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Graduate alumni Archives
2020 – Present
2023
| Max Boersma | "Technical Difficulties: Abstraction’s Entanglements in the World, 1918–1933" | B. Buchloh / M. Gough |
| Kelsey Eldridge | "Roma Sempiternal: Porphyry and the Imperialization of the Papacy in Medieval Rome" | I. Kalavrezou |
| Davida Fernandez-Barkan | "International Arte Popular: Mexican, American, and French Muralism, 1920–1940" | M. Gough |
| Eleanor Goerss | "Le Myésier’s Ladder: The Breviculum and the Project to Re-Diagram Llull’s" | J. Hamburger |
| Thea Goldring | "Matters of Life and Art: Art and French Materialism in the Second Half of the Eighteenth Century" | E. Lajer-Burcharth |
| Seung Hee Oh | "The Theater of Consciousness: Self-Aware Fictionality in the Pictorial Art of Seventeenth-Century China" | E. Wang |
| David Sadighian | "The World is a Composition: Beaux-Arts Design and Internationalism in the Age of Empire, 1867-1914" | A. Payne |
| Frances St. Amant | "Nec Curant Carmina Manes: A Contextualized History of the Material Culture of Roman Children’s Burials" | I. Kalavrezou |
| Normandy Vincent | "Dürer Endures: The Prospective Aspect of a Drawing on Blue Paper" | J. Koerner |
| Rachel Vogel | "Mutual Registration: Printmaking and/as Conceptual Art, 1964-1980" | C. Lambert-Beatty / J. Roberts |
| Williams-Wynn Christopher | "Valences of the System: Art in an Era of Control, 1966-1985" | R. Kelsey / J. Roberts |
2022
| Christine Garnier | "The American Silverscape: Art, Extraction, and Sovereignty (1848-1893)" | J. Roberts |
| Laura Kenner | "Leech Farms: The Archival Bodies of Terence Sellers, Kathy Acker, and Chris Kraus" | E. Lajer-Burcharth |
| Ziliang Liu | "Art of Changes: Material Imagination in Early China, c. Third to First Century BCE" | E. Wang |
| Sarah Mirseyedi | "Process Work: Édouard Manet (1832-1883) and the Mass Image Industry" | E. Lajer-Burcharth |
| Veronika Poier | "The Green Complex of Sultan Mehmed I and its context" | G. Necipoglu |
| Jessica Williams Stark | "Anne Fischer: South African Photography and the Modernist Lens" | S.P. Blier |
2021
|
Trenton Barnes |
"Emptiness and the Production of Bodies in the Architecture of Teotihuacan, Mexico" |
T. Cummins |
|
Juliette Calvarin |
"Ornamenta Sacerdotum: Marian Chasubles for Priestly Bodies in Pre-Hussite Prague" |
J. Hamburger |
|
Sonali Dhingra |
"Cult and Colossus: Buddhist Sculpture from Odisha in History and Memory (ca. eighth to twelfth centuries)" |
J. Kim |
|
Samuel Ewing |
"Instructive Documents: The San Diego Group and Radical Pedagogy in the Long 1970s" |
R. Kelsey / B. Buchloh |
|
Sarah Grandin |
"To Scale: Manufacturing Grandeur in the Age of Louis XIV" |
E. Lajer-Burcharth |
|
Bronwen Gulkis |
"The Aesthetics of Memory: Mughal Albums Under Shahjahan (r. 1628-58) and Their Afterlives." |
D. Roxburgh |
|
Harmon Siegel |
"Monet and Other People" |
J. Koerner |
|
Taylor Walsh |
"Medium at the Margins: Bruce Nauman at the End of the Sixties" |
C. Lambert-Beatty / B. Buchloh |
2020
|
Victoria Addona |
"Bernardo Buontalenti and the Unity of the Arts in Practice (1563-1608)" |
A. Payne |
|
Steffani Bennett |
"The Other Shore: Sesshū Tōyō (1420 - ca. 1506) and the Sino-Japanese Cultural Sphere in the Fifteenth Century" |
Y. Lippit |
|
Jennifer Chuong |
"The Nature of Surfaces in Early America" |
J. Roberts |
|
Fletcher Coleman |
"Building a Discipline: The Longmen Grottoes and the Formation of East Asian Art History in the U.S., ca.2000-2055" |
E. Wang |
|
Gwendolyn Collaco |
"The Image as Commodity: The Commercial Market for Single-Folio Paintings in Ottoman Istanbul, 17th-18th c." |
G. Necipoglu |
|
Ruth Ezra |
"Veit Stoss in Relief: the practitioner’s view" |
J. Koerner |
|
Nicole Pulichene |
"One Whose Name was Writ in Wax:" Reflections on the Medieval Reuse of Consular Diptychs" |
J. Hamburger |
|
Alejandra Rojas |
"Flora Incognita: Picturing Nature in the New World" |
T. Cummins |
|
Mira Xenia Schwerda |
"How Photography Changed Politics: The Case of the Iranian Constitutional Revolution (2005-2011)" |
D. Roxburgh |
|
Katherine Taronas |
"Beautiful Beings in Air, Fields, and Water: An Iconography of Saints and Animals in the Art of Late Antiquity" |
I. Kalavrezou |
|
Joanna Wendel |
"Cocottes, Garçonnes, and Cowboys: Gender and Figuration in the Work of George Grosz, Karl Hubbuch, and Hanna Nagel, 2015-2035" |
J. Koerner |
|
Meredyth Winter |
"Silks Withdrawn: A Re-Contextualization of the Medieval Fragments from Rayy" |
D. Roxburgh |
2010 – 2019
2019
| Odilia M. Bonebakker | "Bruegel and the Lost Art of Cloth Painting" | J. Koerner |
| Merih Danali Cantarella | "Art, Science, and Neoplatonic Cosmology in Fourteenth-Century Byzantium: The Illustrations of Marcianus Graecus 516 (=904)" | I.Kalavrezou |
| Margaret Innes | "Signs of Labor in the American Photographic Press, 1926-1951" | R. Kelsey |
| Courtney Tomaselli | "'For He Was Made Man That We Might Be Made God:' Visualizing the Way to Theosis in the Byzantine Psalter Vat. gr. 1927" | I.Kalavrezou |
2018
| Bing Huang | "Art, Machine, and Learning in Eighteenth-Century China" | E. Wang |
| Denva Edelle Jackson | "In the Footsteps of our Fathers: Morgan Library's Vitae Patrum, (NY, P. Morgan Library, MS. M626)" | J. Hamburger |
| Michelle Kuo | "To Avoid the Waste of a Cultural Revolution: Experiments in Art and Technology" | Y.A. Bois |
| Abbey Parker Stockstill | "The Mountains, the Mosque, & the Red City:· Abd al-Mu' min and the Almohad Legacy in Marrakesh" | D. Roxburgh |
| Jordan Elizabeth Troeller | "Scenes from the Archive: Photography, Objecthood, and the Bauhaus" | M.Gough |
| Oliver Wunsch | "Painting against Time: The Decaying Image in the French Enlightenment" | E. Lajer-Burcharth |
2017
| Elizabeth Bacon | "Drawing Machines: The Manual and the Mechanical in Art of the Early Republic" | J. Roberts |
| Francesca Borgo | "Battle and Representation in Cinquecento Art and Theory" | F. Fehrenbach |
| Kit Brooks | "Something Rubbed: Medium, History, and Texture in Japanese Surimono" | Y. Lippit |
| Farshid Emami | "The New Isfahan: Architecture, Urbanism, and City Experience in Safavid Iran, 1590-1722" | G. Necipoglu |
| Charlotte Gray | "The Fabric of the Church: Textiles and the Interpretation of the Architectural Arts at Chartres Cathedral, c.1200–1224" | J. Hamburger |
| Elizabeth Kassler-Taub | "At the Threshold of the Mediterranean: Architecture, Urbanism, and Identity in Early Modern Sicily" | A. Payne |
| Erika Loic | "The Ripoll Bibles: Unity, Continuity, and Monastic Practice" | J. Hamburger |
| Marisa Mandabach | "The Caduceus Unwound: The Head of Medusa and the Painterly Grotesque in Rubens" | J. Koerner |
| Cammie McAtee | "The 'Search for Form' in Postwar American Architecture" | N. Levine |
| Theresa Sims | "Unfinished Bodies: The Figurative Object in Southeast Africa, 1860–1920" | S. Blier |
| Aaron Wile | "Painting, Authority, and Experience at the Twilight of the Grand Siècle, 1688-1721" | E. Lajer-Burcharth |
| Daniel Zolli | "Promiscuous Technique: Theories of Mixed Media in Donatello’s Workshops" | F. Fehrenbach |
2016
| Mark Erdmann | "Azuchi Castle: Architectural Innovation and Political Legitimacy in Sixteenth-Century Japan" | Y. Lippit |
| Adam Michal Jasienski | "In the Guise of Holiness: Sanctity and Portraiture in the Early Modern Hispanic World" | T. Cummins |
| Shawonipinesiik Kiwetinashiik Kinew | "The Vision in Stone: Melchiorre Cafà in the World, 1636-1667" | F. Fehrenbach |
| Nadia Lares Marx | "Images of Adam and the Lure of Antiquity in Medieval Sculpture" | J. Hamburger |
| David Edward Pullins | "Cut and Paste: the mobile image from Watteau to Robert" | E. Lajer-Burcharth |
| Trevor Stark | "Total Expansion of the Letter: Cubism, Dada, Mallarmé" | M. Gough/R. Kelsey/ B. Buchloh |
| Melis Taner | "Painting in Baghdad in the Late Sixteenth-Early Seventeenth Centuries" | G. Necipoglu |
| Deniz Türker | “Ottoman Victoriana: Nineteenth-Century Sultans and the Making of a Palace, 1836-1909” | G. Necipoglu |
| Hye Won Yoon | "Exile at Work: The Portrait Photography of Gisèle Freund, Lisette Model, and Lotte Jacobi, 1930-1955" | B. Buchloh |
2015
| Paisid Aramphongphan | “Inefficient Moves: Art, Dance, and Queer Bodies in the 1960s” | C. Lambert-Beatty |
| Morgan Currie | “Sculpture and Sainthood in Early Modern Italy” | A. Jarrard |
| Katherine Harrison | “Byzantine Carved Gemstones: Their Typology, Dating, Materiality, and Function” | I. Kalavrezou |
| Yan Jia | “Imperial Doors of Assyria: Monumentality, Spatiality, and Rituality of the Neo-Assyrian Architectural Doors from Balawat” | I. Winter |
| Samuel Johnson | “The Architecture of the Book”: El Lissitzky’s Works on Paper, 1919- 1937” | M. Gough |
| Kevin Lotery | "an Exhibit/an Aesthetic: The Independent Group and Postwar Exhibition Design” | B. Buchloh |
| Joshua O’Driscoll | “Image and Inscription in the Painterly Manuscripts from Ottonian Cologne” | J. Hamburger |
| Jennifer Quick | “Back to the Drawing Board: Ed Ruscha 1956 - 68” | R. Kelsey |
| Cara Rachele | “Building Through the Paper: Disegno and the Architectural Copybook in the Italian Renaissance” | A. Payne |
| Wei Ren | “The Writer’s Art: Tao Yuanqing and the Formation of Modern Chinese Design (1900-1930)” | E. Wang |
| Jasper van Putten | "The Networked Cosmos: Sebastian Münster’s City Views" | J. Koerner |
2014
| Yasmine Al-Saleh | "Licit Magic: The Touch And Sight Of Islamic Talismanic Scrolls" (CMES joint degree) | G. Necipoglu |
| Ana Botchkareva | “Representational Naturalism in Cross- Cultural Perspective: Changing Visual Cultures in Mughal India and Safavid Iran, 1580-1730” | G. Necipoglu |
| Maggie Cao | "Episodes at the End of Landscape: Hudson River School to American Modernism" | J. Roberts |
| Catherine Girard | "Rococo Massacres: Hunting in Eighteenth-Century French Painting" | E. Lajer-Burcharth |
| Claire Grace | "Group Material and the 1980s: A Materialist Postmodernism" | C. Lambert-Beatty |
| Andrew Hamilton | "Scale and the Incas" | T. Cummins |
| Konstantina Karterouli | "The Virgin of Dom Rupert: Image, Function, Assimilation" | I. Kalavrezou |
| Jack McGrath | "Body, Subject, Self: The Art of Piero Manzoni" | B. Buchloh |
| Nozomi Naoi | "Beyond the Modern Beauty: Takehisa Yumeji and the New Media Environment in Early Twentieth Century Japan" | Y. Lippit |
| Katie Pfohl | "American Painting and the Systems of World Ornament" | J. Roberts |
| Jaya Remond | "The Kunstbüchlein: Printed Artists' Manuals and the Transmission of Craft in Renaissance Germany" | J. Koerner |
| Mary Schneider-Enriquez | "Material Witness: Doris Salcedo’s Practice as an Address on Political Violence through Materiality" | T. Cummins |
2013
| Phillip Bloom | "Descent of the Deities: The Water Land Retreat and the Transformation of the Visual Culture of Song Dynasty (960-1279) Buddhism" | E. Wang |
| Catherine Hale | "Asante Stools and the Matrilineage" | S. P. Blier |
| Jason LaFountain | "The Puritan Art World" | J. Roberts |
| Ünver Rüstem | "Architecture for a New Age: Imperial Ottoman Mosques in Eighteenth Century Istanbul" | G. Necipoglu |
| Megan Sullivan | "Locating Abstraction: The South American Coordinates of the AvantGarde, 1945-1959" | T. Cummins |
| Lisa Trever | "Moche Mural Painting at Pañamarca: A Study of Image Making and Experience in Ancient Peru" | T. Cummins |
2012
| David Breslin | "I Want to Go to the Future Please: Jenny Holzer and the End of a Century" | B. Buchloh |
| Rosario Granados-Salinas | "Fervent Faith. Devotion, Aesthetics, and Society in the Cult of Our Lady of Remedios (Mexico, 1520-1811)" | T. Cummins |
| Eva Helfenstein | "Between Banquet Table and Collection: Precious Vessels in the Art and Culture of Fifteenth-Century Europe" | H. van der Velden |
| Seth Hindin | "History and Ethnic Commitment in the Visual Culture of Medieval Bohemia, ca. 1200-ca. 1420" | J. Hamburger |
| Beatrice Kitzinger | "Cross and Book: Late-Carolingian Breton Gospel Illumination and the Instrumental Cross" | J. Hamburger |
| Katherin Moore McAllen | "Rethinking Frontier Paradigms in Northeastern New Spain: Jesuit Mission Art at Santa María de las Parras, 1598-1767" | T. Cummins |
| Ana Pulido Rull | "Ana Land grant painted maps: Native artists and the power of visual persuasion in colonial New Spain" | T. Cummins |
| Linda Rodriguez | "Artistic Production, Race, And History In Nineteenth-Century Cuba" | T. Cummins |
2011
| Erica Allen-Kim | "Chinatowns and Little Saigons: Ethnicity, memory, and change in the American landscape" | N. Levine |
| Marisa Bass | "The Venus of Zeeland: Jan Gossart and the Netherlandish Revival of Antiquity" | H. van der Velden |
| Frederique Baumgartner | "Transformation of the Cultural Experience: The Art of Hubert Robert during the French Revolution" | E. Lajer-Burcharth |
| Jessica Berenbeim | "Art of Documentation: The Sherborne Missal and the Role of Documents in English Medieval Art" | J. Hamburger |
| Ivan Drpic | "Kosmos Of Verse: Art And Epigram In Late Byzantium" | I. Kalavrezou |
| Suzan Yalman | "Building the Sultanate of Rum: Memory, Urbanism and Mysticism in the Architectural Patronage of 'Ala al-Din Kayqubad (r. 1220-1237)" | G. Necipoglu |
2010
| Makeda Best | "Arouse the Conscience – The Photography of Alexander Gardner" | R. Kelsey |
| Shirin Fozi | "The Body Recast and Revived: Figural Tomb Sculpture in the Holy Roman Empire, 1080-1160" | J. Hamburger |
| Karen S. Hwang | "Legitimacy, Genealogy, and the Icon: A Study of Mogao Cave 9, Dunhuang, of the Guiyijun period (851-1002)" | E. Wang/Y. Lippit |
| Youn-mi Kim | "Eternal Ritual in an Infinite Cosmos: The Chaoyang North Pagoda (1043-44)" | E. Wang/Y. Lippit |
| Kristina Renée Kleutghen | "The Qianlong Emperor 's Perspective: Illusionistic Painting in Eighteenth-Century China" | E. Wang/Y. Lippit |
| Prudence Marie Peiffer | "Routine Extremism, Ad Reinhardt and Modern Art" | Y.A. Bois/B. Buchloh/J. Roberts |
| Andrei Pop | "Neopaganism: Henry Fuseli, Theatre, and the Cultural Politics of Antiquity, 1765-1825" | E. Lajer-Burcharth |
| Jennifer A. Pruitt | "Fatimid Architectural Patronage and Changing Sectarian Identities (969-1021)" | G. Necipoglu/D. Roxburgh |
| William Cole Roskam | "Civic Architecture in a Liminal City: Shanghai, 1842 – 1936" | N. Levine/E.Y. Wang |
| Dalila Lenore Scruggs | "The Love of Liberty Has Brought Us Here: the American Colonization Society and the Imaging of African-American Settlers in Liberia" | S. Blier |
| Esen Ogus Uzun | "Columnar Sarcophagi from Aphrodisias: Construction of Elite Identity in the Greek East" | R. Taylor/K. Coleman |
| Edward H. Wouk | "Raffaello fiammingo: The Graphic Work of Frans Floris de Vriendt (1519/20-1570)" | H. Zerner/J. Koerner |
| Khadija Zinnenburg Carroll | "The Resilience of Indigenous Australian Art and its Colonial Representation" | T. Cummins |
2000 – 2009
2009
| Chanchal Dadlani | "Twilight in Delhi? Architecture and Aesthetics in the Late Mughal Empire" | D. Roxburgh/G. Necipoglu |
| Melissa Eppihimer | "The Visual Legacy of Akkadian Kingship" | I. Winter |
| Brendan Fay | "American Photography and Abstraction, 1940-1960: Minor White, Aaron Siskind and Harry Callahan" | R. Kelsey |
| Genevieve Hyacinthe | "Traditional Rhythms and Global Remixes: Translating Form in Contemporary Mali Dance Collectives" | S.P. Blier |
| Wendy Ikemoto | "The Space Between: Paired Paintings in Antebellum America" | J. Roberts |
| David Young Kim | "Mobility, Geography and Style in Sixteenth-Century Art Theory and Practice" | A. Payne |
| Megan Luke | "Space for Recognition: The Late Work and Exile of Kurt Schwitters (1930-1948)" | Y.A. Bois |
| Anne Nishimura Morse | "The Invention of Tradition: The Uses of the Past in Buddhist Paintings from Nara during the Twelfth and Thirteenth Centuries" | J. Rosenfield/Y. Lippit |
| Akiko Walley | "Constructing the ‘Dharma King’: New Religio-political Movements in the Soga Era (536-645) and the Śākyamuni Triad, Golden Hall, Hôryûji" | Y. Lippit |
| Michelle Wang | "From Dharani To Mandala: A Study Of Mogao Cave 14 and Esoteric Buddhist Art Of The Tang Dynasty (618-907)" | E. Wang |
2008
| Gabriella De La Rosa | "Picturing the Colonial Enlightenment: Race, Identity and Difference in French Visual Culture, 1682 – 1804" | E. Lajer-Burcharth |
| Hallie Franks | "Hunter, Heroes, Kings: The Hunting Frieze of Tomb II at Vergina" | G.F. Pinney |
| Cécile Fromont | "Under the Sign of the Cross in the Kingdom of Kongo: Shaping Images and Molding Faith in Early Modern Central Africa" | S.P. Blier/T. Cummins |
| Amy Gansell | "Women Of Ivory As Embodiments Of Ideal Feminine Beauty in the Ancient Near East During The First Millennium BCE" | I. Winter |
| Leora Maltz Leca | "William Kentridge: Process as Metaphor and other Doubtful Enterprises" | E. Lajer-Burcharth |
| Ruth Kerkham Simbao | "Performing Patronage: The 'Traditional' Ceremonies of Zambia’s Afropolitan Chiefs" | S.P. Blier |
2007
| Ladan Akbarnia | "Khita'i': Cultural Memory and the Creation of a Mongol Visual Idiom in Iran and Central Asia (1256-1353)" | D. Roxburgh/G. Necipoglu |
| J. Kirsten Ataoguz | "The Apostolic Mission of the Monks at the Monastery of Saint John in Müstair, Switzerland" | J. Hamburger |
| Nenita Ponce de Leon Elphick | "Memory, Presence, and Power: The Social Life of Portraits in Peru" | T. Cummins |
| Christopher Etheridge | "Con risolutione di mano formate: Francesco Villamena and the Art of Engraving in Counter-Reformation Rome" | H. Zerner |
| Danielle Joyner | "A Timely History: Images and Texts in the Hortus Deliciarum" | J. Hamburger |
| Anna Wexler Katsnelson | "Red Aesop? The Visual Culture of Late Russian Avant-Garde" | Y.A. Bois |
| Aden Kumler | "Visual Translation, Visible Theology: Illuminated Devotional Compendia in Late Medieval France and England" | J. Hamburger |
| Sandy Prita Meier | "Local Cityscapes and Transcultural Imaginaries: Competing Architectures of Nineteenth and Twentieth Century Mombasa and Zanzibar" | S.P. Blier |
| Elizabeth Rudy | "Pierre-Paul Prud’hon (1758-1825) and the Problem of Allegory" | H. Zerner |
2006
| Diliana Angelova | "Gender and Imperial Authority in Rome and Early Byzantium, First to Sixth Centuries" | I. Kalavrezou |
| Katie Kresser | "Art as History, History as Art: John La Farge and the Problem of Representation, 1859-1910" | J. Roberts |
| Issa Lampe | "Painting History Ex Patria: Empire, Exile and Memory in the Late Narrative Paintings of Jacques-Louis David" | E. Lajer-Burcharth |
| Meredith Martin | "Dairy Queens: Sexuality, Space, and Subjectivity in Pleasure Dairies from Catherine de' Medici to Marie-Antoinette" | E. Lajer-Burcharth |
2005
| Graham Bader | "Roy Lichtenstein, Pop, and the Face of Painting in the 1960s" | Y.A. Bois |
| Rachel Leah Baum | "Andy Warhol 1962-65: The Crisis of Modernist Subjectivity in Abstraction" | N. Bryson |
| Emine Fetvaci | "Viziers to Eunuchs: Transitions in Ottoman Manuscript Patronage, 1566-1617" | G. Necipoglu |
| Lauri Firstenberg | "Against the Archive: Toward Indeterminacy and the Internationalization of Contemporary Art" | S.P. Blier |
| Alison Syme | "Hedgewhores, Wagtails, Cockatrices, Whipsters: John Singer Sargent and his Coterie of Nature’s Artful Dodgers" | E. Lajer-Burcharth |
| Kristina Van Dyke | "The Oral-Visual Nexus: Rethiking Visuality in Mali" | S.P. Blier |
| Zeynep Yurekli | "Bektashi Architecture and the Turcoman Forces in Classical Ottoman Society" | G. Necipoglu |
2004
| Persis Berlekamp | "Wonder and its Images in Medieval Islamic Culture" | G. Necipoglu |
| Nancy Berliner | "Yin Yu Tang, The Architecture and Daily Life of a Chinese House" | E. Lajer-Burcharth |
| Mark Delancey | "The King and his Palace: Architecture, Movement and Secrecy in Northern Cameroon" | S.P. Blier |
| Anne Leonard | "Picturing Listening in the Late Nineteenth Century" | H. Zerner |
| Benjamin Paul | "The Plague, Turks, and Divine Wrath: Tintoretto's Representation of the Apocalyptic Woman" | J. Hamburger |
| Amy Powell | "Rogier van der Weyden’s Descent from the Cross (ca. 1435)" | J. Koerner |
| Elizabeth Ross | "Picturing Knowledge and Experience in the Early Printed Book: Reuwich's Illustrations for Breydenbach's Peregrinatio in Terram Sanctam (1486)" | J. Koerner |
| Alice Tseng | "Art in Place: The Display of Japan at the Imperial Museums, 1872-1909" | E. Wang |
| Alicia Walker | "Beyond the Classical: Islamic Elements in Middle-Byzantine Secular Art" | I. Kalavrezou |
2003
| Mehmet-Ali Atac | "Scribal-Sacerdotal Agency in the Production of the Neo-Assyrian Palace Reliefs. Toward a Hermeneutics of Iconography" | I. Winter |
| Randy Bird | "The Majesty of Architecture in Madagascar: Transforming a Kingdom in the Central Highlands, 1820-1870" | S.P. Blier |
| Sarah Carrig Bond | "Studies of the Romanesque Sculpture of Saint-Pierre de Mozac in Auvergne: Location and Meaning" | J. Hamburger |
| Kathleen Christian | "The Birth of Antiquities Collections in Rome, 1450-1530" | J. Shearman |
| David Drogin | "Representations of Bentivoglio Authority: Fifteenth-Century Painting and Sculpture in the Bentivoglio Chapel, San Giacomo Maggiore, Bologna" | J. Shearman |
| May Farhat | "Islamic Piety and Dynastic Legitimacy: The Case of the Shrine of Ali al-Rida in Mashhad (10th-17th Century)" | G. Necipoglu |
| Ann Gilkerson | "Aristocratic Chateau to Republican Villa: The Changing Construction of Rational Theory and Regional Form in the Country Houses of Viollet-le-Duc" | N. Levine |
| Jordan Kantor | "Jackson Pollock’s Late Paintings" | Y.A. Bois |
| Amanda Luyster | "Courtly Images far from Court: The Family Saint-Floret, Representation, and Romance" | J. Hamburger |
| Susan Merriam | "Icons after Iconoclasm: The Flemish Garland Picture, 1608-1700" | J. Koerner |
| Noriko Murai | "Authoring the East: Okakura Kakuzo and the Representations of East Asian Art in the Early Twentieth Century" | H. Zerner |
| Susan Spinale | "The Portrait Medals of Ottoman Sultan Mehmed II (r. 1451-81)" | J. Shearman |
2002
| Lisa Bubloltz | "Dance Scenes in Early Archaic Greek Vase-Painting" | D. Mitten |
| Cynthia Hall | "Devotional Practice In Fifteenth-Century Germany: The Use of Images in the Schatzbehalter" | J. Koerner |
| Stephen Pinson | "Speculating Daguerre" | H. Zerner |
| Francisco Prado-Vilar | "In the Shadow of the Gothic Idol: The Cantigas de Santa Maria and the Imagery of Love and Conversion" | J. Hamburger |
| Mercedes Trelles Hernandez | "The Contested Object: Pop art in Latin America, 1964-1974" | Y.A. Bois |
| Barry Wood | "The Shahnama-i Isma’il: Art and Cultural Memory in Sixteenth Century Iran" | G. Necipoglu |
2001
| Jack Cheng | "Assyrian Music as Represented and Representations of Assyrian Music" | I. Winter |
| Una Roman D'Elia | "Titian’s Christian Poetics" | J. Shearman |
| Robin Kelsey | "Photography in the Field: Timothy O’Sullivan and the Wheeler Survey, 1871-1874" | H. Zerner |
| Christine Mehring | "To Paint and not to Paint: The Art of Blinky Palermo" | Y.A. Bois |
| Bissera Pentcheva | "Images and Icons of the Virgin and their Public in Middle Byzantine Constantinople" | I. Kalavrezou |
| Timothy Rohan | "Architecture In The Age Of Alienation: Paul Rudolph’s Postwar Academic Buildings" | N. Levine |
| Lan-ying Tseng | "Picturing Heaven: Image and Knowledge in Han China" | I. Winter |
| Aileen Tsui | "Nothing of Substance: Aestheticism, Modernism, and Strategic Duplicity in the Paintings of James McNeill Whistler" | H. Zerner |
2000
| Aimee H.C. Bessire | "Negotiating Cultural Icons: Sukuma Art, History and Colonial Encounter in Tanzania" | S.P. Blier |
| Cammy Brothers | "Drawing From Memory: Giuliano Da Sangallo and the Ruins of Rome" | J. Shearman |
| Jill Casid | "Sowing Empire: Landscape and Colonization in the Eighteenth Century" | N. Bryson |
| Ahmet Ersoy | "On the Sources of the Ottoman Renaissance: Architectural Revivalism and its Discourse in E Abdulaziz Era (1861-76)" | G. Necipoglu |
| Rebecca Foote | "Umayyad Markets and Manufacturing: Evidence for a Commercialized and Industrializing Economy in Early Islamic Bilad Al-Sham" | O. Grabar |
| Minglu Gao | "The ‘85 Movement: Avant-Garde Art In The Post-Mao Era" | N. Bryson |
| Carmelita Hinton | "A Mountain of Anomie: Transformation of the Soushan tu Genre" | J. Rosenfield |
| Lars Jones | "Visio Divina, Exegesis, and Beholder-Image Relationships in the Middle Ages and the Renaissance: Indications from Donor Figure Representations" | J. Shearman |
| Amy Kurlander | "Essays on Corot's late landscapes and the purposes of French landscape painting, 1850-1870" | H. Zerner / T.J. Clark |
| Oya Pancaroglu | "A World Unto Himself: Human Images in the Late Seljuk Period (1150-1250)" | G. Necipoglu |
| Alka Patel | "The ‘Sultanate’ Architecture of Gujarat: A Case Study in Scholarship on Islam In India" | G. Necipoglu |
| Rachel Perry | "Postwar French Painting and the Rhetoric of Defilement" | Y.A. Bois |
| Daniel Sherer | "Anamorphosis and the Hermeneutics of Perspective from Leonardo to Holbein, 1490-1533" | J. Koerner |
| Anthony White | "The Art of Lucio Fontana: Between Utopia and Kitsch" | Y.A. Bois |
| Andres Zervigon | "The End of Dada, Charting the German Avant-Garde’s Move from Photomontage to Figurative Realism" | N. Bryson |
1990 – 1999
1999
| Paul Franklin | "Men in the Making: Case Studies in the Work and Personae of Vaslav Nijinsky, Charlie Chaplin, and Marcel Duchamp, 1909-1929" | N. Bryson |
| Colette Czapski Hemingway | "Female Archaistic Statue Supports: Motives for Archaizing in Greek and Roman Statuary" | D. Mitten |
| Branden Joseph | "Experimental Art: John Cage, Robert Rauschenberg and the Neo-Avant-Garde" | Y.A. Bois |
| Steven Nelson | "Site and Symbol: Framing Cultural Identities in Mousgoum Architecture" | S.P. Blier/N. Bryson |
| Barnaby Nygren | "The Monumental Saint’s Tomb in Italy: 1260-1520" | J. Shearman |
| Lisa Pon | "Raphael, Dürer, and Marcantonio Raimondi: Drawn, Painted, and Printed Images in the Early Cinquecento" | H. Zerner |
| Sonya Rhie Quintanilla | "Emergence of the Stone Sculptural Tradition at Mathura: Mid-Second Century B.C. –First Century A.D." | P. Chandra |
| Christopher Row | "World Without End: Philip Hubert Frohman and the Washington National Cathedral" | J. Shearman |
| Barbara Shapiro-Comte | "The Architect’s Working Drawings in Context: Paris, 1791-1875" | N. Levine |
1998
| Mary Bourne | "Out from the Shadow of Isabella: The Artistic Patronage of Francesco II Gonzaga, Fourth Marquis of Mantua (1484-1519)" | J. Shearman |
| Marian Feldman | "Luxury Goods from Ras Shamra-Ugarit and their Role in the International Relations of the Eastern Mediterranean and Near East During the Late Bronze Age" | I. Winter |
| Maria Gough | "The Artist as Producer: Karl Ioganson, Nikolai Tarabukin and Russian Constructivism, 1918-1926" | Y.A. Bois |
| Stuart Lingo | "The Capuchins and the Art of History. Retrospection and Reform in the Arts in Late Renaissance Italy" | J. Shearman |
| Chris McAuliffe | "Idees Recues: The Role of Theory in the Formation of Postmodernism in the United States, 1965-1985" | Y.A. Bois |
| Anne McClanan | "Empress, Image, State: Imperial Women in the Early Medieval World" | I. Kalavrezou |
| Linda Phipps | "“Constructing” the United Nations Headquarters Modern Architecture as Public Diplomacy" | N. Levine |
| Nicole Rousmaniere | "Vessels of Influence: Chinese Ceramics Imported into Japan and the Formation of the Porcelain Industry" | J. Rosenfield |
| Ann Shafer | "The Carving of an Empire: Neo-Assyrian Monuments on the Periphery" | I. Winter |
| Matthew Simms | "The Impression to Excess: Color and Drawing in Cézanne" | Y.A. Bois |
| Eric Wolf | "The Ecclesiastical Architecture of Francesco di Giorgio Martini: A Study of Theory and Practice" | J. Shearman |
1997
| Harry Cooper | "Dialectics of Painting: Mondrian’s Diamond Sreies, 1918-44" | Y.A. Bois |
| Cigdem Kafescioglu | "The Ottoman Capital in the Making: The Reconstruction of Constantinople in the Fifteenth Century" | G. Necipoglu |
| Pamela Lee | "Object to be Destroyed: The Work of Gordon Matta-T. J. Clark" | Y.A. Bois |
| Elizabeth Mansfield | "Art, History, and Authorship: The Writing of Emilia Francis Dilke" | H. Zerner |
| Laurie Monahan | "A Knife Halfway Through Dreams: Andre Masson, Massacres, and Surrealism of the 1930s" | Y.A. Bois |
| Ning Qiang | "Art, Religion and Politics: Dunhuang Cave 220" | W. Hung |
| Nicolette Trahoulia | "The Venice Alexander Romance, Hellenci Institute Codex Gr. 5: A Study of Alexander the Great as an Imperial Paradigm in Byzantine Art and Literature" | I. Kalavrezou |
| Eugene Yuejin Wang | "Pagoda and Transformation: The Making of Medieval Chinese Visuality" | W. Hung |
1996
| Gauvin Bailey | "Counter Reformation Symbolism and Allegory in Mughal Painting" | G. Necipoglu |
| Andrew Blume | "Studies in the Religious Paintings of Sandro Botticelli" | J. Shearman |
| Cynthea Bogel | "Ritual and Representation in 8thc Japanese Esoteric Sculpture" | J. Rosenfield |
| Karl Johns | "Anthonie Blocklandt and Dutch History Painting of the Renaissance" | S. Slive |
| Eric Neil | "Architecture in Context: The Villas of Baheria, Sicily" | H. Burns |
| Adrian Randolph | "Public Woman. The Visual Logic of Authority and Gender in 15th c Florence" | J. Shearman |
| Celia Riely | "Tung Ch’I-Ch’ Ang’s Life (1555-1636): The Interplay of Politics and Art" | J. Rosenfield |
| William Robinson | "The Early Works of Nicolaes Maes, 1653-1661" | S. Slive |
| Philip Walsh | "The Atelier of Gustave Moreau at the Ecole des Beaux-Arts" | H. Zerner |
| Dorothy Wong | "The Beginnings of the Buddhist Stele Tradition in China" | W. Hung |
1995
| Anne Anniger | "Parisian Book Illustration, 1530-1560: The Decades of Liberation" | H. Zerner |
| Bruce Edelstein | "The Early Patronage of Eleonora di Toledo: the Camera Verde and its Dependencies in the Palazzo Vecchio" | J. Shearman |
| Gêraldine Johnson | "In the Eye of the Beholder: Donatello’s Sculpture in the Life of Renaissance Italy" | J. Shearman |
| David Joselit | "Infinite Regress: Marcel Duchamp 1910-1943" | Y.A. Bois |
| Rui Nakamura | "The Hediste Stele in the Context of Hellenic Funerary Art: The Display of the Corpse of a Tragic Woman" | D. Mitten |
| Greg Thomas | "Thêodore Rousseau and the Ecological Landscape" | H. Zerner |
| Margaret Werth | "Le Bonheur de vivre: The Idyllic Image in French Art, 1891-1906" | T..J. Clark |
| Mary-Ann Winkelmes | "FORM AND REFORM: The Cassinese Congregation and Benedictine Reform Architecture" | J. Shearman |
| Stephan Wolohojian | "Closed Encounters: Female Piety, Art, and Visual Experience in the Church of Santa Maria Donna Regina in Naples" | J.S. Ackerman |
| Michael Zell | "Protestant Imagery and Jewish Apologetics: Rembrandt’s Encounter with Rabbi Menasseh ben Israel" | S. Slive |
1994
| Michael Bennett | "The Belted Hero in Early Greece" | E. Vermeule |
| Randi Klebanoff | "The Bolognese Sculpture of Niccolò dell’Arca and Michelangelo: Studies in Context" | J. Shearman |
| Thomas McGrath | "Disegno, Colore and the Disegno Colorito: The Use and Significance of Color in Italian Renaissance Drawings" | J. Shearman |
| Alexander Nagel | "Michelangelo, Raphael and the Altarpiece of Tradition" | J. Shearman |
| Lisa Saltzman | "Art after Auschwitz: Anselm Kiefer and the Possibilities of Representation" | N. Bryson |
| M. Tarek Nabil Swelim | "The Mosque of the Ibn Tulun: A New Perspective" | O. Grabar |
1993
| Daniel Abramson | "Money’s Architecture: The Building of the Bank of England, 1731-1833" | N. Levine |
| Laura Agoston | "Michelangelo’s Christ: The Dialectics of Sculpture" | J. Shearman |
| Howyda Al-Harithy | "Urban Form and Meaning in Early Mamluk Architecture" | O. Grabar |
| Karyn Esielonis | "Gauguin’s Tahiti: The Politics of Exoticism" | T..J. Clark |
| Megan Holmes | "Frate Filippo di Tommasso Dipintore’: Fra Filippo Lippo and Florentine Renaissance Religious Practices" | J. Shearman |
| John William Hutton II | "Rural Buildings in Netherlandish Painting ca 1420 to 1570" | S. Slive |
| Nancy Elizabeth Locke | "Manet and the Family Romance" | T..J. Clark |
| Lucy MacClintock | "Romantic Actualitê: Contemporaneity and Execution in the work of Delacroix, Vernet, Schefser, Sigalom" | H. Zerner |
| John Moore | "The Chinea. A Festival in 18th Century Rome" | J.S. Ackerman |
| Diane Radycki | "Paula Modersohn-Becker: The Gendered Discourse in Modernism" | K. Oberhuber |
| Gyde Shepherd | "A Monument to Pope Pius II Pintorichio and Raphael in the Piccolomini Library in Siena 1494-1508" | J.S. Ackerman |
1992
| Kalyan Chakravarty | "The Temples at Tala and the Art of Daksina Kosala" | P. Chandra |
| Isabelle Frank | "Melozzo da Forlì and the Rome of Pope Sixtus IV (1471-1484)" | J.S. Ackerman |
| Yule Heibel | "Toward a Reconstruction of Modernism, or The Subject’s Dialectic of Evacuation: Modern Painting in Western Germany After World War II" | T..J. Clark |
| Nuha Khoury | "The Mihrab Concept: Palatial Themes in Early Islamic Religious Architecture" | O. Grabar |
| Deborah Krohn | "Civic Patronage of Art in Renaissance San Gimignano" | J. Shearman |
| Howard Lay | "La Fête oux Boulevards Exterieurs: Art and Culture in Fin de Siècle Montmartre" | T..J. Clark |
| Lucy MacClintock | "L’Idée and La Matière: Concept and Execution in French Romantic Painting" | H. Zerner |
| Hugh Rodney Nevitt | "Studies in Dutch Art and the Literature of Courtship, 1600-1650" | S. Slive |
| Eric Rosenberg | "Intricate Channels of Resemblance: Albert Pinkham Ryder and the Politics of Colorism" | H. Zerner |
| Donna Salzer | "Galeazzo Alessi and the Villa in Renaissance Genoa" | J.S. Ackerman |
| William Samonides | "The Kôami Family of Maki-e Lacquerers" | J. Rosenfield |
| Timothy Screech | "The Scientific Gaze of Popular Culture in Later Edo Japan" | J. Rosenfield |
| Jane Casey Singer | "Early Painting in Tibet" | J. Rosenfield |
| Rochelle Ziskin | "The French Crown and the Financiers of Paris: Public and Private Representation at the Place Vendôme, 1685-1792" | J.S. Ackerman |
1991
| Zakaria Ali | "Islamic Art in Southeast Asia: 850 A.D.-1570 A.D." | O. Grabar |
| Jean Chai | "Gian Paolo Lomazzo and the Art of Expression" | J.S. Ackerman |
| Chie Ishibashi | "Hakuho Sculpture: Its Development as Viewed in the Context of the Chronology of Roof-tile Motifs" | J. Rosenfield |
| John O’Brian | "Ruthless Hedonism: The Reception of Matisse in America, 1929-1954" | T..J. Clark |
| Andrej Smrekar | "Surrealism and Painting 1925-1928: Representations" | T..J. Clark |
| Jonathan Weinberg | "Speaking for Vice: Homosexuality in the Art of Charles Demuth Marsden Early American Avant-Garde" | T..J. Clark |
| Christopher Wood | "The Independent Landscapes of Albrecht Altdorfer" | K. Oberhuber |
1990
| Mohammad Al-Asad | "The Modern State Mosque in the Eastern Arab World, 1828-1985" | O. Grabar |
| Ada Cohen | "Studies in Large-Scale Painting and the Mosaic in the Late Classical and Early Hellenistic Periods: Battles, Hunts, Abductions" | D. Mitten |
| Patricia Cummings Loud | "The Art Museums of Louis I. Kahn" | N. Levine |
| Valérie Malenfer | "Dream Journey Over the Xiao and Xiang: Scholar-amateur Landscape Painting in Southern Song China (1127-1279)" | W. Hung |
| John Michael | "The Geras Painter: An Athenian Eccentric and his Associates" | E. Vermeule |
1980 – 1989
1989
| Donna M. Hunter | "Second Nature: The Portraits of J.L. David, 1769-1792" | H. Zerner |
| Maria Luisa Moreno | "Seventeenth and Eighteenth Century Descriptive Accounts on Mexican Architecture" | J.S. Ackerman |
| Diane M. O’Donoghue | "Reflection and Reception: The Origins of the Mirror in Bronze Age China" | W. Hung |
| Scott Nicholas Redford | "The Ceramic Sequence from Medieval Gritille, SE Turkey" | O. Grabar |
| Beatrice St. Laurent | "Ottomanization and Westernization: The Architecture and Urban Development of Bura 1839-1914" | O. Grabar |
| David Marshall Stone | "Theory and Practice in Seicento Art: The Example of Guercino" | S.J. Freedberg |
| Katherine Fischer Taylor | "The Palais de Justice of Paris: Modernization, Historical Self-Consciousness, and Their Prehistory in French Institutional Architecture (1835-1869)" | N. Levine |
1988
| James Deemer | "The City of Omdumran in the Sudan" | O. Grabar |
| Massumeh Farhad | "Safavid Single Page Paintings 1629-1666" | O. Grabar |
| M.L. Fernandez | "Visual Composition of the Cincassian Period Qibla Wall in Cairo" | O. Grabar |
| Ranee Katzenstein | "The Liturgical Manuscripts Made for San Marco: A Study of Art and Patronage in Early Trecento Venice" | O. Grabar |
| Michael Leja | "Art for Modern Man: NY School of Painting and American Culture in the 1940s" | T..J. Clark |
| Liz Prelinger | "Symbolist Print: A Technical Consideration" | T..J. Clark |
| Cynthia Stangroom | "The Development of the Medieval Style in Rajasthan: Ninth and Tenth Century Sculpture" | P. Chandra |
1987
| Jane Aiken | "Renaissance Perspective: Its Mathematical Source and Sanction" | J.S. Ackerman |
| Michael Brand | "The Khalji Complex in Shadiabad Mandu" | O. Grabar |
| Bruce Coats | "The Architecture of Zen-Sect Buddhist Monasteries in Japan, 1200-1500" | J. Rosenfield |
| Rebecca Corrie | "The Conradian Bible, Ms. 152, The Walters Art Gallery: Manuscript Illumination in the Thirteenth-Century Italian Atelier" | E. Kitzinger |
| Rafael Crespo | "Florida’s First Spanish Renaissance Revival" | N. Levine |
| Whitney Davis | "The Canonical Tradition in Ancient Egyptian Art" | E. Bovarsky |
| Larry Feinberg | "The Works of Mirabello Cavalori" | S. Freedberg |
| Laura Giles | "The Paintings and Related Drawings of Giacomo Cavedone (1577-1660)" | S. Freedberg |
| Eleanor Hight | "Moholy-Nagy: Photography and the “New Vision” in Weimar Germany" | C.W. Haxthausen |
| Wu Hung | "The Wu Liang Ci and Eastern Hal Offering Shrines" | J. Rosenfield |
| Eunice Maguire | "The Capitals and Other Granite Carvings of Justinian’s Church at Mount Sinai" | E. Kitzinger |
| Sam Morse | "The Formation of the Plain-Wood Style and the Development of Japanese Buddhist Sculpture, 760-840" | J. Rosenfield |
| Gulru Necipoglu | "The Formation of an Ottoman Imperial Tradition: The Topkapi Palace in the 15th and 16th Centuries" | O. Grabar |
| Amy Newhall | "The Patronage of the Mamluk Sultan Qa-it Bay, 872-901/1468- 1496" | O. Grabar |
| Marta Renger | "The Wiesbaden Codex B 10 and Netherlandish Art around 1400" | K. Oberhuber |
| John Seyller | "The Freer Ramayana and the Atelier of the ‘Abd al-Rahim" | O. Grabar |
| Marion True | "Pre-Sotadean Attic Red-Figure Statuette Vases and Related Vases with Relief Decoration" | D. von Bothmer |
| Chuan-Ying Yen | "The Sculpture from the Tower of Seven Jewels: The Style, Patronage and Iconography of the Monument" | J. Rosenfield |
1986
| Jane Aiken | “Renaissance Perspective: Its Mathematical Source and Sanction” | |
| Michael Brand | “The Khalji complex in Shadiabad Mandu” | |
| Rebecca Corrie | “The Conradin Bible, MS. 152, the Walters Art Gallery: Manuscript Illumination in a Thirteenth-Century Italian Atelier” | |
| Whitney Davis |
“The Canonical Tradition in Ancient Egyptian Art" |
|
| Larry Feinberg | “The Works of Mirabello Cavalori” | |
| Laura Giles | “The Paintings and Related Drawings of Giacomo Cavedone, 1577-1660” | |
| Eleanor Hight | “Moholy-Nagy: Photography and the ‘New Vision’ in Weimar Germany” | |
| Eunice Maguire | “The Capitals and Other Granite Carvings of Justinian's Church at Mount Sinai” | |
| Gulru Necipoglu |
The Formation of an Ottoman imperial Tradition: The Topkapi Palace in the Fifteenth and Sixteenth centuries |
|
| Patricia Rubin | “Vasari as a Biographer” | |
| John Seyller | “The Freer Rāmāyaṇa and the Atelier of ʻAbd al-Raḥīm” | |
| Marion True | “Pre-Sotadean Attic Red-Figure Statuette Vases and Related Vases with Relief Decoration” | |
| Chuan-Ying Yen | “The Sculpture from the Tower of Seven Jewels: The Style, Patronage and Iconography of the Monument” |
1985
| Ann Adams | “The Paintings of Thomas de Keyser 1596/7-1667: A Study of Portraiture in Seventeenth-Century Amsterdam” | |
| Barbara Butts |
“‘Dürerschüler’ Hans Süss von Kulmbach” |
|
| Bruce Coats | “The Architecture of Zen-Sect Buddhist Monasteries in Japan, 1200-1500” | |
| James Cuno | “Charles Philipon and La Maison Aubert: The Business, Politics and Public of Caricature in Paris, 1820-1840” | |
| Lucretia Giese | “Winslow Homer, Painter of the Civil War: A Thesis” | |
| Thomas Howe | “The Invention of the Doric Order” | |
| William Klingelhofer | “The Jahangiri Mahal of Agra Fort: Tradition and Transformation in Early Mughal Architecture” | |
| Thomas Lentz | “Painting at Herat under Bāysunghur ibn Shāhrukh” | |
| Christine Kondoleon | “The Mosaics of the House of Dionysos at Paphos: A Contribution to the Study of Roman Art” | |
| Samuel Morse | “The Formation of the Plain-Wood Style and the Development of Japanese Buddhist Sculpture, 760-840” | |
| Marta Osterstrom Renger | “The Wiesbaden Codex B 10 and Netherlandish art around 1400 |
1984
| Perween Hasan |
“Sultanate Mosque-Types in Bangladesh: Origins and Development” |
|
| Cynthia Schneider | “Rembrandt’s Landscape Paintings” |
1983
| Winston Alt | “Development in the Art of Annibale Carracci” | |
| Robert Baldwin | “Christ's Sublime Humility as a Model for Style in Northern Renaissance and Baroque Religious Painting” | |
| William Coaldrake | “Gateways of Power: Edo Architecture and Tokugawa Authority, 1603-1651” | |
| Linda Pellecchia | “Observations on the Scala Palace: Giuliano da Sangallo and Antiquity” | |
| John Rhodes | “Ornament and Ideology: A Study in Mid-Nineteenth Century British Design Theory” | |
| Natasha Staller | “Toward ‘the total image’: The Thematic Origins of Cubism” |
1982
| Ann Bermingham | “The Ideology of Landscape: Gainsborough, Constable and the English Rustic Tradition” | |
| Sheila Bonde | “Saxo-Norman ‘Overlap’ Architecture: Castle and Church Building in Mid-Eleventh Century England” | |
| Pamela Gaber-Saletan | “Regional Styles in Cypriote Limestone Sculpture” | |
| Eva Hoffman | “The Emergence of Illustration in Arabic Manuscripts: Classical Legacy and Islamic Transformation” | |
| Barbara Kellum | “Sculptural Programs and Propaganda in Augustan Rome: The Temple of Apollo on the Palatine and the Forum of Augustus” | |
| Ruth Kolarik |
“The Floor Mosaics of Stobi and their Balkan Context” |
|
| Glenn Lowry | “The Tomb of Nasir-ud-Din Muhammad Humayun” | |
| Bertrand Sauzier | “Dziga Vertov and ‘Man with the Movie Camera’” | |
| Beverly Schreiber | “François Boucher's Early Development as a Draughtsman, 1720-1734” | |
| Nanette Sexton | “Carleton E. Watkins, Pioneer California Photographer, 1829-1916: A Study in the Evolution of Photographic Style During the First Decade of Wet Plate Photography” |
1981
| Terry Allen | “Timurid Herat” | |
| Maxwell Anderson | “Dionysos in Late Classical and Hellenistic Relief Sculpture” | |
| Robert Bagley | “Bronze Casting in the Shang Period” | |
| Sheila Canby | “The Life and Work of the Painter Riza” | |
| Dawn Delbanco | “Nanking and the Mustard Seed Garden Painting Manual” | |
| Catherine Freedberg Blanton | “The Spanish Pavilion at the Paris World's Fair of 1937” | |
| Anna Gonosova | “The Role of Ornament in Late Antique Interiors: With Special Reference to Intermedia Borrowing of Patterns” | |
| Ann Lorenz Van Zanten | “César Daly and the Revue générale de l'architecture” | |
| Suzanne Folds McCullagh | “The Development of Gabriel de Saint-Aubin (1724-1780) as a Draughtsman” | |
| Kristin Mortimer | “Cefalù Cathedral: A Study in the Development of Architecture and Sculpture in the Norman Kingdom of Sicily” | |
| Nancy Shatzman | “Imperial Architecture under Mongolian Patronage: Khubilai's Imperial City of Daidu” | |
| Stephen Urice | “Qasr Kharana: An Early Islamic Monument in the Transjordan” |
1980
| David Brownlee | “George Edmund Street and the Royal Courts of Justice” | |
| Gail S. Davidson | “Jacques Stella and the Development of the Classical Style in Paris, 1634-1643” | |
| Alice Friedman | “Wollaton Hall and the Willoughby Family in the Sixteenth Century” | |
| Hilliard Goldfarb | “The Early Stylistic Development of Titian in the Venetian Cultural Milieu, 1500-1516” | |
| Jane Hancock | “Form and Content in the Early Work of Jean Arp, 1903-1930” | |
| Nancy Pyle | “Seljuk Portals of Anatolia” | |
| Michael Shapiro | “The Development of American Bronze Foundries, 1850-1900” | |
| Susan Locke Siegfried | “Ingres and His Critics, 1806 to 1824” | |
| Elizabeth Swinton | “The Graphic Art of Onchi Koshiro, 1891-1955: Innovation and Tradition” | |
| Ruth Elizabeth Ten Grotenhuis | “The Revival of the Taima Mandala in Medieval Japan” | |
| James Trilling | “The Medallion Style in Late Roman and Early Byzantine Mosaics and Textiles to c. A.D. 600” | |
| Anne Wagner | “Learning to Sculpt: Jean-Baptiste Carpeaux 1840-1863” |
1970 – 1979
1979
| Charles Colbert | “Bacchiacca in the Context of Florentine Art” | |
| Walter Compton | “Picasso: Origins and Artistic Freedom, 1881 to 1907” | |
| Sheila Connolly | “The Cloister Sculpture of Saint-Aubin in Angers” | |
| Jerrilynn Dodds | “Mozarabic Architecture of the Resettlement and the Spiritual Reconquista” | |
| David Ebitz | “Two Schools of Ivory Carving in Italy and their Mediterranean Context in the Eleventh and Twelfth Centuries” | |
| Eric Hostetter | “The Etruscan Candelabra and Other Figurative Bronzes from Spina” | |
| Alvin Martin | “Georges Braque: Stylistic Formation and Transition, 1900-1909” | |
| Jeffrey Ruda | “Filippo Lippi Studies: Naturalism, Style and Iconography in Early Renaissance Art” | |
| John Spike | “Mattia Preti, ‘Il Cavalier Calabrese’” | |
| Joanna Woods-Marsden | “Pisanello: Court Painter in Mantua” |
1978
| Susan Nelson Arkush | “Ni Tsan and the Image of Yüan Painting” | |
| Jean Cadogan | “Drawings by Domenico Ghirlandaio” | |
| Joseph Connors | “The Casa dei Filippini in Rome” | |
| Katherine Erhart | “The Development of the Facing Head Motif on Greek Coins and its Relation to Classical Art” | |
| Marc Gerstein | “Impressionist and Post-Impressionist Fans” | |
| Alden Gordon | “The Marquis de Marigny, Directeur-Général des Bâtiments du Roi to Louis XV, 1751-1773: A Study in French Royal Patronage” | |
| Birgit Shell | “Antonio Campi” | |
| Marianna Shreve Simpson | “The Illustration of an Epic: The Earliest Shahnama Manuscripts” |
1977
| William Archer | “The Notion of ‘Character’ in English Domestic Architecture: 1785-1840” | |
| Kenyon Bolton | “The Drawings of Washington Allston: A Catalogue Raisonné” | |
| Michael Conforti | “The Lateran Apostles” | |
| Margaret Deutsch | “Rembrandt's Nightwatch and the Iconological Traditions of Militia Company Portraiture in Amsterdam” | |
| Patty Gerstenblith | “The Levant in the Middle Bronze I and its Connections with Mesopotamia and Anatolia: A Study in Trade and Settlement Patterns” | |
| Hetty Joyce | “Decorative Painting, Mosaic and Stucco in Italy in the Second and Third Centuries A.D.” | |
| Andrew Kagan | “Paul Klee Studies” | |
| Thomas DaCosta Kaufmann | “Variations on the Imperial Theme: Studies in Ceremonial, Art, and Collecting in the Age of Maximilian II and Rudolf II” | |
| Keith Christiansen | “Gentile da Fabriano” | |
| Yutaka Mino | “The Development of Tz'u-Chou Type Wares” | |
| Verna Prentice Russillo | “The Illustration of Sa'di's Poetry in Fifteenth Century Herat” | |
| Leon Satkowski | “Studies on Vasari's Architecture” | |
| Mark Zebrowski | “Indian Painting at the Courts of the Deccani Sultans” |
1976
| Jonathan Best | “Buddhism in Paekche: A Cultural Approach to Early Korean History and Sculpture” | |
| Deborah Dluhy | “The Thirteenth-Century Mural Painting in the Church of St. Gereon in Cologne” | |
| Christine Guth | “Early Shinto Sculpture: The Hachiman Triads of the To-ji and Yakushi-ji” | |
| Money Hickman | “The Paintings of Soga Shohaku (1730-1781)” | |
| Larry Joseph Homolka | “Henry Hobson Richardson and the ‘Ames Memorial Buildings’” | |
| Peter Huenink | “The Collegiate Church of Ste.-Gertrude at Nivelles in the Eleventh Century” | |
| Joy Kenseth | “Jacopo Ligozzi: Pittore-Miniatore” | |
| Deborah Klimburg | “Buddhist Painting of the Hindu Kush: Bamiyan, Fondukistan, Foladi, Kakrak” | |
| John Lane | “Stuart Davis: Art Theory” | |
| Joan Lukach | “Plastic Values: Painting in Italy, 1915-1919” | |
| Julia Meech | “Taira Kiyomori and the Heike nōgyō” | |
| Lawrence Nees | “The Illustrations of the Gundohinus Gospels at Autun” | |
| John Pinto | “Nicola Michetti, circa 1675-1758, and Eighteenth-Century Architecture in Rome and Saint Petersburg” | |
| Brenda Isabel Preyer | “Giovanni Rucellai and the Rucellai Palace” | |
| Nan Rosenthal | “The Blue World of Yves Klein” | |
| Michael Justin Wentworth | “James Tissot: A Critical Study of His Life and Work Together with a Catalogue Raisonné of His Prints” | |
| Judith Williams | “Drawings of the Young Raphael” |
1975
| Clemency Coggins | “Painting and Drawing Styles at Tikal: An Historical and Iconographic Reconstruction” | |
| Howard Crane | “Materials for the study of Muslim patronage in Saljuq Anatolia: The Life and Works of Jalāl al-Dīn Qarāṭāī” | |
| William Curtis | “The History and Design of Le Corbusier's Carpenter Center for the Visual Arts at Harvard University” | |
| George Eldric Everett | “The Role of the Abbey Church of Saint-Lomar-de-Blois in the Evolution of Early Gothic Architecture” | |
| Jonathan Fineberg | “Kandinsky in Paris 1906-7” | |
| Caroline Mae Houser | “Greek Monumental Bronze Sculpture of the Fifth and Fourth Centuries B.C.” | |
| Anthony Janson | “The Paintings of Worthington Whittredge” | |
| Piriya Krairiksh | “The Chula Pathon Cedi: Architecture and Sculpture of Dvāravatī” | |
| Nancy Ward Neilson | “Camillo Procaccini (c. 1555-1629): Paintings and Drawings” | |
| Hayat Salam-Liebich | “The Architecture of the Mamluk City of Tripoli” | |
| Rei Sasaguchi | “The Image of the Contemplating Bodhisattva in the Chinese Buddhist Sculpture of the Sixth Century” | |
| Alison Shepherd | “Joseph Highmore, 1692-1780” |
1974
| Clara Bargellini | “Studies in Medieval Apulian Floor Mosaics” | |
| Hafez Kaysarr Chehab | “Le decor de Anjarr” | |
| Winifred H. Friedman | “Boydell's Shakespeare Gallery” | |
| Martha Hoppin | “William Morris Hunt: Aspects of His Work” | |
| Louisa Galt Fitzgerald Huber | “The Traditions of Chinese Neolithic Pottery” | |
| Steven Levine | “Monet and His Critics” | |
| Michael Meister | “Form in the North Indian Temple: A Field Survey” | |
| Dewey Mosby | “Alexandre-Gabriel Decamps, 1803-1860” | |
| John Neff | “Matisse and Decoration, 1906-1914: Studies of the Ceramics and the Commissions for Paintings and Stained Glass” | |
| Earl Alexander Powell | “English Influences in the Art of Thomas Cole, 1801-1848” | |
| Harry Rand |
“Arshile Gorky’s Iconography” |
|
| Lawrence Silver | “Quinten Massys, 1466-1530” | |
| Brian Taylor | “Le Corbusier's Prototype Mass Housing, 1914-1928” |
1973
| Mary Kathleen Brown | “Symbolic Lions: A Study of Ancient Mesopotamian Art and Literature” | |
| Carl Chiarenza | “Terrors and pleasures: The Life and Work of Aaron Siskind” | |
| Frances Daly | “The Neo-Classical Architecture of James Wyatt” | |
| Doris Joan Dohrenwend | “The Human Image in Chinese Art before Buddhism: The Mask” | |
| Zirka Zaremba Filipczak | “The Social Status of Artists in Antwerp During the Seventeenth Century” | |
| David Friedman | “Florentine Town Foundation, 1299-1350” | |
| Dorothy Gillerman | “The Clöture of Notre-Dame and its Role in the Fourteenth Century Choir Program” | |
| Renata Holod | “The Monuments of Yazd, 1300-1450: Architecture, Patronage, and Setting” | |
| Steven Kovacs | “The Surrealist Cinema” | |
| Judith Lerner | “Winged Figures in Sasanian Art” | |
| Carolyn Kolb Lewis |
“The Villa Giustinian at Roncade” |
|
| Bruce Macdonald | “Gustave Courbet: Sources and Critics” | |
| Henry Maguire | “Truth and Topos: The Depiction of Sorrow in Middle Byzantine Art in the Light of Ekphrastic Literature” | |
| Guy Metraux | “Western Greek Land-Use and City-Planning in the Archaic Period” | |
| Mary Patricia May Sekler | “The Early Drawings of Charles-Edouard Jeanneret (Le Corbusier), 1902-1908” | |
| David Soren | “Roman Pottery from Utica, Tunisia: Its Significance for North African Ceramics and for the Urban Development of the Site in Imperial Times” | |
| Mary Evelyn Stringer | “The Twelfth-Century Illustrations of the Life of Saint Cuthbert” | |
| Franklin Toker | “Santa Reparata: Excavation and Study of the Ancient Cathedral of Florence” | |
| Stephen Anthony Welch | “Late 16th Century Painting in Iran: Siyavush the Georgian, Sadiqi Bek Afshar, Aqa Riza” | |
| Arthur Wheelock | “The Shifting Relationship of Perspective to Optics and its Manifestation in Paintings by Artists in Delft around 1650” | |
| Brucia Witthoft | “The Tacuinum sanitatis: Studies in Secular Manuscript Illumination in Late Fourteenth-Century Lombardy” |
1972
| Peter MacDowell Barnett | “The Picturesque and English Naturalism” | |
| James Burke | “Jan Both (ca.1618-1652), Paintings, Drawings and Prints” | |
| Martha Hutson | “The Life and Works of George Henry Durrie, 1820-1863” | |
| Lena Kim Lee | “Korean Buddhist Sculpture of the Unified Silla dynasty (AD 668-935)” | |
| Joan Mertens | “Attic White-Ground: Its Development on Shapes Other Than Lekythoi” | |
| Caroline Playter | “Willem Duyster and Pieter Codde: The ‘duystere werelt’ of Dutch Genre Painting c.1625-1635” | |
| Myra Rosenfeld | “The Hôtel de Cluny and the Sources of the French Renaissance Palace, 1350-1500” | |
| James Rubin | “Ut pictura theatrum, Painting as Theater: An Approach to Painting in France from 1791 to 1810” | |
| Peter Schabacker | “Petrus Christus: His Development and Sources” | |
| Stephen Tobriner | “The Architecture and Urbanism of Noto, an 18th Century Sicilian City” |
1971
| Kathryn Hiesinger Bloom | “Ventian Wall Tombs in the Second Half of the Cinquecento” | |
| Anne de Coursey Clapp | “Wen Cheng-ming: The Ming Artist and Antiquity” | |
| Charles Cohen | “Giovanni Antonio da Pordenone” | |
| Walter Denny | “The Ceramics of the Mosque of Rüstem Pasha and the Environment of Change: The Development of a New Style in Ottoman Turkish Art in the Mid-Sixteenth Century” | |
| James Anthony Fasanelli | “The Fame of Jean Foquet and the Quest for His Works” | |
| Elaine Gazda | “Style and Technique in the Funerary Reliefs of Late Republican Rome” | |
| Frances Jowell | “Thoré-Bürger and the Art of the Past” | |
| Susan Donahue Kuretsky | “Jacob Ochtervelt” | |
| John McLaughlin | “A Comparative Analysis of the Nativity Sections of the Corpus Christi Cycles” | |
| Charles W. Millard | “The Sculpture of Edgar Degas” | |
| Rodolfo Paras-Perez | “The Drawings of Delacroix and the Robaut Catalogue: A Study in Quantitative Writing for Art History” | |
| Eugenia Parry | “The Monotypes of Edgar Degas” | |
| Paul Venable Turner | “The Education of Le Corbusier: A Study of the Development of Le Corbusier's Thought, 1900-1920” |
1970
| Larry Ayres | “Studies on the Winchester Bible” | |
| Madeline Caviness | “The Stained Glass of the Trinity Chapel Ambulatory of Canterbury Cathedral” | |
| Joseph Walter Gluhman | “Lyonel Feininger: The Early Paintings” | |
| Phyllis Caroline Hattis | “Ingres, 1789-1812: An Examination of His Styles” | |
| Ulrich Hiesinger | “Studies in Julio-Claudian Portraiture” | |
| Virginia Clarice Kane | “Chinese Bronze Vessels of the Shang and Western Chou Periods” | |
| Julia Helen Keydel | “A Group of Altarpieces by Giovanni Bellini Considered in Relation to the Context for Which They Were Made” | |
| Thomas Lawton | “An Eighteenth-Century Chinese Catalogue of Calligraphy and Painting: An Annotated Translation of Sections Three and Four of Mo-yüan hui-kuan” | |
| Elisabeth Blair MacDougall | “The Villa Mattei and the Development of the Roman Garden Style” | |
| Daniel D. Reiff | “Washington Architecture, 1791-1861” | |
| Franklin Westcott Robinson | “Gabriel Metsu, 1629-1667” | |
| David Van Zanten | “The Architectural Polychromy of the 1830s” | |
| Sheila Leiman Weiner | “Ajaṇṭā and its Origins” |
1960 – 1969
1969
| Paul Barolsky | “Daniele da Volterra” | |
| Milo Beach | “Painting at Bundi and Kota” | |
| Judith Florence Berg | “Bartolomé Bermejo” | |
| Michael Fried | “Manet's Sources: A Study of an Aspect of His Art, 1859-1865” | |
| Ivan Galantic | “The Sources of Leon Battista Alberti's Theory of Painting” | |
| Walter Gibson | “The Paintings of Cornelis Engebrechtsz” | |
| Donald Bannard Goodall | “Gaston Lachaise, Sculptor” | |
| Martha Kingsbury | “John Singer Sargent: Aspects of His Work” | |
| Howard Frederick Koeper | "The Gothic Skyscraper: A History of the Woolworth Building and its Antecedents” | |
| Rosalind E. Krauss | “The Sculpture of David Smith” | |
| Robert J. Maeda | “Two Sung Texts of Chinese Painting and the Landscape Styles of the 11th and 12th Centuries” | |
| Arthur G. Miller | “The Mural Painting of Teotihuacán, Mexico, and An Inquiry Into the Nature of Its Iconography” | |
| Robert Munman | “Venetian Renaissance Tomb Monuments” | |
| Loren W. Partridge | “The Frescoes of the Villa Farnese at Caprarola” | |
| William R. Rearick | “The Paintings of Jacopo Bassano” | |
| Joanna Williams | “Khotanese Painting” | |
| David Van Fossen | “The Paintings of Aert de Gelder” |
1968
| Ludovico Borgo | “The Works of Mariotto Albertinelli” | |
| Susan Hilles Bush | “The Chinese Literati on Painting: Su Shih (1037-1101) to Tung Ch'i-ch'ang (1555-1636)” | |
| Everett Phillip Fahy | “Some Followers of Domenico Ghirlandaio” | |
| Andrée Madeleine Hayum | “Giovanni Antonio Bazzi – ‘Il Sodoma’” | |
| Harold Edwin Spencer |
“Augustus Earle: A Study of Early Nineteenth Century Travel-Art and its Place in English Landscape and Genre Traditions” |
1967
|
Robert Gilmer Calkins |
“The Master of Catherine of Cleves” |
|
|
Barbara Knowles Debs |
“The Master of Catherine of Cleves” |
|
|
Peter Fergusson |
“English Twelfth Century Cistercian Church Architecture” |
|
1966
| Wayne Edison Begley | “The Chronology of Mahāyāna Buddhist Architecture and Painting at Ajaṇṭā” | |
| William H. Gerdts | “Painting and Sculpture in New Jersey” | |
| Martha Gregor Thompson Goethals | “A Comparative Study of the Theory and Work of Washington Allston, Thomas Cole, and Horatio Greenough” | |
| Robert Allan Hatfield | “Three Kings and the Medici: A Study in Florentine Art and Culture During the Quattrocento” | |
| George Henry Gabriel Jones | “The Italian Villa Style in American Architecture, 1840-1865” | |
| Timothy Kaori Kitao | “Studies on Bernini's Architecture” | |
| James F. O’Gorman | “The Architecture of the Monastic Library in North and Central Italy from Michelozzo to Michelangelo” |
1965
| Svetlana Alpers | “The Torre de la Parada Series and Narration in Rubens' Mythological Works” | |
| Nicolai Cikovsky | “The Life and Work of George Inness” | |
| Sheila McNally | “The Role of Ornament in Protocorinthian Vase Painting” | |
| Kathleen Weil-Garris Posner | “The Santa Casa di Loreto: Problems in Sixteenth Century Sculpture” | |
| Linda Seidel | “Romanesque Sculpture from the Cathedral of Saint-Etienne, Toulouse” | |
| Paul H. Walton | “The Drawings of John Ruskin” | |
| John Wilmerding | “A History of American Marine Painting up to the Age of Steam” |
1964
| Eugene A. Carroll | “The Drawings of Rosso Fiorentino” | |
| Diran Kavork Dohanian | “The Mahāyāna Buddhist sculpture of Ceylon” | |
| Richard Sampson Field | “Paul Gaugin: The Paintings of the First Voyage to Tahiti” | |
| Henry Armand Millon | “Guarino Guarini and the Palazzo Carignano in Turin” | |
| Edward Staunton Peck | “Peiresc Manuscripts Aiding Reconstruction of Lost Medieval Monuments” |
1963
|
Samuel Pendleton Jr. Cowardin |
“Some Aspects of Color in Fifteenth-Century Florentine Painting” | |
| Lenore Congdon Keene | “Greek Caryatid Mirrors: Technical, Stylistic, and Historical Considerations of an Archaic-Early Classical Bronze Series” | |
| Carol Ravenal Myers | “The Modest Architectural Mode: An Analysis of Five Domestic Dwellings on Providence, Rhode Island, c. 1780-1812” |
1962
| Renee Marie Arb | “The Young Correggio: An Analysis of the Artistic Formation of Antonio Allegri” | |
| Joseph S. Bolt | “John Bernard Flannagan, 1895-1942” | |
| James Smith Pierce | “Paul Klee and Primitive Art” | |
| Alan Solomon | “Pablo Picasso: symbolism in the synthetic cubist still life: a study of his iconography from 1911-1927” | |
| Martie W. Young | “The Paintings of Ch’iu Ying: A Preliminary Survey” |
1961
| Felton Lewis Gibbons | “The Late Giovanni Bellini and His Workshop” | |
| Jean C. Harris | “The Graphic Work of Edouard Manet: A Study of Style and Content, Accompanied by a Catalogue Raisonné” | |
| James Buchanan Imhoff Holderbaum | “The Sculptor Giovanni Bologna” | |
| William Innes Homer | “Seurat's Theories of Color and Expression: Their Origins and Application” | |
| Jules Prown | “The English Career of John Singleton Copley, R.A.” |
1960
| Donald Edward Gordon | “Ernst Ludwig Kirchner (1880-1938): A Study of the Early Chronology, and an Analysis of the Formal Development of the Graphic Works” | |
| James Burr Lynch | “Jose Clemente Orozco: the Easel Paintings and the Graphic Art” | |
| Jerrold Ziff | “The Contribution of Traditional Sources to the Stylistic Development of the Painting of J.M.W. Turner” |
1950 – 1959
1959
| Fisher, Mahlon Roy, | “Titian’s Assistants During the Later Years” | |
| Golson, Lucile Madeleine, | “The Beginnings of French Landscape, 1528-1627” | |
| Hansen, Donald, | “Phoenician Art of the Middle Bronze Age: The Origins of the International Style of the Second Millennium B.C.” | |
| Rosenfield, John M., | “The Kushans and Their Art” | |
| Wiese, Ellen Phoebe, | “Source Problems in Manet’s Early Painting” |
1958
| Brinkerhoff, Dericksen | “Hellenistic Statues of Aphrodite: Studies in the History of their Stylistic Development” | |
| Hibbard, Howard Benjamin | “The Architecture of the Palazzo Borghese” | |
| Hoffmann, Herbert | “Attic Red-Figured Rhyta” | |
| Leavitt, Thomas W. | “The Life, Work, and Significance of George Loring Brown, American Landscape Painter” | |
| Mitchell, Christine | “The Archaistic Style in Greek Sculpture” | |
| Reff, Theodore Franklin | “Studies in the Drawings of Cézanne” | |
| Shell, Curtis Howard | “Giovanni dal Ponte and the problem of other lesser contemporaries of Masaccio” |
1957
-
1956
| George Van Derveer Gallenkamp | “Hyacinthe Rigaud” | |
| Lincoln Fernando Johnson Jr. | “Toulouse-Lautrec, the Symbolists and Symbolism” | |
| William Lloyd Macdonald Jr. | “The Hippodrome at Constantinople” | |
| Prudence Royce Myer | “Pre-Islamic Religious Monuments of Bihar and Bengal: a tudy of the Evolution of Architectural Forms Together with some Considerations of their Symbolic Meanings and Historical Influence” | |
| Minerva Pinnell | “Domenichino's Commission in the Cappella del Tesoro at Naples: A Critical Study of High Baroque Classicistic Painting in Italy” | |
| Sidney Simon | “James McNeill Whistler: His Art and Theories” |
1955
| Richard Carpenter | “The Dutch Sources of the Art of J. H. Fragonard” | |
| Ernest Connally | “The ecclesiastical and military architecture of the Spanish province of Texas” | |
| William Scott Abell Dale | “English Ivories, 925-1175” | |
| Irving Lavin | “The Bozzetti of Gianlorenzo Bernini” | |
| John Alexander Pope | “Fourteenth-Century Blue-and-White: A Group of Chinese Porcelains in the Topkapu Sarayi Müzesi, Istanbul” | |
| Nathan T Whitman | “The Drawings of Raymond Lafage” | |
| Richard Wunder | “Giovanni Paolo Panini” |
1954
| Bernice F. Davidson | “Marcantonio Raimondi, the Engravings of his Roman Period” | |
| Henri Dorra | “The Style of Paul Gauguin from 1871 to 1891” | |
| Mary Laura Heuser | “Gestures and Their Meaning in Early Christian Art” | |
| Winthrop Judkins | “The Nature and Techniques of Fluctuant Representation in Synthetic Cubism: Picasso, Braque, Gris” | |
| Sidney Martin Kaplan | “Early Pottery from the Liang Chu Site, Chekiang Province” | |
| John Popham Sedgwick | “Courbet’s Evolution” | |
| Walter Spink | “Rock-Cut Monuments of the Andhra Period: Their Style and Chronology” | |
| Evan Hopkins Turner | “The Style and Method of Joseph Mallord William Turner's Gouaches of the Seine River and their Place in His Work” |
1953
| Margery Williams Adams | “Manuscript Illumination in the Abbey of Saint Amand: XI and XII Centuries” | |
| Grace Jean Sutherland Boggs | “Group Portraits by Edgar Degas” | |
| Alfred Moir | “The Character and Development of Caravaggism in Italy and its Regional Aspects” | |
| Julia Phelps | “The Treatment of Space in Reichenau Manuscript Painting of the Ottonian Period” | |
| Hedley Howell Rhys | “Maurice Prendergast: the Sources and Development of his Style” |
1952
| Eleanor Dodge Barton | “A Preliminary Study of Alessandro Algardi” | |
| Richard F. Brown | “The Color Technique of Camille Pissarro” | |
| Bainbridge Bunting | “The Architectural History of the Back Bay Area in Boston” | |
| James Warren Fowle | “The Raft of the Medusa: Studies of Géricault's Subject, Composition, and Stylistic Development” | |
| George Levitine | “Girodet-Trioson, an Iconographical Study” | |
| Donovan Michael Sullivan | “Evidence and Sources for the Study of Early Chinese Landscape Painting” | |
| Frank Trapp | “The Paintings of Henry Matisse: Origins and Early Development, 1890-1917” | |
| Robert Roger Wark | “James Barry” |
1951
| Joseph Armstrong Baird | “The 18th Century Retable in the South of Spain, Portugal and Mexico” | |
| Christopher Gray | “Cubist Aesthetic Theories” | |
| Richard McLanathan | “Charles Bulfinch and the Maine State House: A Study in the Development of American Architecture” | |
| Robert Breese Shaffer | “Charles Eliot Norton and Architecture” |
1950
| Walter Littlefield Creese | “American Architecture from 1918 to 1933 with Special Emphasis on European Influence” | |
| Theresa Zezzos | “Sandro Botticelli: the Appreciation of His Art in the Fifteenth and Sixteenth Centuries as Revealed in Literary Sources of the Period” |
1900 – 1949
1949
| Martin Soria | “Francisco de Zurbarán: His Life and Works” | |
| Richard G Tansey | “The Representation of the Human Figure in Early Western Manuscript Illumination” | |
| Hylton Thomas | “The Drawings of Giovanni Battista Piranesi” |
1948
| Marian Belle Davis | “A Study of Venetian Portraiture of the Early Renaissance” | |
| John Moore Maxon | “The Early Tintoretto” |
1947
| Thomas Lloyd Reed | “J.Q.A. Ward, Sculptor” | |
| Carl Dunkle Jr. Sheppard | “Sculpture of the Benedictine Cloister of Monreale” |
1946
| Margaret Innes Bouton | “The Early Works of Augustus Saint-Gaudens” |
1944
| Herwin Schaefer | “The Origin of the Two-Tower Facade in Romanesque Architecture” |
1942
| Henry Trubner | “The Three Earliest Caves at Lung-men” |
1941
| Hugo Munsterberg | “Buddhist Bronzes of the Six Dynasties Period” |
1925
| Kenneth John Conant | “The Early Architectural History of the Cathedral of Santiago da Compostela” |
1924
| Walter William Spencer Cook | “Romanesque Panel Painting in Catalonia” | |
| Clarence Kennedy | “Light and Shade and the Point of View in the Study of Greek Sculpture” |
1913
| George Harold Edgell | “The Development of the Architectural Background in the Painting of the Umbrian Renaissance” |