Matthew Abramson Prize
Matthew S. Abramson, known as Matt to his family and friends, was an avid reader from the time he was a child and an avid student of art starting in the fourth grade when he was introduced to the concept of style by a teacher who preferred the class art show to the class play. He grew up in New York City where there was no shortage of art and architecture to see and study. He traveled extensively with his parents (David ’65, Stephanie ‘66 and sister, Hilary, 97) and with friends to indulge his love of skiing and learning about people from other cultures. Matt blessed his family and friends with a dry and literary sense of humor and great accomplishment as a chef. He wrote a book containing his own bread recipes.
Matt read voraciously on many subjects including art, Japanese naval history and the American civil war but his passion was everything related to the automobile; he loved the history, production, design, engineering, people and business of cars and, most of all, driving them. He combined his love of art and architecture and his passion for cars in his senior thesis [which related LeCorbusier’s architecture of multifamily buildings in France to Henry Ford’s mass production of cars]. In his senior year, Matt was awarded a travel stipend to visit Le Corbusier buildings in Marseille and Bordeaux in preparation for writing his thesis which earned a Summa Cum Laude.
Matt felt strongly about public service and spent the year after graduation working in the City Year program in Boston in a school for children with special needs and looked forward to a career in the practice of law. He was admitted to Columbia Law School for the class of 2000 but was diagnosed with a rare form of cancer in May of 1997 and was not able to attend.
When Matt first learned of his diagnosis, before starting treatment, he established the Matt Abramson Thesis Prize in what is now the Department of History of Art and Architecture to reward exceptional work. After his death in November of 1998, his family established the Matt S. Abramson Travelling Fellowship to help fund travel by students in the Department of History of Art and Architecture preparing their senior theses.
Comprehensive List of Abramson Prize Winners
2026
John Weaver - "Worldly Heaven: Elephanta’s Polyvalent Program and Sacred Geography"
2025
Alejandra Riambau - "Tidal Shifts: Water as Metaphor in Cuban Contemporary Art"
2024
Erik Zou - "Paint and Pixel: Reimagining Impressionist Color in Monet's Rouen Cathedral Series Through Statistics"
2023
Cecilia Zhou - “The Artist and the Arrest of Time, 1514–1616”
2022
Paul Tamburro - "Orality and the Maya “Scribe”: Reading Reading Back into the Picture"
2021
Audrey Pettner - "Rivers as Inroads, Rivers as Homeland: Analyzing the Hidden Actor in Frans Post’s Brazilian Riverscapes"
2019
Yael Saiger - “Creating Marble, Chasing Divinity: Depictions of Marble in Fifteenth-century Italian Panel Painting”
2018
Elizabeth Keto - “Writing and Rewriting Conceptual Art: Hanne Darboven’s ‘Mathematical Prose’, 1966 – 1976”
2017
Maille Radford - “Pop Plastic : Richard Hamilton’s Guggenheim Reliefs from a Chemical and Historical Perspective”
2016
Adela Kim - “Beyond the Labyrinth : Duchamp’s Subversive Criticism in the Rotoreliefs (1935-1965)”
Erica Eisen - “From Curios to Collectibles: Yamanaka Sadajiro and the Politics of the Changing Asian Art Canon.”
2015
Eleanor Westwood Wilkinson - “Dangerous Visions: Idolatry as Metaphor in Late Nineteenth-Century American Realism.”
2014
Honor Wilkinson - “Ruins and Remembrance: The Transformation of Function and Evolution of Collective Memory at Fountains Abbey and Whitby Abbey.”
2013
Kristie La - “Enlightenment, Advertising, Education, etc.”: Herbert Bayer and The Museum of Modern Art’s “Road to Victory”
2012
Lucy Andersen - “The Past is a Foreign Country: Historicist Implications of Osman Hamdi Bey’s Orientalist Vision”
2011
Davida Fernandez-Barkan - “The Many Faces of Malevich’s Return to Figuration, 1928-34”
Justin Davidson - “Gridlocked: Peter Eisenman in Berlin”
2010
Richard Taylor - “The Propylon of Ptolemy II : Architecture and Experience at the Sanctuary of the Great Gods, Samothrace”
2009
Olujimi Tommasino - “Carra’s Conversion : Avant-Garde Painting from Revolution to Reaction.”
Jane Cheng - “Imitation as Innovation : The Imitatio Christi, 1450-1550”
2008
Stephanie O’Rourke - “Rediscovered Frequently : The Waterfall Illusion and Motion Perception in Nineteenth-Century Britain”
Caroline Schopp - “Monument and Counter-Monument: The sculptural Libraries of Anselm Kiefer, Micha Ullman, and Rachel Whiteread”
2007
Anna Fogel - “Marcus Garvey Village: Towards A New Housing Prototype”
2006
Maggie Cao - “Reframing the Subject: Alfred Stieglitz’s Portraiture and the Legitimization of Straight Photography”
Julian Rose - “Encountering Buildings, Reading Grammars: The Work of Dan Graham, 1966-1978"
2005
Kristi Katherine Marks - “Algiers 1963: Le Parti Avant-garde et le Parti Pris Esthetique Avant-garde”
2004
Kate Nesin - “Public Art for a Private Self: Time and the Viewer in the Sculpture of Richard Serra”
2003
Jeffries Oliver-Li - “New World Order: Bloomsbury Ideology and the Critical Reception of John Singer Sargent.”
2002
Molly MacKean - “Modernism and Tradition: The Architecture and Work of Kenzo Tange, 1949-1964”
2001
Anna Piotrowska - “Let the Windowpane Be Art: The Role of Stephane Mallarme’s Poetry in Robert Delaunay’s Transition to Abstraction.”
2000
Jocelyn Chua - “The Shadow Box: Nam June Paik and the Ethnographer/Native Informant Oscillation”