illuminated Manuscripts 21 (Leuven: Peeters, 2014).

Catherine of Siena: The Creation of a Cult, ed. Jeffrey F. Hamburger & Gabriela Signori, Medieval Women: Texts and Contexts 13 (Turnhout: Brepols, 2013).

Haec figura demonstrat’. Diagramme in einem Pariser Exemplar von Lothars von Segni, De missarum 
mysteriis’ aus dem frühen 13. Jahrhundert, Wolfgang Stammler Gastprofessur für Germanische Philologie: Vorträge 19 (Berlin: De Gruyter, 2013).

The Iconicity of Script: Writing as Image in the Middle Ages, special issue of Word & Image 23/3 (2011).

The Warburg Institute: A Special Issue on the Library and its Readers, Common Knowledge 18/1 (2011), co–edited with Tony Grafton.

Piecing together the Picture: Fragments of German and Netherlandish Manuscripts in the Houghton Library, ed. Jeffrey F. Hamburger (Cambridge: Houghton Library, distributed by Harvard University Press, 2011).

Ouvertures (Lyon: Les presses du réel/Musée des Beaux–Arts, 2010).

Leaves from Paradise: The Cult of John the Evangelist at the Dominican Convent of Paradies bei 
Soest, Houghton Library Studies, vol. 2 (Cambridge: Houghton Library, distributed by Harvard University Press), 2008.

Crown and Veil: The Art of Female Monasticism in the Middle Ages, co–edited with Susan Marti (translation of essays from the catalogue Krone und Schleier. Kunst aus mittelalterlichen Frauenklöster), forward by Caroline Walker Bynum, trans. Dietlinde Hamburger (New York: Columbia University Press, 2008).

Frauen – Kloster – Kunst: Neue Forschungen zur Kulturgeschichte des Mittelalters. Internationales Kolloquium im Zusammenhang mit Krone und Schleier: Kunst aus mittelalterlichen Frauenklöster, Die Wolfsburg, Mülheim/Ruhr, co–edited with Carola Jäggi, Susan Marti, Hedwig Röckelein (Turnhout: Brepols, 2007).

Tributes in Honor of James H. Marrow: Studies in Late Medieval and Renaissance Painting and Manuscript Illumination (Turnhout: Brepols, 2006), co–edited with Anne S. Korteweg.

The Mind’s Eye: Art and Theological Argument in the Medieval West (Princeton: Department of Art & Archaeology, Princeton University, Princeton University Press, 2005), co–edited with Anne–Marie Bouché.

Die Ottheinrich–Bibel. Kommentar zur Faksimile–Ausgabe der Handschrift Cgm 8010/1.2 der Bayerischen Staatsbibliothek München (Luzern: Faksimile–Verlag, 2002), co–authored with Brigitte Gullath, Karin Schneider, & Robert Suckale.

St. John the Divine: The Deified Evangelist in Medieval Art and Theology (Berkeley–Los Angeles: University of California Press, 2002). College Art Association, Millard Meiss Publication Grant, 2000.

The Visual and the Visionary: Art and Female Spirituality in Late Medieval Germany (New York: Zone Books, 1998).

Nuns as Artists: The Visual Culture of a Medieval Convent (Berkeley: University of California Press, 1996).

The Rothschild Canticles: Art and Mysticism in Flanders and the Rhineland ca. 1300 (New Haven: Yale University Press, 1990).

EXHIBITION CATALOGUES

Beyond Words: Illuminated Manuscripts in Boston Collections, Houghton Library (Harvard University), McMullen Museum (Boston College), Isabella Stewart Gardner Museum (Boston: McMullen Museum of Art; Chicago: University of Chicago Press, 2016).

Bilderwelten – Buchmalerei zwischen Mittelalter und Neuzeit, catalogue to accompany three exhibitions, Bayerische Staatsbibliothek, 3.2.15–1.17.17, ed. Jeffrey F. Hamburger, Robert Suckale und Gude Suckale-Redlefsen, Buchmalerei des 15. Jahrhunderts in Mitteleuropa 3 (Luzern: Quaternio Verlag, 2016).

Books in Books: Reflections on Reading and Writing in the Middle Ages, Cambridge, Houghton Library, 2010 <http://hcl.harvard.edu/libraries/houghton/exhibits/books_in_books/>

The Book of Books: Bibles, Bible Commentaries and Paraphrases from the Middle Ages, Cambridge, Houghton Library, 2008.

Picturing Prayer: The Book of Hours in the Middle Ages (Cambridge: Houghton Library, 2006), with William Stoneman. <http://isites.harvard.edu/icb/icb.do?keyword=picturingprayer&pageid=icb.page263203>

Krone und Schleier: Kunst aus mittelalterlichen Frauenklöstern (Munich: Hirmer Verlag, 2005). International loan exhibition, Kunst– und Austellungshalle der Bundesrepublik Deutschland, Bonn, and Ruhrland Museum, Essen, March 17–July 3, 2005, co–conceived with Jan Gerchow and Robert Suckale, co–edited with Lothar Altringer, Carola Jäggi, Susan Marti, Petra Marx, Hedwig Röckelein.

Les dominicaines d’Unterlinden, 2 vols. (Colmar–Paris: Musée d’Unterlinden– Somogny, 2000), member of commisariat de l’exposition (with Madeleine Blondel and Catherine Leroy); contributions include “La Bibliothèque d’Unterlinden et l’art de la formation spirituelle” vol. I, 110–159, “Le Liber miraculorum d’Unterlinden: une icône dans l’écrin de son couvent,” vol. I, 190–225, and 68 entries on manuscripts, vol. II, 67–123.

Books of Revelation: Illuminated Manuscripts and Manuscript Leaves from Oberlin College Collections (Oberlin: Allen Memorial Art Museum, Oberlin College, 1996).

EXHIBITION CONTRIBUTIONS (Essays/Entries)

“Transformationen von Text und Bild”/ “Transformations du texte et de l’image”; “Die diagrammatische 
	Imagination”/ “L’imagination schématique”); entries G46, G49, G50 in Die schönsten Seiten der 
	Schweiz/Trésors enluminés de Suisse, Stiftsbibliothek, St. Gallen/Bodmer Collection, Cologny,
	2020.
“Kollektar” and “Kapiteloffiziumsbuch” in: Macht des Wortes: Benediktinisches Mönchtum im Spiegel
	Europas, ed. Gerfried Sitar, Martin Kroker (Regensburg: Schnell & Steiner, 2009), pp. 276–278.
Die Ottheinrich–Bibel: das erste illustrierte Neue Testament in deutscher Sprache. Bayerischer 
	Staatsbibliothek, Cgm 8010 (Darmstadt: Primus, 2008), 14, 20, 22 [3 entries, with Robert
	Suckale].
De gebroeders Van Limburg, Nijmeegse meesters aan het Franse hof (1400–1416) (Nijmegen: Museum
	Valkhof, 2005). [1 entry].
Ansichten Christi: Ausstellungskatalog (Cologne: Wallraf–Richartz–Museum–Fondation Corboud, 2005),
	268–69 [1 entry].
Splendor of the Word: Medieval and Renaissance Illuminated Manuscripts at the New York Public
	Library, ed. by Jonathan Alexander, James Marrow & Lucy Sandler (Turnhout–New York: \
	Brepols, 2005), 89–97, 116–139, 163–167, 317–321, 344–352, 376–386, 422–426 [11 entries].
Origins of European Printmaking: Fifteenth–Century Woodcuts and Their Public, ed. by Peter Parshall
	& Rainer Schoch, National Gallery of Art, Germanisches Nationalmuseum (New Haven:
	Yale University Press, 2005), 164–167 [1 entry, co–authored with Peter Schmidt].
Leaves of Gold: Illuminated Manuscripts from Philadelphia Collections, ed. by James Tanis, Philadelphia,
	2001, 125–27 [1 entry: “Anna Selbdritt”].
Il volto santo di Cristo, ed. by Gerhard Wolf, Herbert L. Kessler & Giovanni Morello (Milan: Electa, 2000),
	179, 184 and 195–196 [3 entries].

CONFERENCES ORGANIZED

Power, Patronage and Production: Book Arts from Central Europe (ca. 800–1500) in American 
	Collections, Index of Medieval Art/Department of Art & Archaeology, Princeton University,
	January 13–15, 2022. Co-organized with Beatrice Kitzinger and Joshua O’Driscoll.
The Liber ordinarius of Nivelles: Liturgy as Interdisciplinary Intersection, Radcliffe Institute for
	Advanced Study, March 7–8, 2016
Sign and Design: Script as Image in a Cross–Cultural Perspective (Dumbarton Oaks, Washington, D.C.,
	co–organized with Brigitte Bedos–Rezak (NYU). 
FRIAS–Workshop Frömmigkeitskultur und Gebetbücher im deutschen Spätmittelalter. Piety and Prayer
	Books in Late Medieval Germany, co–organized with Nigel Palmer (Oxford).
The Making of a Saint: Catharina of Siena, Tomaso Caffarini and Venice, Constance, Jan. 12–13, 2009,
	co–organized with Gabriela Signori (Constance).
Internationales Kolloquium Frauen – Kloster – Kunst: Neue Forschungen zur Kulturgeschichte des
	Mittelalters. Die Wolfsburg, Mülheim/Ruhr, with co–editors of Krone und Schleier, May 13–16,
	2005.
Objects of Interpretation: Writing about Medieval Art (A Symposium in Honor of Walter Cahn’s
	distinguished career of teaching and scholarship at Yale), Institute of Sacred Music, Yale
	University Divinity School and Beinecke Rare Book Library, Yale University, March 28, 2003.
The Mind’s Eye: Art and Theological Argument in the Middle Ages, Princeton University, October, 2001,
	co–organized with Prof. Anne–Marie Bouché (Princeton).
Der illuminierte Psalter: Darstellungsinhalte, Bildgebrach und Zierausstattung, International Colloquium,
	Otto–Friedrich–Universität Bamberg, Oct. 4–6, 1999. Director of English–speaking section;
	principal organizer, Frank O. Büttner (Bamberg).

TRANSLATIONS

Kaiserliche Pracht. Deutsche Buchkunst von 800 bis 1500. Luzern: Quaternio Verlag, 2021. 
	Co-authored with Joshua O’Driscoll.
Painting the Page in the Age of Print: Central European Manuscript Illumination of the Fifteenth Century,
	eds. Jeffrey F. Hamburger, Robert Suckale, and Gude Suckale-Redlefsen; trans. Jeffrey F. 
	Hamburger and David Sánchez, Text – Image – Context: Studies in Medieval Manuscript 
	Illumination 4 (Toronto: Pontifical Institute of Mediaeval Studies, 2018). 
	[Translation and revised edition of Unter Druck: Mitteleuropäische Buchmalerei im Zeitalter 
	Gutenbergs, 2015]
Ouvertures (Lyon: Musée des Beaux–Arts, 2010).
Bücher der Menscheit”: Johannes Tauler über den ‘Scivias’ Hildegards von Bingen, trans. Michael 
	Embach, Mitteilungen und Verzeichnisse aus der Bibliothek des Bischöflichen Priestersemninars
	zu Trier, ed. by Michael Embach (Trier: Paulinus Verlag, 2005; reprinted 2007).
Peindre au couvent, trans. Catherine Bédard and Daniel Arasse, Imago mundi (Paris: Gérard Monfort,
	2000).
“The Liber miraculorum of Unterlinden,” in: Les dominicaines d’Unterlinden, Colmar, Musée Unterlinden,
	2000, 190–225.

RECORDINGS (VOICE & MUSIC)

Hildegard Elisabeth Keller, Die Stunde des Hundes: Auf dem mystischen Weg zu Gott. Ein Hörbuch nach 
	Heinrich Seuses «Exemplar» (Zürich: vdf Verlag, 2007). Contributions to essays.
Stimmen aus mittelalterlichen Frauenklöstern: Ein Hörbuch mit geistlichen Texten auf Altsächsisch,
	Mittelhochdeutsch und Mittelniederdeutsch (Berlin: De Gruyter, 2005), ed. with Hildegard
	Elisabeth Keller, Susan Marti, Hedwig Röckelein. reviewed at: http://www.mediaevum.de/
	audio/Rezension_Stimmen_Keller.htm
Krone und Schleier: Musik aus mittelalterlichen Frauenklöstern/Crown and Veil: Music from Medieval 
	Women’s Monasteries, Sequentia, Benjamin Bagby (Bonn: Kunst– und Ausstellungshalle, 2005).
	Concept, consultant and introduction.

ARTICLES & ESSAYS

“Nigel Palmer (1946–2022),” Burlington Magazine 164 (2022), 831–832.
“Between Basel and Lyon: Bernhard RIchel, Martin Huss, and a Possible Printer’s Vade Mecum (Pierpont 	Morgan Library, MS M.158),” Gutenberg-Jahrbuch (2022), 16–37.
“Introduction: Medieval Diagrams,” in: The Diagram as Paradigm: Medieval Diagrams in a Cross-Cultural 
	Perspective (Byzantine, Western European, and Islamicate), eds. Jeffrey F. Hamburger, David 
	Roxburgh, and Linda Safran (Washington, D.C.: Dumbarton Oaks, 2022), 1–10.
“Western Medieval Diagrams” in: The Diagram as Paradigm: Medieval Diagrams in a Cross-Cultural 
	Perspective (Byzantine, Western European, and Islamicate), eds. Jeffrey F. Hamburger, David 
	Roxburgh, and Linda Safran (Washington, D.C.: Dumbarton Oaks, 2022), 53–90.
“Drawing Conclusions: Logical Diagrams as a Matrix for the Making and Meaning of Christian Images in
	the Middle Ages,” in: The Diagram as Paradigm: Medieval Diagrams in a Cross-Cultural 
	Perspective (Byzantine, Western European, and Islamicate), eds. Jeffrey F. Hamburger, David
	Roxburgh, and Linda Safran (Washington, D.C.: Dumbarton Oaks, 2022), 419–455.
“’The Triple Essence of the Visual Process’, or Thinking with Diagrams in the Middle Ages and 
	Modernity,” Codex Aquilarensis 37 (2021), 41–77.
“The Liber ordinarius of Nivelles: A Manuscript Tells a Story,” Studie o Rukopiscech / Studien über 
	Handschriften / Études codicologiques 50/1 (2020), 64–73 (with Eva Schlotheuber).
“Mindmapping: The Diagram as Paradigm in Medieval Art – and Beyond,” in The Visualization of
	Knowledge in Medieval and Early Modern Europe, eds. Marcia Kupfer, Adam S. Cohen, and J.H.
	Chajes, Studies in the Visual Cultures of the Middle Ages 16 (Turnhout: Brepols, 2020), 61–86.
“Medieval Ut pictura poesis: Rhetoric, Aesthetics, and Monstrosity in a Twelfth-Century Illustrated 
	Horace,” Codex Aquilarensis: Revista de Arte Medieval, 35 (2019), 25–58.
“The Art and Architecture of Female Monasticism,” in: A Companion to Medieval Art: Romanesque and 
	Gothic in Northern Europe, 2nd edition, ed. Conrad Rudolph (Chichester: Wiley-Blackwell, 2019), 
	823–56.
 “A Seminar on Diagrams as Conversation and Consolation,” Common Knowledge 24:3 (August, 2018:
	Symposium: In the Humanities Classroom, Part 2), 356–365.
 “A Mass of St. Gregory by the Master of the Houghton Miniatures: The Interplay of Devotion and
	Invention in Netherlandish Miniature Painting,” in: New Perspectives on Flemish Illumination,
	Brussels, Royal Library of Belgium, 16–18 November 2011, eds. Lieve Watteeuw et al. (Leuven: 
	Peeters, 2018), 45–61.
“Ad infernum detraheris: The Fall of the Rebel Angels in the Speculum humanae salvationis and the
	Prayer Book of Ursula Begerin,” in: La pensée du regard: études d’histoire de l’art du Moyen Âge
	offertes à Christian Heck (Turnhout: Brepols, 2016), 193–200.
 “Le Cantique des cantiques: Un rare commentaire illustré dans l’Italie du Quattrocento,” Art de
	l’enluminure 59 (2016).
 “Die Ottheinrich-Bibel: Die Verbildlichung der Volkssprache,” in: Kunst & Glaube. Ottheinrichs 
	Prachtbibel und die Schlosskapelle Neuburg, ed. Brigitte Langer & Thomas Rainer (Munich: 
	Bayerische Verwaltung der staatlichen Schlösser, Gärten und Seen, 2016), 46–63.
“Magdalena Kremerin, Schreiberin und Malerin im Dominikanerinnenkloster St. Johannes des Täufers in 
	Kirchheim unter Teck,” in: Die Chronik der Magdalena Kremerin im interdisziplinären Dialog, ed. 
	Sigrid Hirbodian and Petra Kurz, Schriften zur südwestdeutschen Landeskunde 76 (Ostfildern:
	Thorbecke, 2016), 62–82.
 “The Desert in Paradise: A Newly-Discovered Office for John the Baptist from Paradies bei Soest and
	Its Place in the Dominican Liturgy,” in: Resounding Images: Medieval Intersections of Art,
	Music, and Sound, eds. Susan Boynton & Diana J. Reilley (Turnhout, 2015), 251–79. [co-
	authored with Margot E. Fassler].
 “Un prémontré au purgatoire: Le livre de prière d’Heinrich Österreicher,” Art de l’enluminure 53 
	(2015), 2–64.
“Encounter: The Rothschild Canticles,” Gesta 53 (2014), 125–127.
 “The Passion in Paradise: Liturgical Devotions for Holy Week in a Gradual from Paradies bei Soest
	and in Gertrude of Helfta’s Legatus divinae pietatis,” in: Räume der Passion: Raumvisionen,
	Erinnerungsorte und Topographien des Leidens Christi in Mittelalter und Früher Neuzeit,
	ed. Hans Aurenhammer & Daniela Bohde, Vestigia Bibliae 23–33 (Bern: Peter Lang, 2015),
	271–309.
“Hrabanus redivivus: Berthold of Nuremberg's Marian Supplement to De laudibus sanctae crucis,”
	in: Diagramm und Text: Diagrammatische Strukturen und die Dynamisierung von Wissen
	und Erfahrung, ed. by Eckart Conrad Lutz, Scrinium Friburgense (Wiesbaden: Reichert,
	2014), 175–203.
“A Battle for Hearts and Minds: The Heart in Reformation Polemic,” in: Mysticism, Reform, and the
	Formation of Modernity, ed. by Sally Poor & Nigel Smith (Notre Dame: University of Notre
	Dame Press, 2015), 321–352. [co–authored with Hildegard Elisabeth Keller]
“Books in Women's Hands: Liturgy, Learning, and the Libraries of Dominican Nuns in
	Westphalia,”in: Entre stabilité et itinerance: livres et culture des ordres mediants (13e–15e
	siècle, Bibliologia 37, ed. Nicole Bériou, Martin Morard & Donatella Nebbiai (Turnhout:
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“Penance in Paradise: Lenten Imagery in the Liturgical Manuscripts from Paradies bei Soest,” in:
	Schriftlichkeit und Kulturtransfer im norddeutschen Raum, ed. Patrizia Carmassi & Eva
	Schlotheuber (Wolfenbüttel: Herzog–August–Bibliothek, 2014), 167–224; 534–536.
“Another Perspective: The Book of Hours in Germany,” in: Books of Hours Reconsidered, ed. Sandra
	Hindman & James Marrow (Turnhout: Brepols, 2013), 97–152; 505–510.
“Foreword,” in: Charlotte Klack–Eitzen, Wiebke Haase, and Tanja Weißgraf, with an essay by
	Henrike Lähnemann, Heilige Röcke: Kleider für Skulpturen in Kloster Wienhausen
	(Regensburg: Schnell & Steiner, 2013), 7–8.
“Hans Belting: Bild und Kult: Eine Geschichte des Bildes vor dem Zeitalter der Kunst, 1990,” in:
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“Bilder in der Kirche, im Herzen oder gar nirgends? Überlegungen zu Periodisierungen am Beispiel
	des Bilderstreits in der Frühen Neuzeit,” in: Die Aktualität der Vormoderne:
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“Medieval Multiples before the Age of Print: The Weimar and Nuremburg Apocalypses in Light of a
	Newly Discovered Leaf,” Anzeiger des Germanischen Nationalmuseums 2012, 13–26.
“The Hand of God and the Hand of the Scribe: Craft and Collaboration at Arnstein,” in: Die
	Bibliothek des Mittelalters als dynamischer Prozess, ed. by Michael Embach, Trierer
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“Visible Speech: Imagining Scripture in the Prayer Book of Ursula Begerin and the Medieval
	Tradition of Word Illustration,” in: Schreiben und Lesen in der Stadt: Literaturbetrieb im
	spätmittelalterlichen Straßburg, ed. by Stephen Mossman & Nigel F. Palmer,
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“Mysticism and Visuality,” in: Cambridge Companion to Christian Mysticism, ed.
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	277–293.
“Visible,” in: Encyclopédie des mystiques rhénans, d’Eckhart à Nicolas de Cues, et leur réception,
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“The Iconicity of Script: Writing as Image in the Middle Ages,” Word & Image 23/3 (2011), 249–261.
“Bloody Mary: The Peplum cruentatum in Prague & and Strasbourg,” in: Studies in Medieval Art,
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	Devotion, ed. Zoë Opacic & Achim Timmermann (Turnhout: Brepols, 2011), vol. 2, 1–33.
“Introduction: Warburg’s Library and Its Legacy,” in: The Warburg Institute: A Special Issue on the
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“Typology Refigured: Marian Devotions derived from the Speculum humanae salvationis (Ms. Typ
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“Rules to Live By: A Late Thirteenth–Century De Regimine mensium,” in: Piecing together the
	Picture: Fragments of German and Netherlandish Manuscripts in the Houghton Library,
	ed. Jeffrey F. Hamburger (Cambridge: Houghton Library, distributed by Harvard
	University Press, 2011), 19–35.
“New Fragments of an Alsatian Copy of Jordan of Quedlinburg’s Sixty–Five Articles on the
	Passion,”in: Piecing together the Picture: Fragments of German and Netherlandish
	Manuscripts in the Houghton Library, ed. Jeffrey F. Hamburger (Cambridge: Houghton
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“Medieval Hypertext: The Illuminated Manuscript in the Age of Virtual Reproduction,” in: Bildtext,
	ed. Barbara Schellewald & Karin Krause, Sensus: Studien zur mittelalterlichen Kunst 2
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“Art History Reviewed XI: Hans Belting’s ‘Bild und Kult,’ 1990,” Burlington Magazine 1294
	(January 2011), 40–45.”
“Magdalena Kremer, Scribe and Painter of the Dominican Convent of St. Johannes–Baptista in
	Kirchheim unter Teck,” in: The Medieval Book: Glosses from Friends & Colleagues of
	Christopher de Hamel, ed. James H. Marrow, Richard Linenthal & William Noel (’t Goy-Houten: 
	Hes & De Graaf, 2010), 158–183.
“The Netherlands in Nuremburg: Paul Mülich’s Prayer Book,” Anzeiger des Germanischen
	Nationalmuseums (2010), 1–29.
“Haec figura demonstrat: Diagrams in an Early–Thirteenth Century Copy of Lothar de Segni’s De
	missarum mysteriis,” Wiener Jahrbuch für Kunstgeschichte (2009), 7–78.
“Openings,” in: Imagination, Books and Community in Medieval Europe: A Conference at the State
	Library of Victoria (Melbourne, Australia), 29–31 May, 2008, ed. Constant Mews
	(Melbourne: MacMillian Art Publishers, 2009), 50–133.
“Rahmenbedingen der Marienfrömmigkeit im Mittlelalter,” in: Schöne Madonnen am Rhein:
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	Landesmuseum, 2009), 121–137.
“Nürnberg – ein Zentrum karolinischer Macht und Kunstpolitik im Reich: Einleitung,” in: Kunst als
	Herrschaftsinstrument unter den Luxemburgern. Böhmen und das Heilige Römische Reich
	im europäischen Kontext, ed. Jiri Fajt & Andrea Langer (Leipzig: Geisteswissenschaftliches
	Zentrum Geschichte und Kultur Ostmitteleuropas, 2009), 194–195.
“'In gebeden vnd in bilden geschriben': Prints as Exemplars of Piety and the 'Culture of the Copy' in
	Fifteenth–Century Germany” in: The Woodcut in Fifteenth–Century Europe, ed. Peter
	Parshall, Studies in the History of Art: Symposium Papers 52 (Washington, D.C.: National
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“Representations of Reading—Reading Representations: The Female Reader from the Hedwig Codex
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	Printing,” in: Seven Perspectives on the Woodcut: Presentations from A Heavenly Craft.
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“Heinrich Seuse, ›Das Exemplar‹,“ in: Katalog der deutschsprachigen illustrierten Handschriften
	des Mittelalters, ed. Norbert Ott, vol. IV/1 (Munich: Bayerische Akademie der Wissenschaften,
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“Inscribing the Word—Illuminating the Sequence: Epithets in Honor of John the Evangelist in the
	Graduals from Paradies bei Soest,” in: Leaves from Paradise: The Cult of John at the
	Dominican Convent of Paradies bei Soest, ed. Jeffrey F. Hamburger, Houghton Library
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Review essay: David Ganz: Medien der Offenbarung: Visionsdarstellungen im Mittelalter (Berlin:
	Dietrich Reimer Verlag 2008), in: sehepunkte 8 (2008), No. 10 [15.10.2008], URL:
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“Peter Damian’s sermon 63 on John the Evangelist in Middle Dutch. With an edition of ms. Sint–
	Truiden, Instituut voor Franciscaanse Geschiedenis, a21, f. 53vb–63rb,” Ons geestelijk Erf 
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“Kuntproduktion: Einleitung,” and “Reformen des 15. Jahrhunderts: Einleitung,” in: Frauen – 
	Kloster – Kunst: Neue Forschungen zur Kulturgeschichte des Mittelalters. Internationales
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	Frauenklöster, Die Wolfsburg, Mülheim/Ruhr, ed. Jeffrey F. Hamburger, Carola Jäggi,
	Susan Marti, & Hedwig Röckelein, (Turnhout: Brepols, 2007), 101–103 & 143–146.
“Visible, yet Secret: Images as Signs of Friendship in Seuse,” Amicitia * weltlich und geistlich.
	Festschrift for Nigel Palmer on the Occasion of his 60th Birthday, ed. Annette Volfing &
	Hans–Jochen Schiewer, Oxford German Studies 36/2 (2007), 141–162.
“Overkill, or History that Hurts,” Common Knowledge 13/2–3 (Symposium: A “Dictatorship of
	Relativism?” (2007), 404–28.
“The Writing on the Wall: Inscriptions and Descriptions of Carthusian Crucifixions in a Fifteenth–
	Century Passion Miscellany,” in: Tributes in Honor of James H. Marrow: Studies in Late
	Medieval and Renaissance Painting and Manuscript Illumination, ed. Jeffrey F. Hamburger
	& Anne S. Korteweg (Turnhout: Brepols, 2006), 231–252.
“Rewriting History: The Visual and the Vernacular in Late Medieval History Bibles,” in:
	Retextualisierung in der mittelalterlichen Literatur, ed. Ursula Peters & Joachim Bumke
	(Sonderheft der Zeitschrift für deutsche Philologie, 2005), 259–307.
“Johannes Scotus Eriugena deutsch redivivus: Translations of the Vox spiritualis in Relation to Art
	and Mysticism at the Time of Eckhart,” in: Meister Eckhart in Erfurt, ed. Andreas Speer,
	Miscellanea Mediaevalia 32 (Berlin–New York, W. de Gruyter, 2005), 473–537.
“Vorbildliche Frauen,” Vernissage 13/143 (2005), 38–43.
“The Medieval Work of Art: Wherein the 'Work'? Wherein the 'Art'?,” in: The Mind’s Eye: Art and
	Theological Argument in the Middle Ages, ed. Jeffrey F. Hamburger & Anne–Marie Bouché
	(Princeton: Princeton University Press, 2005), 374–412.
“The Place of Theology in Medieval Art History: Positions, Problems, Possibilities,” in: The Mind’s
	Eye: Art and Theological Argument in the Middle Ages, ed. Jeffrey Hamburger & Anne–
	Marie Bouché (Princeton: Princeton University Press, 2005), 11–31.
“The 'Various Writings of Humanity': Johannes Tauler on Hildegard of Bingen’s Liber Scivias,” in:
	Visual Culture and the German Middle Ages, ed. Kathryn Starkey & Horst Wenzel (London:
	Palgrave Macmillan, 2005), 161–205.
“Scotus, Johannes Eriugena,” Nachtragsartikel, in: Die deutsche Literatur des Mittelalters: 
	Verfasserlexikon, Nachtragsband (Berlin–New York: de Gruyter, 2000–2004), vol. 11, cols.
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“Body vs. Book: The Trope of Visibility in Images of Christian–Jewish Polemic,” in: Ästhetik des 
	Unsichtbaren: Bildtheorie und Bildgebrauch in der Vormoderne, ed. David Ganz & Thomas
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	112–145.
“Enluminure et incunable: L’exemplaire alsacien des Soixante–cinq articles de Jourdain de
	Quedlinbourg,” Revue de l’Art 145 (2004), 5–18.
“Un jardin de roses spirituel: Une vie enluminée de Catherine de Sienne,” Art de l’enluminure 11 (2004),
	2–75.
“Am Anfang war das Bild: Kunst und Frauenspiritualität im Spätmittelalter,” in: Studien und Texte zur
	literarischen und materliellen Kultur der Frauenklöster im späten Mittelalter. Ergebnisse eines
	Arbeitsgesprächs in der Herzog August Bibliothek Wolfenbüttel, 24. bis 26. Februar 1999), ed.
	Falk Eisermann, Eva Schlotheuber & Volker Honemann (Brill: Leiden, 2004), 1–43.
“The ‘Various Writings of Humanity’: Johannes Tauler on Hildegard of Bingen’s Scivias,” in: The Voice of
	Silence: Women’s Literacy in a Men’s Church, ed. Thérèse de Hemptinne & Maria Eugenia
	Góngora, Medieval Church Studies 9 (Turnhout: Brepols, 2004), 167–92.
“In the Image and Likeness of God”: Pictorial Reflections on Images and the Imago Dei,” in: Femmes, art
	et religion au Moyen Age: Colloque international, Colmar, Musée d’Unterlinden, 3, 4, et 5 mai, ed.
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“Idol Curiosity,” Curiositas: Welterfahrung und ästhetische Neugierde in Mittelalter und früher Neuzeit, ed.
	Klaus Krüger, Göttinger Gespräche zur Geschichtswissenschaft 15 (Göttingen: Max–Planck–
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“’Siegel der Ebenbildlichkeit, voll von Weisheit’: Johannes der Evangelist und der Bildersprache der 	
	Vergöttlichung im Graduale von St. Katharinenthal,” Die Präsenz des Mittelalters in seinen
	Handschriften, ed. Nigel Palmer & Hans–Jochen Schiewer, (Tübingen: Niemeyer, 2002), 
	115–137.
“Brother, Bride and alter Christus: The Virginal Body of John the Evangelist in Medieval Art, Theology
	and Literature,” Text und Kultur: Mittelalterliche Literatur 1150–1450, Deutsche
	Forschungsgemeinschaft–Symposium, ed. Ursula Peters (Stuttgart: Metzler, 2001), 296–328.
“Women and the Written Word in Medieval Switzerland/Frauen und Schriftlichkeit in der Schweiz im
	Mittelalter,” in: Bibliotheken Bauen – Tradition und Vision/Building for Books: Traditions and 
	Visions, ed. Susanne Bieri & Walther Fuchs, contributions by Jan Assmann, Dorothée 
	Bauerle–Willert, Jeffrey F. Hamburger, Anna Klingmann, Werner Oechslin, Jean Roudaut, 
	Adolf Max Vogt (Bern: Swiss National Library, 2001), 71–164.
“Seeing and Believing: The Suspicion of Sight and the Authentication of Vision in Late Medieval Art,”
	in: Imagination und Wirklichkeit: Zum Verhältnis von mentalen und realen Bilder in der Kunst
	der frühen Neuzeit, ed. Alessandro Nova & Klaus Krüger (Mainz: Philipp von Zabern, 2000),
	47–70.
“Speculations on Speculation: Vision and Perception in the Theory and Practice of Mystical Devotions,”
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	methodische Ansätze, neue theoretische Konzepte, Kolloquium Kloster Fischingen, ed. Walter
	Haug & Wolfram 	Schneider–Lastin (Tübingen: Niemeyer, 2000), 353–408.
“The Picture Book of Madame Marie (Paris, Bibliothèque Nationale Ms. n.a. fr. 16251),” review article,
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“Frequentant memoriam visionis faciei meae: Vision and the Veronica in a Devotion Attributed to 
	Gertrude of Helfta,” in “The Holy Face”: Proceedings of the International Colloquium, Bibliotheca 
	Herztiana Rome and Villa Spelman, Florence, ed. H. L. Kessler, G. Wolf & E. Cropper 
	(Baltimore–Bologna: Johns Hopkins University, 1998), 229–246.
“Medieval Self–Fashioning: Authorship, Authority, and Autobiography in Suso’s Exemplar” in: Christ
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“To Make Women Weep: Ugly Art as 'Feminine' and the Origins of Modern Aesthetics,” Res, 31 (Spring
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“Biography, Hagiography and Legend in the Interpretation of Medieval Art,” L’Art et les Révolutions
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“The Casanatense and the Carmelite Missals: Continental Sources for English Manuscript Illumination
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“A Liber precum in Sélestat and the Development of the Illustrated Prayer Book in Germany,” Art Bulletin
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“Revelation and Concealment: Apophatic Imagery in the Trinitarian Miniatures of the Rothschild
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“The Use of Images in the Pastoral Care of Nuns: The Case of Heinrich Suso and the Dominicans,” Art
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“The Visual and the Visionary: The Changing Role of the Image in Late Medieval Monastic Devotions,”
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“Hermann of Werden’s Hortus deliciarum Salomonis Lost and Recovered,” Scriptorium 43 (1989), 
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“The Casanatense Missal and Painting in Guelders in the Early Fifteenth Century,” Wallraf–Richartz–
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	Manuscripts in the Beinecke Rare Book and Manuscript Library Yale Univeristy, Vol. II,
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“Bosch’s Conjuror: An Attack on Magic and Sacramental Heresy,” Simiolus 14 (1984), 5	–23.
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	243–257.

OCCASIONAL PIECES:
“Soll Europa sein, wie es war?”, Frankfurter Allegemeine Zeitung 5.6.2016 (Nr. 22), p. 44.
“Bitte keine Wunderkammer!”, Frankfurter Allegemeine Zeitung 30.7.2015 (Nr. 174), p. 9.
“Der Louvre wird geplundert!”, Frankfurter Allegemeine Zeitung 3.13.2015 (Nr. 61), p. 14.
“Vor einer möglichen Restitution: Warum der ‘Welfenschatz’ nicht verstreut werden darf,” Frankfurter
	Allegemeine Zeitung 20.3.2014 (Nr. 67), p. 11.
“Ich bin ein Bewohner des Elfenbeinturms: Wissenschaft gegen Wirtschaft,” Frankfurter Allegemeine
	Zeitung 6.1.2014 (Nr. 4), p. 29.
“Sie sehen doch so jüdisch aus,” Frankfurter Allgemeine Zeitung 7.12.2013 (Nr. 285), p. 34.
“Was feiern wir, wenn wir heute Thanksgiving feiern? Zum Wert eines besonderen Fests,” Frankfurter
	Allegemeine Zeitung 28.11.2013, p. 27.
“Ein Splitter vom Bett Marias,” Frankfurter Allegemeine Zeitung 19.11.2013 (Nr. 269), p. 29.
“Ein weitere Blick zuruck: Was lehrt uns heute ein Bild aus dem Jahr 1499?” Frankfurter Allegemeine
	Zeitung 19.4.2013 (Nr. 91), p. 36.
“Der Wechsel von der Erzählung zur Stimmung: Poesie statt Epik. Zu einer anonymen Beweinung
	Christi von 1420–1430 in der Berliner Gemäldegalerie,” Frankfurter Allegemeine Zeitung: 
	Feuilleton, 29.1.2013 (Nr. 24), p. 30.
“Keine Jahrhundertaufgabe,” Neue Zürcher Zeitung: Feuilleton, 10/12/2012, p. 46.
“Wo ist der Plan? Wo ist das Geld? Das Problem mit der Berliner Gemaldegalerie, aus Harvard
	betrachtet,” Süddeutsche Zeitung: Feuilleton, 8/28/2012, p. 13.
“Save the Warburg Library,” New York Review of Books, 57/14, 10.30.2012 [with Anthony Grafton]
“Am Anfang war das Licht,” Du 796 (May, 2009), 52–56. [with Hildegard Elisabeth Keller]
“Das blaue Wunder von Weihnachten: Das Kind und der Kuss, den mittelalterliche Mönche darin
	sahen,” Du 702 (December, 2008), 64–66. [with Hildegard Elisabeth Keller]
“Peanuts: Deutsche Universitäten, von Harvard aus betrachtet,” Forschung & Lehre 6.4.2008.

REVIEWS
Hans Kienhorst and Ad Poirters. Book Collections as Archaeological Sites. A Study of Interconnected-
	ness and Meaning in the Historical Library of the Canonesses Regular of Soeterbeeck, with a
	Catalogue of the Soeterbeeck Collection Compiled with Eefje Roodenburg, and Pictures by Anton
	Houtappels, Nijmegen Art Historical Studies XXIX (Turnhout: Brepols, 2023). Scriptorium 
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Wellesley, Mary. Hidden Hands: The Lives of Manuscripts and Their Makers. London: Riverun, 2021, 
	Common Knowledge (2023), forthcoming.
Bauer-Eberhardt, Ulrike. Die illuminierten Handschriften französischer Herkunft in der Bayerischen
	Staatsbibliothek. Teil 2: Vom 15. Jahrhundert bis um 1540 + flämische und niederländische 
	Handschriften. (Katalog der illuminierten Handschriften der Bayerischen Staatsbibliothek in 
	München, 7 (Wiesbaden: Reichert Verlag, 2022), Scriptorium 2023 (forthcoming).
Theisen, Maria, with Irina von Morzé. Mitteleuropäische Schulen VII (ca. 1400–1500).  Böhmen 
	–Mähren–Schlesien–Ungarn. Die illuminierten Handschriften und Inkunabeln der 
	Österreichischen Nationalbibliothek 17/1–2; Österreichische Akademie der Wissenschaften, 
	Phil.-hist. Kl.: Denkschriften 540. Vienna: Österreichischen Akademie der Wissenschaften, 2022.
	Medium Aevum (forthcoming)
European Illuminated Manuscripts in the Calouste Gulbenkian Collection. Lisbon: Calouste Gulbenkian
	Museum, Lisbon 2020, Scriptorium, forthcoming.
Schuller-Juckes, Michaela, and Evelyn Theresia Kubina. Die illuminierten Handschriften der Universitäts-
	bibliothek Graz 1225–1300. Die illuminierten Handschriften und Inkunabeln in Österreich 
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	Wissenschaften, Phil.-hist. Kl.: Denkschriften 524. Vienna: Österreichischen Akademie der 
	Wissenschaften, 2022. Medium Aevum 92/1 (2023), 206–207.
Toward a Global Middle Ages: Encountering the World through Illuminated Manuscripts. Ed. Bryan
	C. Keene (Los Angeles: The J. Paul Getty Museum, 2019), Common Knowledge, forthcoming.
Francesca Dell’Acqua, Iconophilia: Politics, Religion, Preaching, and the Use of Images in Rome, 
	c.680–880. London/New York: Routledge, 2020, Burlington Magazine 164 (Jan. 2022), 92–93.
Stefan Drechsler. Illuminated Manuscript Production in Medieval Iceland. Literary and Artistic Activities of
	the Monastery at Helgafell in the Fourteenth Century. Turnhout: Brepols, 2021, Medium 
	Aevum  91/1 (2022), 143–144. 
Hegmar Zeitlan Watenpaugh. The Missing Pages: The Modern Life of a Medieval Manuscript, From
	Genocide to Justice, Redwood City: Stanford University Press, 2019, West 86th 27/2 (2021),
	277–279.
Peter Kidd, The McCarthy Collection, Volume III: French Miniatures (London: Ad Ilissum, an imprint 
	of Paul Holberton Publishing, 2021), Medium Aevum 89 (2021), 334–335.
Bettina Bildhauer, Medieval Things: Agency, Materiality, and Narratives of Objects in Medieval German 
	Literature and Beyond (Columbus, OH: Ohio State University Press, 2020), Medium Aevum 89
	(2021), 339–340. 
Robert Couzin. Right and Left in Early Christian and Medieval Art. Art and Material Culture in Medieval
	and Renaissance Europe 16. Leiden-Boston: Brill, 2021, Medium Aevum 89 (2021), 335–336.
Manuscrits enluminés d’origine germanique. Tome II: XVe siècle. Ed. Laure Rioust et al. (Turnhout:
	Brepols/Bibliothèque nationale de France, 2020), Medium Aevum 89/1 (2021), 149–150.
Peter Kidd, The McCarthy Collection, Volume II: Spanish, English, Flemish and Central European 
	Miniatures (London: Ad Ilissum, an imprint of Paul Holberton Publishing, 2019), Medium Aevum 
	89 (2020), 157–58.
Gaudenz Freuler, with contributions by Georgi Parpulov, The McCarthy Collection, Volume I: Italian and
	Byzantine Miniatures (London: Ad Ilissum, an imprint of Paul Holberton Publishing, 2018), 
	Medium Aevum 89 (2020), 158–59.
Achim Riether, Einblattholzschnitte des 15. Jahrhunderts: Bestand der Staatlichen Graphischen 
	Sammlung München (Munich: Staatliche Graphische Sammlung, 2019), Burlington Magazine 161
	(Sept., 2019), 756–59.
Manuscripts in the Making: Art & Science II, eds. Stella Panayotova and Paola Ricciardi (London: Harvey
	Miller, 2018), Medium Aevum 88/2 (2019), 434.
Diane J. Reilly, The Cistercian Reform and the Art of the Book in Twelfth-Century France (Amsterdam: 
	Amsterdam University Press, 2018), Medium Aevum 88/2 (2019), 396–397. 
Hanna Vorholt, Shaping Knowledge: The Transmission of the Liber floridus, Warburg Institute Studies
	and Texts 6 (London: The Warburg Institute, 2017), Medium Aevum 88/1, 151–52.
Klaus Gereon Beuckers, Das Prachtevangeliar aus Mariengraden. Ein Meisterwerk der salischen 
	Buchmalerei. Die Handschrift Cod. 1–1a der Erzbischöflichen Diözesan- und Dombibliothek 
	Köln. Vorwort von Harald Horst. Spezialbeitrag zur Kodikologie und Maltechnik von Doris
	Oltrogge. Original-Faksimiledoppelblatt in einer Leinenmappe. Luzern: Quarternio Verlag, 2018,
	Medium Aevum 88/1, 141–42.
Gerold Hayer and Manuel Schwembacher, Die mittelalterlichen Handschriften des Stiftes Nonnberg in
	Salzburg, with the assistance of Friedrich Adomeit and Susanne Lang, Denkschriften der 
	Österreichischen Akademie der Wissenschaften, philosophisch-historische Klasse, vol. 501; 
	Veröffentlichungen der Kommission für Schrift- und Buchwesen des Mittelalters, series II, 7: 
	Verzeichnisse der Handschriften österreichischer Bibliotheken (Vienna: Verlag der 
	Österreichischen Akademie der Wissenschaften, 2018), Medium Aevum 87/2 (2018), 371–72.
Norbert Wolf, Das Missale Albrechts von Brandenburgs. Geschaffen von Nikolaus Glockendon – inspiriert 
	von Albrecht Dürer. Die Handschrift 1- der Hofbibliothek Aschaffenburg. Mit einem Vorwort von
	Karin L. Kuhn. Luzern: Quaternio Verlag, 2017, Medium Aevum 87/2 (2018), 372–73.
An Insular Odessey: Manuscript Culture in Early Christian Ireland and Beyond, eds. Rachel Moss et al.
	(Dublin: Four Courts Press, 2017), Burlington Magazine 160 (September, 2018), 798.
Jochen Sander, ed. Schaufenster des Himmels: Der Altenberger Altar und seine Ausstattung (Frankfurt:
	Städel Museum, 2016), Speculum 93/2 (2018), 573–74.
Kathryn M. Rudy, Postcards on Parchment: The Social Lives of Medieval Books (London: Yale University
	Press, 2015), Common Knowledge 23/2 (2017), 354–55.
Lucy Freeman Sandler / Bernard Bousmanne, Der Peterborough-Psalter. The Peterborough Psalter. Le
	Psautier de Peterborough. Ms. 9961-62, Brüssel, Bibliothèque royale de Belgique, Kommentar
	zur Faksimile-Edition (Luzern: Quatenrio Verlag, 2016), Scriptorium 70/2 (2016), no. 471.
Monika Müller et al., Der Bernward-Psalter im Wandel der Zeiten. Eine Studie zu Ausstattug und
	Funktion, Wolfenbüttler Mittelalter-Studien, 23 (Wiesbaden: Harrassowitz Verlag, 2013), 
	Scriptorium 70/2 (2016), n° 278.
Evelin Wetter, Liturgische Gewänder der Schwarzen Kirche zu Kronstadt in Siebenbürgen, with 
	contributions by Corinna Kienzler and Ágnes Ziegler (Riggisberg: Abegg-Stiftung, 2015), Medium
	Aevum 85 (2106), 147–48.
Alison Stones, Gothic Manuscripts, 1260–1320: Part One, 2 vols., A Survey of Manuscripts Illuminated in
	France (London/Turnhout: Harvey Miller Publishers, 2013), Medium Aevum, 85 (2016), 157–58.
Alison Stones, Gothic Manuscripts 1260–1320, Part Two: A Survey of Manuscripts Illuminated in France, 
	2 vols. (London/Turnhout: Harvey Miller Publishers, 2014), Medium Aevum 85 (2016), 143–44.
Berthold Kress, Divine Diagrams: The Manuscripts and Drawings of Paul Lautensack (1477/78–1558),
	Library of the Written World 34; The Manuscript World 6 (Leiden: Brill, 2014), Medium Aevum 84 
	(2015), 142–43.
Ulrike Jenni & Maria Theisen, Mitteleuropäische Schulen IV (ca.1380–1400). Hofwerkstätten König 
	Wenzels IV. und deren Umkreis, Österreichische Akademie der Wissenschaften Philosophische
	 Klasse Denkschriften 458; Veröffentlichungen der Kommission für Schrift- und Buchwesen des 	Mittelalters, Reihe I/13 13 2 vols (Vienna: Verlag Österreichischen Akademie der Wissen-
	schaften, 2014), Medium Aevum 84 (2015), 139–40.
Katharina Hranitzky et al., Mitteleuropäische Schulen V (ca. 1410–1450). Wien und Niederösterreich,
	Veröffentlichung zum Schrift– und Buchwesen des Mittelalters, Reihe I.: Die illuminierten
	Handschriften und Inkunabeln der Österreichischen Nationalbibliothek 14/1–2 2012, Zeitschrift
	für deutsches Alterum und Philologie 142 (2013), 383–386.
Karl–Georg Pfändtner & Brigitte Gullath, Der Uta–Codex. Frühe Regensburger Buchmalerei in 
	Vollendung. Die Handschrift Clm 13601 der Bayerischen Staatsbibliothek. Quaternio Verlag 
	Luzern, Luzern 2012, Scriptorium 57 (2013), 160*.
Patrons and Professionals in the Middle Ages. Proceedings of the 2010 Symposium, ed. by Paul Binski &
	Elisabeth A. New, Harlaxton Medieval Studies 12 (Donington: Shaun Tyas, Donington: 2012),
	Scriptorium 66/2 (2012), no. 481.
Cobie Kuné, Geistliche Texte aus einer spätmittelalterlichen Handschrift: ‘Frauenfelder Passionsgedicht’–
	‘Die fünf Herzeleid Mariä’ – ‘Cordiale’–Die Gründungsgeschichte des Kartäuserordens und 
	weitere Texte aus der Kantonsbibliothek Thurgau, Frauenfeld, Ms. Y 80. Edition und Kommentar, 
	Zeitschrift für deutsches Altertum und deutsche Literatur: Beihefte 13 (Stuttgart: Hirzel Verlag,
	2011), Scriptorium 67/1 (2013), 156.
Rowan Watson, Victoria and Albert Museum: Western Illuminated Manuscripts. A Catalogue of Works in 
	the National Art Library from the Eleventh to the Early Twentieth Century, with a Complete 
	Account of the George Reid Collection, 3 vols., photography by Paul Gardner (London: V&A 
	Publishing, 2011), Medium Aevum, forthcoming. 
‘Listen, O Isles, unto Me’, Studies in Medieval Word and Image in Honour of Jennifer O’Reilly, ed. 
	Elizabeth Mullins & Diarmuid Scully (Cork University Press: Cork 2011), Scriptorium 65/2 (2011),
	445.
Barbara Baert, Caput Johannis in Disco (Essay on a Man’s Head), trans. Irene Schaudies, Visualizing the
	Middle Ages 8 (Leiden: Brill, 2012), Medium Aevum 83 (2014), 131–132.
Susanne Ehrich, Die ,Apokalypse’* Heinrichs von Hesler in Text und Bild. Traditionen und Themen
	volkssprachlicher Bibeldichtung und ihre Rezeption im Deutschen Orden. Philologische Studien 
	und Quellen 223. Berlin: Erich Schmidt Verlag, 2010, Zeitschrift für deutsche Philologie 131 
	(2012), 131–137.
Sehen und Sichtbarkeit in der Literatur des deutschen Mittelalters: XXI. Anglo–German Colloquium
	London 2009, ed. Ricarda Bauschke, Sebastian Coxon, Martin H. Jones (Berlin: Akademie,
	2011), Scriptorium (2012), 107*–108*.
T. J. Gorringe, Earthly Visions: Theology and the Challenge of Art (New Haven: Yale University Press,
	2011), Common Knowledge 18/3 (2012), 547–548.
Roger S. Wieck, with Cynthia J. Brown, Das Gebetbuch der Claude de France [The Prayer Book of
	Claude de France] Ms M. 1166, The Pierpont Morgan Library, New York, Kommentar zu 
	Faksimile–Edition, (Luzern: Quaternio–Verlag, 2010), Scriptorium (2010). 188*–189*.
John R. Decker, The Technology of Salvation and the Art of Geertgen tot Sint Jans (Farnham: Ashgate,
	2009), Ons geestelijk Erf 81 (2010), 369–74.
Stephen Mossman, Marquard von Lindau and the Challenges of Religious Life in Late Medieval Germany
	(Oxford: Oxford University Press, 2010), Medium Aevum 79 (2010), 347–49.
Anton von Euw and Werner Vogler, Liber Aureus: Codex Fabariensis 2 des Stiftarchivs Pfäfers im 
	Stiftsarchiv St. Gallen (Graz: Adeva, 2008), Scriptorium (2010), 64*
Cynthia J. Cyrus, The Scribes for Women’s Convents in Late Medieval Germany (Toronto, University of
	Toronto Press, 2009), Speculum 85 (2010), 379–82.
Klara H. Broekhuijsen, The Masters of the Dark Eyes: Late Medieval Manuscript Painting in Holland
	(Turnhout: Brepols, 2009), Medium Aevum 79 (2010), 130–131.
Enlumineurs messins du XVe siècle. Les carnets de Medamothi, Revue du patrimoine des Bibliothèques. 
	Médiathèques de Metz, Metz 2007, Scriptorium (2009), 155*.
The Cambridge History of the Book in Britain, II: 1100–1400, ed. Nigel J. Morgan and Rodney M.
	Thomson (Cambridge: Cambridge University Press, 2008), Scriptorium (2008), 137*.
James France, Medieval Images of Saint Bernard of Clairvaux (Kalamazoo, Mi: Cistercian Publications,
	2007), Medium Aevum 77/2 (2009), 324–235.
Kathleen L. Scott, Tradition and Innovation in Later Medieval English Manuscripts. London: The British
	Library, 2007, Scriptorium (2008), 238*.
Starkey, Kathryn) and Horst Wenzel, ed. Imagination und Deixis. Studien zur Wahrnehmung im Mittelalter
	(Stuttgart: Hirzel Verlag, 2007), Scriptorium (2008), 55*–56*.
Bruce Holsinger, Neomedievalism, Neoconservatism and the War on Terror (Chicago: Prickly Paradigm
	Press, 2007), Common Knowledge 14 (2008), 489–490.
Meyer Schapiro, Romanesque Architectural Sculpture: The Charles Eliot Norton Lectures, ed. Linda
	Seidel Chicago: Chicago University Press, 2006, Common Knowledge 14/2 (2008), 320–321.
Michael Curschmann, Wort – Bild – Text: Studien zur Medialität des Literarischen in Hochmittelalter und
	früher Neuzeit, 2 vols., Saecvla Spiritalia 44 (Baden–Baden: Valentin Koerner, 2007), Zeitschrift 
	für deutsche Philologie, Heft 3 (2008), 432–435.
Alison Beach, ed., Manuscripts and Monastic Culture. Reform and Renewal in Twelfth–Century Germany,
	Medieval Church Studies 13 (Turnhout: Brepols, 2007), Scriptorium (2007), 155*. 
Jaroslav Folda, Crusader Art in the Holy Land, From the Third Crusade to the Fall of Acre, Cambridge: 
	Cambridge University Press, 2005, Common Knowledge 14 (2008), 154–155.
Diane J. Reilly, The Art of Reform in Eleventh–Century Flanders: Gerard of Cambrai, Richard of Sainte–
	Vanne and the Saint–Vaast Bible, Studies in the History of Christian Traditions 128, Leiden: Brill,
	2006, Scriptorium (2007), 113*–114*.
Karl IV: Kaiser von Gottes Gnaden: Kunst und Repräsentation des Hauses Luxemburg 1310–1437, ed.
	 by Jiřï Fajt (Munich: Deutscher Kunstverlag, 2006), in Umění 55 (2207), 338–40.
Tobias A. Kemper, Die Kreuzigung Christi: motivgeschichtliche Studien zu lateinischen und deutschen
	Passionstraktaten des Spätmittelalters, MTU 131 (Tübingen: Niemeyer, 2006), Medium Aevum
	76 (2007), 368–69.
Peter Michael Ehrle & Ute Obhof, Die Handschriftensammlung der Badischen Landesbibliothek: 
	Bedrohtes Kulturerbe? (Gernsbach: Casimir Katz Verlag, 2007), Medium Aevum 76 (2007), 
	333–34.
Peter Burkhart and Christine Sauer, Die gotischen Handschriften der Württembergischen Landes-
	bibliothek Stuttgart. Teil 2: Vom späten 13. bis zum frühen 15. Jahrhundert, 2 vols. (Wiesbaden:
	Harrassowitz, 2005), Medium Aevum 76 (2007), 333–34.
Judith Raeber, Buchmalerei in Freiburg im Breisgau: Ein Zisterzienserbrevier aus dem frühen 14.
	Jahrhundert. Zur Geschichte des Breviers und seiner Illumination, Wiesbaden: Reichert, 2003,
	Medium Aevum 76 (2007), 334–36.
Elizabeth Saxon, The Eucharist in Romanesque France: Iconography and Theology, Woodbridge: 
	Boydell, 2006, Speculum 82 (2007), 1035–36.
Ann W. Astell, Eating Beauty: The Eucharist and the Spiritual Arts of the Middle Ages, Ithaca: Cornell
	University Press, 2006, Speculum 82 (2007), 680–81.
Veronika Sattler, Zwischen Andachtsbuch und aventiure: Der Neufville–Vitasse–Psalter, New York, PML,
	Ms M.730. Teil 1: Text; Teil 2: Anhänge und Tafeln, with a CD–ROM (Anhang 7: Tabellen),
	Schriften zur Kunstgeschichte 12, Hamburg: Verlag Dr. Kovać, 2006, Medium Aevum 76/1
	(2007),136–37.
Beate Braun–Niehr, Das Brandenburger Evangelistar, Schriften des Domstifts Brandenburg 2, Munich: 
	Schnell und Steiner 2005, Scriptorium 60 (2006), 26*–27*.
Prague: The Crown of Bohemia, 1347–1437, ed. Barbara Drake Boehm and Jiří Fajt, New York–New
	Haven: The Metropolitan Museum of Art and Yale University Press, 2005, Burlington Magazine
	148 (January 2006), 60–62
Writing the Wilton Women: Goscelin’s Legend of Edith and Liber confortatorius, ed. S. Hollis et al.,
	Turnhout: Brepols, 2005, Scriptorium 59 (2005), 288*.
Lucy Freeman Sandler, The Lichtenthal Psalter and the Manuscript Patronage of the Bohun Family, 
	Turnhout: Brepols–Harvey Millar, 2004, Scriptorium 59 (2005), 44*–45*.
“Prague: The Crown of Bohemia,” Burlington Magazine CXLVIII/1234 (January 2006), 60–62.
John Williams, The Illustrated Beatus: A Corpus of the Illustrations of the Commentary on the
	Apocalypse, vol. II, The Ninth and Tenth Centuries, London–Turnhout: Harvy Miller, 1994, and
	vol. III, The Tenth and Eleventh Centuries, London–Turnhout: Harvy Miller, 1998, Scriptorium 59 
	(2005), 138*.
Barbara Baert, A Heritage of Holy Wood: The Legend of the True Cross in Text and Image, Leiden: 
	Brill, 2004, Scriptorium 59 (2005), 8*–9*.
Gerhard Schmidt, Malerei der Gotik: Fixpunkte und Ausblicke, 2 vols., ed. Martin Roland (Graz : ADEVA,
	2005), Medium Aevum 74/2 (2005), 345–46.
Jenni, U., Theisen, M., Stejskal, K., Mitteleuropäische Schulen III (ca. 1350–1400). Böhmen – Mähren –
	Schlesien – Ungarn (mit Ausnahme der Hofwerkstätten Wenzels IV. und deren Umkreis), 2 vols.,
	Vienna: Österreichische Akademie der Wissenschaften, 2004, Scriptorium 2004/2, 183*–184*
M. Roland, Die Lilienfelder Concordantiae caritatis. (Stiftsbibliothek Lilienfeld CLi 151), Graz: ADEVA,
	2002, Scriptorium 56 (2002), 524*.
F. Eisermann, Stimulus amoris: Inhalt, lateinische Überlieferung, deutsche Übersetzungen, Rezeption, 
	Münchener Texte und Untersuchungen zur deutschen Literatur des Mittelalters 118, Tübingen: 
	Niemeyer, 2001, Scriptorium, 56 (2002), 311*.
A Treasure House of Books: The Library of Duke August of Brunswick–Wolfenbüttel, Austellungskataloge
	der Herzog August Bibliothek 75, Wiesbaden: Harrassowitz, 1998, Scriptorium 56 (2002), 2*.
Brown, M. P., The Lindesfarne Gospels: Society, Spirituality and the Scribe, London: British Library,
	2003, Scriptorium 2004, 16*–17*.
Williams, J., The Illustrated Beatus: A Corpus of the Illustrations of the Commentary on the Apocalypse,
	vol. IV, The Eleventh and Twelfth Centuries, London–Turnhout: Harvy Miller, 2002, Scriptorium
	2003/2, 278*–279*.
Williams, J., The Illustrated Beatus: A Corpus of the Illustrations of the Commentary on the Apocalypse,
	vol. V, The Twelfth and Thirteenth Centuries, London–Turnhout: Harvy Miller, 2003, Scriptorium
	2003/2, 279*–280*.
S. Biernoff, Sight and Embodiment in the Middle Ages, Houndmills: Palgrave, 2002, Speculum 79
	(2004), 133–36.
Die Bamberger Apokalypse. Kommentar zur Faksimile–Ausgabe der Handschrift Msc. Bibl. 140 der
	Staatsbibliothek Bamberg, ed. Gude Suckale–Redlefsen et al., Luzern: Faksimile–Verlag, 2002,
	Scriptorium, 2003/1, 16*–17*.
C. Heitzmann, “Ganze Bücher von Geschichten”: Bibeln aus Niedersachsen, Wolfenbüttel: Herzog
	August Bibliothek, 2003, Scriptorium, 2003/1, 71*–72*.
L. E. Saurma–Jeltsch, Spätformen mittlelalterliche Buchherstellung: Bilderhandschriften aus der Werkstatt
	Diebold Laubers in Hagenau, 2 vols., Wiesbaden: Reichert Verlag, 2001, Medium Aevum 72,
	162–164.
Gotische Buchmalerei aus Westfalen: Choralbcher der Frauenklster Paradiese und Welver bei Soest, 
	Soester Beiträge 57, ed. Ulrich Löer, Soest: Mocker & Jahn, 1997, Scriptorium, 2002/2, 186*–
	187*.
S. Seeberg, Die Illustration im Admonter Nonnenbrevier von1180. Marienkronung und Nonnen
	frömmigkeit – Die Rolle der Brevierillustration in der Entwicklung von Bildthemen im 12. 
	Jahrhnundert, Wiesbaden: Reichert Verlag, 2002, Scriptorium, 2002/2, 202*–203*.
L. Castelfranchi Vegas, Europas Kunst um 1000, 950–105, Regensburg, 2001, Scriptorium, 2002/2, 
	179*–180*.
H. Fillitz, ed., Früh– und Hochmittelalter, Geschichte der bildenden Kunst in Österreich 1, Vienna, 1998,
	Mediävistik 13, 2000, 272–74.
C. Bruins, Chiara d’Assisi come altera Maria. Le miniature della vita di Santa Chiara nel manoscritto
	Thennenbach–4 di Karlsruhe, Iconographia Franciscana 12, Rome, Istituto Storico dei 
	Cappuccini, 1999, Scriptorium, 2001/2, 172–74.
Annette Volfing, John the Evangelist and Medieval German Writing: Imitating the Inimitable, Oxford, 2001,
	Medium Aevum 71 (2002), 364–366.
L. Kendrick, Animating the Letter: The Figurative Embodiment of Writing from Late Antiquity to the
	Renaissance, Columbus, Ohio State University Press, 1999, Speculum 76 (2001), 751–53. 
M. Egerding, Die Metaphorik der spätmittelalterlichen Mystik. Band I. Systematische Untersuchung. Bd II.
	Bildspender – Bildempfänger – Kontexte: Dokumentation und Interpretation. Paderborn 1997,
	Medium Aevum 70 (2001), 145–47.
Hildegard of Bingen. The Context of her Thought and Art (Warburg Institute Colloquia 4) ed. by C. Burnett
	& P. Dronke. London, The Warburg Institute, University of London, 1998, Scriptorium, 74 (1999),
	56*–57*.
M. Carruthers, The Craft of Thought: Meditation, Rhetoric, and the Making of Images, 400–1200 
	(Cambridge Studies in Medieval Literature 34), Cambridge, 1998, Medium Aevum 68 (1999),
	307–09.
A. Albus, Die Kunst der Künste. Erinnerungen an die Malerei, Frankfurt, 1997, Mediaevistik 11 (1998),
	415–18.
A. R. Fingernagel and M. Roland, Mitteleuropäische Schulen I (ca. 1250–1350), Die illuminierten
	Handschriften un Inkunabeln der Österreichischen Nationalbibliothek, 10, Vienna, 1996, Medium
	Aevum 66 (1997), 309–10.
B. Cardon, Manuscripts of the Speculum Humanae Salvationis in the Southern Netherlands (c. 1410 – c. 	1470): A Contribution to the Study of the 15th Century Book Illumination and of the Function of
	Historical Symbolism, Corpus of Illuminated Manuscripts: Low Country Series, vol. 9, Peeters,
	Leuven, 1996, Speculum, 73 (1998), 818–820.
Johannes Molanus, Traité des saintes images, eds. F. Boespflug, O. Christin, B. Tassel, Paris, 1996, 
	Medium Aevum 67 (1998), 121–124.
V. M. Schmidt, A Legend and its Image: The Aerial Flight of Alexander the Great in Medieval Art, 
	Groningen, 1995, in Mediaevistik, 10, 1997, 338–341.
M. Niesner, Das Speculum humanae Salvationis der Stiftsbibliothek Kremsmünster: Edition der
	mittelhochdeutschen Versübersetzung und Studien zum Verhältnis von Bild und Text (Pictura et 
	Poesis 8), Cologne, 1995, Scriptorium, 72 (1997), 95*–96*.
R. Helssig, Die lateinischen und deutschen Handschriften der Universitäts–Bibliothek Leipzig, Bd. I: Die
	theologischen Handschriften, Teil 1 (Ms 1–500), Wiesbaden, 1996, Scriptorium, 72 (1997), 
	61*–62*.
G. Suckale–Redlefsen, Die Handschriften des 12. Jahrhunderts der Staatsbibliothek Bamberg, 
	Wiesbaden, 1995, Scriptorium, 72 (1997), 50*–51*.
A. Cohen–Mushlin, A Medieval Scriptorium: Sancta Maria Magdalena de Frankendal, Wiesbaden, 1990, 
	in Scriptorium, 72, 1997, 140*–141*.
R. W. Scheller, Exemplum: Model–Book Drawings and the Practice of Artistic Transmission in the Middle 
	Ages (200 BC–c.1470), Amsterdam, 1995, in Speculum 72 (1997), 217–219.
R. Meyer, Das “St. Katharinentaler Schwesternbuch: Untersuchung, Edition, Kommentar, Münchener 
	Texte und Untersuchungen zur deutschen Literatur des Mittelalters, 104, Munich, 1995, in: 
	Medium Aevum 65 (1996), 170–171.
J. K. Eberlein, Miniatur und Arbeit: Das Medium Buchmalerei (Frankfurt, 1995), in Scriptorium (1996), 1,
	29*.
A. S. Cavallo, Medieval Tapestries in the Metropolitan Museum of Art, (New York, 1991) in Speculum 71
	(1996), 402–404.
J. M. Robinson, Syon Abbey: The Library of the Bridgettine Nuns and their Perigrinations after the
	Reformation (Roxburghe Club, 1991) in Speculum 69 (1994), 246–247.
J. E. Ziegler, Sculpture of Compassion: The Pietà and the Beguines in the Southern Low Countries,
	 c.1300–c.1600 (Brussels–Rome, 1992), in Speculum 69 (1994), 992–924.
M. Camille, Image on the Edge: The Margins of Medieval Art (London, 1992), in Art Bulletin 75 (1993),
	319–327.
C. Donovan, The de Brailes Hours: Shaping the Book of Hours in Thirteenth–Century Oxford (Toronto, 
	1991) in Speculum 68 (1993), 1103–1105.
Y. Zaluska, L’enluminure et le scriptorium de Cîteaux au XIIe siècle (Cîteaux, 1989), in Speculum 67 
	(1992), 765–767.
M. Camille, The Gothic Idol: Ideology and Image–Making in Medieval Art (Cambridge, 1989) in Journal of
	Religion 72 (1992), 108–110.
S. Von Borries–Schulten & A. Butz, Katalog der illuminierten Handschriften der Württembergischen
	Landesbibliothek Stuttgart, Bd. 2, Teil 1–2 Die Romanischen Handschriften (Stuttgart, 1987) in
	Quaerendo 20 (1990), 225–231.

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The Royal Academy and Belgium, “Laureate of the Royal Academy of Belgium: Class of the Arts,”
	Referee, 2006
Alexander–von–Humboldt Foundation
American Academy in Berlin
American Academy in Rome (Rome Prize; Chair of Selection Committee)
American Philosophical Society
Austrian Science Fund
Autonome Provinz Bolzen–Südtirol (Bildungsförderung, Universität und Forschung)
Deutsche Forschungsgemeinschaft
European Research Council
German–Israeli Foundation for Scientific Research and Development
Getty Grant Program
J. Paul Getty Postdoctoral Fellowships in the History of Art and the Humanities
Guggenheim Fellowship Program
Institute for Advanced Study (NEH Fellowships)
Institut Universitaire de France
Israel Science Foundation
National Humanities Center, 1999–
Swiss National Science Foundation
Université Charles–de–Gaulle Lille 3

Thesis Examiner
La Trobe University, Australia
Columbia University
Courtauld Institute, London

Dissertations Supervised
Francisco Prado–Vilar, “In the Shadow of the Gothic Idol: The Cantigas de Santa María and the Imagery
	of Love and Conversion” (2002)
Benjamin Paul, “The Plague, Turks, and Divine Wrath: Tintoretto’s Representation of the Apocalyptic
	Woman” (2003)
Amanda Luyster, “Courtly Art far from Court: The Family Saint–Floret, Representation and Romance”
	(2003)
Sarah Carrig Bond, “Studies of the Romanesque Sculpture of Saint–Pierre de Mozac in Auvergne: 
	Location and Meaning” (2003).
Kirstin Smith, “The Apostolic Ideal at the Monastery of St. John in Müstair” (2006)
Danielle Joyner, “Images of Time and History in the Hortus Deliciarum” (2007)
Aden Kumler, “Visual Translation, Visible Theology: Illuminated Devotional Literature in France and
	England, 1200–1400” (2007)
Shirin Fozi, “The Body Recast and Revived: Figural Tomb Sculpture in the Holy Roman Empire,
	1080–1160” (2010)
Seth Hindin, “Knowledge, Memory, and Ethnic Commitment in Bohemian Visual Culture, 1200–1450”
	(2012)
Jessica Berenbeim, “Art and History in the Sherbourne Missal: Legal Consciousness and Monastic
	Culture in England, ca. 1400” (2012)
Beatrice Kitzinger, “Cross and Book: The Liturgical Cross and its Representations in Late–Carolingian
	Gospel Manuscripts” (2012)
Konstantina Karterouli, “The Virgin of Dom Rupert: Image, Function, Assimilation” (2014).
Joshua O’Driscoll, “Image and Inscription in the Painterly Manuscripts from Ottonian Cologne” (2015)
Nadia Marx, “Images of Adam and Engagements with Antiquity in Romanesque and Gothic Sculpture”
	(2016)
Charlotte Gray, “The Fabric of the Church: Textiles and the Interpretation of the Architectural Arts
	at Chartres Cathedral, c. 1200-1224” (2017)
Erika Loic, “The Ripoll Bibles: Unity, Continuity, and Monastic Practice” (2017)
Denva Jackson, “In the Footsteps of our Fathers: Identity Construction and the Rise of the Eremitical
	Ideal in the Morgan Library’s Vitae patrum, M.626” (2018)
Courtney Tomaselli, “ ‘For He Was Made Man That We Might Be Made God:’ Visualizing the Way to
	Theosis in the Byzantine Psalter Vat. gr. 1927” (2019).
Nicole Pulichene, “‘One Whose Name was Writ in Wax’: Reflections on the Medieval Reuse of Consular
Diptychs” (2020)
Juliette Calvarin, "Ornamenta sacerdotum: Marian Chasubles for Priestly Bodies in Pre-Hussite Prague"
	(2021)

Dissertation Committee
Cynthia Hall, “Devotional Practice in Fifteenth–century Germany: The Use of Images in the Schatz-
	behalter” (2003)
Amy Powell, “Repeated Forms: Rogier van der Weyden's Descent from the Cross and its Copies” (2004)
Rachel Neis, “Vision and Visuality in Late Antique Rabbinic Culture” (Near Eastern Languages and
	Civilizations, 2006).
David Kim, “Artifex Viator: Mobility, Style and Identity in Sixteenth–Century Italian Art Theory and 
	Practice” (2009)
Karen Hwang, “The Cosmological Budda” (2009)
Youn–Mi Kim, “Buddhist Cosmology, Magical Spells, and Eternalized Rituals: Chaoyang North Pagoda
	(1043CE–1044CE)” (2010)
Marissa Bass, “The Venus of Zeeland: Jan Gossart and the Netherlandish Revival of Antiquity” (2011)
Ivan Drpić, “Kosmos of Verse: Art and Epigram in Late Byzantium” (2011)
Eva Helfenstein, “The Goblet of Philip the Good. Precious Vessels at the Court of Burgundy” (2012)
Steven Rozenski, “Henry Suso and Richard Rolle: Devotional Mobility and Translation in Late-Medieval
	England and Germany” (2012)
Jason LaFountain, “The Puritan Artworld” (2013)
Jaya Remond, “The Kunstbüchlein: Transmitting Artistic Know-How in Renaissance Germany” (2014) 
Katherine Harrison, “Icon, Amulet, and Ornament: Carved Gems of the Middle Byzantine Period” (2015)
Merih Danli, “Art, Science, and Neoplatonic Cosmology in the Fourteenth-Century Illustrations of 
	Marcianus Graecus 516 (2019).”
Kirsten Burke, “The Writing Masters of Renaissance Germany: Johann Neudörffer and His World”

Dissertations in Progress
Eleanor Goerss, “Le Myésier's Ladder: The Breviculum and the Project to De-diagram Llull's Art”
Avantika Kumar, “Creation and Embodiment in the Tiberius Psalter”