Graduate Alumni
Graduate Alumni News
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Graduate alumni Archives
2020 - Present
2020
|
Victoria Addona |
“Bernardo Buontalenti and the Unity of the Arts in Practice (1563-1608)” |
|
Steffani Bennett |
“The Other Shore: Sesshū Tōyō (1420 - ca. 1506) and the Sino-Japanese Cultural Sphere in the Fifteenth Century” |
|
Jennifer Chuong |
“The Nature of Surfaces in Early America“ |
|
Fletcher Coleman |
“Building a Discipline: The Longmen Grottoes and the Formation of East Asian Art History in the U.S., ca.1900-1955” |
|
Gwendolyn Collaço |
“The Image as Commodity: The Commercial Market for Single-Folio Paintings in Ottoman Istanbul, 17th-18th c.” |
|
Alejandra Rojas |
“Flora Incognita: Picturing Nature in the New World” |
|
Mira Xenia Schwerda |
“How Photography Changed Politics: The Case of the Iranian Constitutional Revolution (1905-1911).” |
|
Katherine Taronas |
"Beautiful Beings in Air, Fields, and Water: An Iconography of Saints and Animals in the Art of Late Antiquity” |
|
Joanna Wendel |
“Cocottes, Garçonnes, and Cowboys: Gender and Figuration in the Work of George Grosz, Karl Hubbuch, and Hanna Nagel, 1915-1935” |
|
Meredyth Winter |
“Silks Withdrawn: A Re-Contextualization of the Medieval Fragments from Rayy” |
2010 - 2019
2019
| Odilia M. Bonebakker | "Bruegel and the Lost Art of Cloth Painting" | J. Koerner |
| Merih Danali Cantarella | "Art, Science, and Neoplatonic Cosmology in Fourteenth-Century Byzantium: The Illustrations of Marcianus Graecus 516 (=904)" | I.Kalavrezou |
| Margaret Innes | "Signs of Labor in the American Photographic Press, 1926-1951" | R. Kelsey |
| Courtney Tomaselli | "'For He Was Made Man That We Might Be Made God:' Visualizing the Way to Theosis in the Byzantine Psalter Vat. gr. 1927" | I.Kalavrezou |
2018
| Bing Huang | "Art, Machine, and Learning in Eighteenth-Century China" | E. Wang |
| Denva Edelle Jackson | "In the Footsteps of our Fathers: Morgan Library's Vitae Patrum, (NY, P. Morgan Library, MS. M626)" | J. Hamburger |
| Michelle Kuo | "To Avoid the Waste of a Cultural Revolution: Experiments in Art and Technology" | Y.A. Bois |
| Abbey Parker Stockstill | "The Mountains, the Mosque, & the Red City:· Abd al-Mu' min and the Almohad Legacy in Marrakesh" | D. Roxburgh |
| Jordan Elizabeth Troeller | "Scenes from the Archive: Photography, Objecthood, and the Bauhaus" | M.Gough |
| Oliver Wunsch | "Painting against Time: The Decaying Image in the French Enlightenment" | E. Lajer-Burcharth |
2017
| Elizabeth Bacon | "Drawing Machines: The Manual and the Mechanical in Art of the Early Republic" | J. Roberts |
| Francesca Borgo | "Battle and Representation in Cinquecento Art and Theory" | F. Fehrenbach |
| Kit Brooks | "Something Rubbed: Medium, History, and Texture in Japanese Surimono" | Y. Lippit |
| Farshid Emami | "The New Isfahan: Architecture, Urbanism, and City Experience in Safavid Iran, 1590-1722" | G. Necipoglu |
| Charlotte Gray | "The Fabric of the Church: Textiles and the Interpretation of the Architectural Arts at Chartres Cathedral, c.1200–1224" | J. Hamburger |
| Elizabeth Kassler-Taub | "At the Threshold of the Mediterranean: Architecture, Urbanism, and Identity in Early Modern Sicily" | A. Payne |
| Erika Loic | "The Ripoll Bibles: Unity, Continuity, and Monastic Practice" | J. Hamburger |
| Marisa Mandabach | "The Caduceus Unwound: The Head of Medusa and the Painterly Grotesque in Rubens" | J. Koerner |
| Cammie McAtee | "The 'Search for Form' in Postwar American Architecture" | N. Levine |
| Theresa Sims | "Unfinished Bodies: The Figurative Object in Southeast Africa, 1860–1920" | S. Blier |
| Aaron Wile | "Painting, Authority, and Experience at the Twilight of the Grand Siècle, 1688-1721" | E. Lajer-Burcharth |
| Daniel Zolli | "Promiscuous Technique: Theories of Mixed Media in Donatello’s Workshops" | F. Fehrenbach |
2016
| Mark Erdmann | "Azuchi Castle: Architectural Innovation and Political Legitimacy in Sixteenth-Century Japan" | Y. Lippit |
| Adam Michal Jasienski | "In the Guise of Holiness: Sanctity and Portraiture in the Early Modern Hispanic World" | T. Cummins |
| Shawonipinesiik Kiwetinashiik Kinew | "The Vision in Stone: Melchiorre Cafà in the World, 1636-1667" | F. Fehrenbach |
| Nadia Lares Marx | "Images of Adam and the Lure of Antiquity in Medieval Sculpture" | J. Hamburger |
| David Edward Pullins | "Cut and Paste: the mobile image from Watteau to Robert" | E. Lajer-Burcharth |
| Trevor Stark | "Total Expansion of the Letter: Cubism, Dada, Mallarmé" | M. Gough/R. Kelsey/ B. Buchloh |
| Melis Taner | "Painting in Baghdad in the Late Sixteenth-Early Seventeenth Centuries" | G. Necipoglu |
| Deniz Türker | “Ottoman Victoriana: Nineteenth-Century Sultans and the Making of a Palace, 1836-1909” | G. Necipoglu |
| Hye Won Yoon | "Exile at Work: The Portrait Photography of Gisèle Freund, Lisette Model, and Lotte Jacobi, 1930-1955" | B. Buchloh |
2015
| Paisid Aramphongphan | “Inefficient Moves: Art, Dance, and Queer Bodies in the 1960s” | C. Lambert-Beatty |
| Morgan Currie | “Sculpture and Sainthood in Early Modern Italy” | A. Jarrard |
| Katherine Harrison | “Byzantine Carved Gemstones: Their Typology, Dating, Materiality, and Function” | I. Kalavrezou |
| Yan Jia | “Imperial Doors of Assyria: Monumentality, Spatiality, and Rituality of the Neo-Assyrian Architectural Doors from Balawat” | I. Winter |
| Samuel Johnson | “The Architecture of the Book”: El Lissitzky’s Works on Paper, 1919- 1937” | M. Gough |
| Kevin Lotery | "an Exhibit/an Aesthetic: The Independent Group and Postwar Exhibition Design” | B. Buchloh |
| Joshua O’Driscoll | “Image and Inscription in the Painterly Manuscripts from Ottonian Cologne” | J. Hamburger |
| Jennifer Quick | “Back to the Drawing Board: Ed Ruscha 1956 - 68” | R. Kelsey |
| Cara Rachele | “Building Through the Paper: Disegno and the Architectural Copybook in the Italian Renaissance” | A. Payne |
| Wei Ren | “The Writer’s Art: Tao Yuanqing and the Formation of Modern Chinese Design (1900-1930)” | E. Wang |
| Jasper van Putten | "The Networked Cosmos: Sebastian Münster’s City Views" | J. Koerner |
2014
| Yasmine Al-Saleh | "Licit Magic: The Touch And Sight Of Islamic Talismanic Scrolls" (CMES joint degree) | G. Necipoglu |
| Ana Botchkareva | “Representational Naturalism in Cross- Cultural Perspective: Changing Visual Cultures in Mughal India and Safavid Iran, 1580-1730” | G. Necipoglu |
| Maggie Cao | "Episodes at the End of Landscape: Hudson River School to American Modernism" | J. Roberts |
| Catherine Girard | "Rococo Massacres: Hunting in Eighteenth-Century French Painting" | E. Lajer-Burcharth |
| Claire Grace | "Group Material and the 1980s: A Materialist Postmodernism" | C. Lambert-Beatty |
| Andrew Hamilton | "Scale and the Incas" | T. Cummins |
| Konstantina Karterouli | "The Virgin of Dom Rupert: Image, Function, Assimilation" | I. Kalavrezou |
| Jack McGrath | "Body, Subject, Self: The Art of Piero Manzoni" | B. Buchloh |
| Nozomi Naoi | "Beyond the Modern Beauty: Takehisa Yumeji and the New Media Environment in Early Twentieth Century Japan" | Y. Lippit |
| Katie Pfohl | "American Painting and the Systems of World Ornament" | J. Roberts |
| Jaya Remond | "The Kunstbüchlein: Printed Artists' Manuals and the Transmission of Craft in Renaissance Germany" | J. Koerner |
| Mary Schneider-Enriquez | "Material Witness: Doris Salcedo’s Practice as an Address on Political Violence through Materiality" | T. Cummins |
2013
| Phillip Bloom | "Descent of the Deities: The Water Land Retreat and the Transformation of the Visual Culture of Song Dynasty (960-1279) Buddhism" | E. Wang |
| Catherine Hale | "Asante Stools and the Matrilineage" | S. P. Blier |
| Jason LaFountain | "The Puritan Art World" | J. Roberts |
| Ünver Rüstem | "Architecture for a New Age: Imperial Ottoman Mosques in Eighteenth Century Istanbul" | G. Necipoglu |
| Megan Sullivan | "Locating Abstraction: The South American Coordinates of the AvantGarde, 1945-1959" | T. Cummins |
| Lisa Trever | "Moche Mural Painting at Pañamarca: A Study of Image Making and Experience in Ancient Peru" | T. Cummins |
2012
| David Breslin | "I Want to Go to the Future Please: Jenny Holzer and the End of a Century" | B. Buchloh |
| Rosario Granados-Salinas | "Fervent Faith. Devotion, Aesthetics, and Society in the Cult of Our Lady of Remedios (Mexico, 1520-1811)" | T. Cummins |
| Eva Helfenstein | "Between Banquet Table and Collection: Precious Vessels in the Art and Culture of Fifteenth-Century Europe" | H. van der Velden |
| Seth Hindin | "History and Ethnic Commitment in the Visual Culture of Medieval Bohemia, ca. 1200-ca. 1420" | J. Hamburger |
| Beatrice Kitzinger | "Cross and Book: Late-Carolingian Breton Gospel Illumination and the Instrumental Cross" | J. Hamburger |
| Katherin Moore McAllen | "Rethinking Frontier Paradigms in Northeastern New Spain: Jesuit Mission Art at Santa María de las Parras, 1598-1767" | T. Cummins |
| Ana Pulido Rull | "Ana Land grant painted maps: Native artists and the power of visual persuasion in colonial New Spain" | T. Cummins |
| Linda Rodriguez | "Artistic Production, Race, And History In Nineteenth-Century Cuba" | T. Cummins |
2011
| Erica Allen-Kim | "Chinatowns and Little Saigons: Ethnicity, memory, and change in the American landscape" | N. Levine |
| Marisa Bass | "The Venus of Zeeland: Jan Gossart and the Netherlandish Revival of Antiquity" | H. van der Velden |
| Frederique Baumgartner | "Transformation of the Cultural Experience: The Art of Hubert Robert during the French Revolution" | E. Lajer-Burcharth |
| Jessica Berenbeim | "Art of Documentation: The Sherborne Missal and the Role of Documents in English Medieval Art" | J. Hamburger |
| Ivan Drpic | "Kosmos Of Verse: Art And Epigram In Late Byzantium" | I. Kalavrezou |
| Suzan Yalman | "Building the Sultanate of Rum: Memory, Urbanism and Mysticism in the Architectural Patronage of 'Ala al-Din Kayqubad (r. 1220-1237)" | G. Necipoglu |
2010
| Makeda Best | "Arouse the Conscience – The Photography of Alexander Gardner" | J. Roberts |
| Shirin Fozi | "The Body Recast and Revived: Figural Tomb Sculpture in the Holy Roman Empire, 1080-1160" | J. Hamburger |
| Karen S. Hwang | "Legitimacy, Genealogy, and the Icon: A Study of Mogao Cave 9, Dunhuang, of the Guiyijun period (851-1002)" | E. Wang/Y. Lippit |
| Youn-mi Kim | "Eternal Ritual in an Infinite Cosmos: The Chaoyang North Pagoda (1043-44)" | E. Wang/Y. Lippit |
| Kristina Renée Kleutghen | "The Qianlong Emperor 's Perspective: Illusionistic Painting in Eighteenth-Century China" | E. Wang/Y. Lippit |
| Prudence Marie Peiffer | "Routine Extremism, Ad Reinhardt and Modern Art" | Y.A. Bois/B. Buchloh/J. Roberts |
| Andrei Pop | "Neopaganism: Henry Fuseli, Theatre, and the Cultural Politics of Antiquity, 1765-1825" | E. Lajer-Burcharth |
| Jennifer A. Pruitt | "Fatimid Architectural Patronage and Changing Sectarian Identities (969-1021)" | G. Necipoglu/D. Roxburgh |
| William Cole Roskam | "Civic Architecture in a Liminal City: Shanghai, 1842 – 1936" | N. Levine/E.Y. Wang |
| Dalila Lenore Scruggs | "The Love of Liberty Has Brought Us Here: the American Colonization Society and the Imaging of African-American Settlers in Liberia" | S. Blier |
| Esen Ogus Uzun | "Columnar Sarcophagi from Aphrodisias: Construction of Elite Identity in the Greek East" | R. Taylor/K. Coleman |
| Edward H. Wouk | "Raffaello fiammingo: The Graphic Work of Frans Floris de Vriendt (1519/20-1570)" | H. Zerner/J. Koerner |
| Khadija Zinnenburg Carroll | "The Resilience of Indigenous Australian Art and its Colonial Representation" | T. Cummins |
2000 - 2009
2009
| Chanchal Dadlani | "Twilight in Delhi? Architecture and Aesthetics in the Late Mughal Empire" | D. Roxburgh/G. Necipoglu |
| Melissa Eppihimer | "The Visual Legacy of Akkadian Kingship" | I. Winter |
| Brendan Fay | "American Photography and Abstraction, 1940-1960: Minor White, Aaron Siskind and Harry Callahan" | R. Kelsey |
| Genevieve Hyacinthe | "Traditional Rhythms and Global Remixes: Translating Form in Contemporary Mali Dance Collectives" | S.P. Blier |
| Wendy Ikemoto | "The Space Between: Paired Paintings in Antebellum America" | J. Roberts |
| David Young Kim | "Mobility, Geography and Style in Sixteenth-Century Art Theory and Practice" | A. Payne |
| Megan Luke | "Space for Recognition: The Late Work and Exile of Kurt Schwitters (1930-1948)" | Y.A. Bois |
| Anne Nishimura Morse | "The Invention of Tradition: The Uses of the Past in Buddhist Paintings from Nara during the Twelfth and Thirteenth Centuries" | J. Rosenfield/Y. Lippit |
| Akiko Walley | "Constructing the ‘Dharma King’: New Religio-political Movements in the Soga Era (536-645) and the Śākyamuni Triad, Golden Hall, Hôryûji" | Y. Lippit |
| Michelle Wang | "From Dharani To Mandala: A Study Of Mogao Cave 14 and Esoteric Buddhist Art Of The Tang Dynasty (618-907)" | E. Wang |
2008
| Gabriella De La Rosa | "Picturing the Colonial Enlightenment: Race, Identity and Difference in French Visual Culture, 1682 – 1804" | E. Lajer-Burcharth |
| Hallie Franks | "Hunter, Heroes, Kings: The Hunting Frieze of Tomb II at Vergina" | G.F. Pinney |
| Cécile Fromont | "Under the Sign of the Cross in the Kingdom of Kongo: Shaping Images and Molding Faith in Early Modern Central Africa" | S.P. Blier/T. Cummins |
| Amy Gansell | "Women Of Ivory As Embodiments Of Ideal Feminine Beauty in the Ancient Near East During The First Millennium BCE" | I. Winter |
| Leora Maltz Leca | "William Kentridge: Process as Metaphor and other Doubtful Enterprises" | E. Lajer-Burcharth |
| Ruth Kerkham Simbao | "Performing Patronage: The 'Traditional' Ceremonies of Zambia’s Afropolitan Chiefs" | S.P. Blier |
2007
| Ladan Akbarnia | "Khita'i': Cultural Memory and the Creation of a Mongol Visual Idiom in Iran and Central Asia (1256-1353)" | D. Roxburgh/G. Necipoglu |
| J. Kirsten Ataoguz | "The Apostolic Mission of the Monks at the Monastery of Saint John in Müstair, Switzerland" | J. Hamburger |
| Nenita Ponce de Leon Elphick | "Memory, Presence, and Power: The Social Life of Portraits in Peru" | T. Cummins |
| Christopher Etheridge | "Con risolutione di mano formate: Francesco Villamena and the Art of Engraving in Counter-Reformation Rome" | H. Zerner |
| Danielle Joyner | "A Timely History: Images and Texts in the Hortus Deliciarum" | J. Hamburger |
| Anna Wexler Katsnelson | "Red Aesop? The Visual Culture of Late Russian Avant-Garde" | Y.A. Bois |
| Aden Kumler | "Visual Translation, Visible Theology: Illuminated Devotional Compendia in Late Medieval France and England" | J. Hamburger |
| Sandy Prita Meier | "Local Cityscapes and Transcultural Imaginaries: Competing Architectures of Nineteenth and Twentieth Century Mombasa and Zanzibar" | S.P. Blier |
| Elizabeth Rudy | "Pierre-Paul Prud’hon (1758-1825) and the Problem of Allegory" | H. Zerner |
2006
| Diliana Angelova | "Gender and Imperial Authority in Rome and Early Byzantium, First to Sixth Centuries" | I. Kalavrezou |
| Katie Kresser | "Art as History, History as Art: John La Farge and the Problem of Representation, 1859-1910" | J. Roberts |
| Issa Lampe | "Painting History Ex Patria: Empire, Exile and Memory in the Late Narrative Paintings of Jacques-Louis David" | E. Lajer-Burcharth |
| Meredith Martin | "Dairy Queens: Sexuality, Space, and Subjectivity in Pleasure Dairies from Catherine de' Medici to Marie-Antoinette" | E. Lajer-Burcharth |
2005
| Graham Bader | "Roy Lichtenstein, Pop, and the Face of Painting in the 1960s" | Y.A. Bois |
| Rachel Leah Baum | "Andy Warhol 1962-65: The Crisis of Modernist Subjectivity in Abstraction" | N. Bryson |
| Emine Fetvaci | "Viziers to Eunuchs: Transitions in Ottoman Manuscript Patronage, 1566-1617" | G. Necipoglu |
| Lauri Firstenberg | "Against the Archive: Toward Indeterminacy and the Internationalization of Contemporary Art" | S.P. Blier |
| Alison Syme | "Hedgewhores, Wagtails, Cockatrices, Whipsters: John Singer Sargent and his Coterie of Nature’s Artful Dodgers" | E. Lajer-Burcharth |
| Kristina Van Dyke | "The Oral-Visual Nexus: Rethiking Visuality in Mali" | S.P. Blier |
| Zeynep Yurekli | "Bektashi Architecture and the Turcoman Forces in Classical Ottoman Society" | G. Necipoglu |
2004
| Persis Berlekamp | "Wonder and its Images in Medieval Islamic Culture" | G. Necipoglu |
| Nancy Berliner | "Yin Yu Tang, The Architecture and Daily Life of a Chinese House" | E. Lajer-Burcharth |
| Mark Delancey | "The King and his Palace: Architecture, Movement and Secrecy in Northern Cameroon" | S.P. Blier |
| Anne Leonard | "Picturing Listening in the Late Nineteenth Century" | H. Zerner |
| Benjamin Paul | "The Plague, Turks, and Divine Wrath: Tintoretto's Representation of the Apocalyptic Woman" | J. Hamburger |
| Amy Powell | "Rogier van der Weyden’s Descent from the Cross (ca. 1435)" | J. Koerner |
| Elizabeth Ross | "Picturing Knowledge and Experience in the Early Printed Book: Reuwich's Illustrations for Breydenbach's Peregrinatio in Terram Sanctam (1486)" | J. Koerner |
| Alice Tseng | "Art in Place: The Display of Japan at the Imperial Museums, 1872-1909" | E. Wang |
| Alicia Walker | "Beyond the Classical: Islamic Elements in Middle-Byzantine Secular Art" | I. Kalavrezou |
2003
| Mehmet-Ali Atac | "Scribal-Sacerdotal Agency in the Production of the Neo-Assyrian Palace Reliefs. Toward a Hermeneutics of Iconography" | I. Winter |
| Randy Bird | "The Majesty of Architecture in Madagascar: Transforming a Kingdom in the Central Highlands, 1820-1870" | S.P. Blier |
| Sarah Carrig Bond | "Studies of the Romanesque Sculpture of Saint-Pierre de Mozac in Auvergne: Location and Meaning" | J. Hamburger |
| Kathleen Christian | "The Birth of Antiquities Collections in Rome, 1450-1530" | J. Shearman |
| David Drogin | "Representations of Bentivoglio Authority: Fifteenth-Century Painting and Sculpture in the Bentivoglio Chapel, San Giacomo Maggiore, Bologna" | J. Shearman |
| May Farhat | "Islamic Piety and Dynastic Legitimacy: The Case of the Shrine of Ali al-Rida in Mashhad (10th-17th Century)" | G. Necipoglu |
| Ann Gilkerson | "Aristocratic Chateau to Republican Villa: The Changing Construction of Rational Theory and Regional Form in the Country Houses of Viollet-le-Duc" | N. Levine |
| Jordan Kantor | "Jackson Pollock’s Late Paintings" | Y.A. Bois |
| Amanda Luyster | "Courtly Images far from Court: The Family Saint-Floret, Representation, and Romance" | J. Hamburger |
| Susan Merriam | "Icons after Iconoclasm: The Flemish Garland Picture, 1608-1700" | J. Koerner |
| Noriko Murai | "Authoring the East: Okakura Kakuzo and the Representations of East Asian Art in the Early Twentieth Century" | H. Zerner |
| Susan Spinale | "The Portrait Medals of Ottoman Sultan Mehmed II (r. 1451-81)" | J. Shearman |
2002
| Lisa Bubloltz | "Dance Scenes in Early Archaic Greek Vase-Painting" | D. Mitten |
| Cynthia Hall | "Devotional Practice In Fifteenth-Century Germany: The Use of Images in the Schatzbehalter" | J. Koerner |
| Stephen Pinson | "Speculating Daguerre" | H. Zerner |
| Francisco Prado-Vilar | "In the Shadow of the Gothic Idol: The Cantigas de Santa Maria and the Imagery of Love and Conversion" | J. Hamburger |
| Mercedes Trelles Hernandez | "The Contested Object: Pop art in Latin America, 1964-1974" | Y.A. Bois |
| Aileen Tsui | "Nothing of Substance: James McNeill Whistler, the Viewer, and the Gentle Art of Painting" | H. Zerner |
| Barry Wood | "The Shahnama-i Isma’il: Art and Cultural Memory in Sixteenth Century Iran" | G. Necipoglu |
2001
| Jack Cheng | "Assyrian Music as Represented and Representations of Assyrian Music" | I. Winter |
| Una Roman D'Elia | "Titian’s Christian Poetics" | J. Shearman |
| Robin Kelsey | "Photography in the Field: Timothy O’Sullivan and the Wheeler Survey, 1871-1874" | H. Zerner |
| Christine Mehring | "To Paint and not to Paint: The Art of Blinky Palermo" | Y.A. Bois |
| Bissera Pentcheva | "Images and Icons of the Virgin and their Public in Middle Byzantine Constantinople" | I. Kalavrezou |
| Timothy Rohan | "Architecture In The Age Of Alienation: Paul Rudolph’s Postwar Academic Buildings" | N. Levine |
| Lan-ying Tseng | "Picturing Heaven: Image and Knowledge in Han China" | I. Winter |
| Aileen Tsui | "Nothing of Substance: Aestheticism, Modernism, and Strategic Duplicity in the Paintings of James McNeill Whistler" | H. Zerner |
2000
| Aimee H.C. Bessire | "Negotiating Cultural Icons: Sukuma Art, History and Colonial Encounter in Tanzania" | S.P. Blier |
| Cammy Brothers | "Drawing From Memory: Giuliano Da Sangallo and the Ruins of Rome" | J. Shearman |
| Jill Casid | "Sowing Empire: Landscape and Colonization in the Eighteenth Century" | N. Bryson |
| Ahmet Ersoy | "On the Sources of the Ottoman Renaissance: Architectural Revivalism and its Discourse in E Abdulaziz Era (1861-76)" | G. Necipoglu |
| Rebecca Foote | "Umayyad Markets and Manufacturing: Evidence for a Commercialized and Industrializing Economy in Early Islamic Bilad Al-Sham" | O. Grabar |
| Minglu Gao | "The ‘85 Movement: Avant-Garde Art In The Post-Mao Era" | N. Bryson |
| Carmelita Hinton | "A Mountain of Anomie: Transformation of the Soushan tu Genre" | J. Rosenfield |
| Lars Jones | "Visio Divina, Exegesis, and Beholder-Image Relationships in the Middle Ages and the Renaissance: Indications from Donor Figure Representations" | J. Shearman |
| Amy Kurlander | "Essays on Corot's late landscapes and the purposes of French landscape painting, 1850-1870" | H. Zerner / T.J. Clark |
| Oya Pancaroglu | "A World Unto Himself: Human Images in the Late Seljuk Period (1150-1250)" | G. Necipoglu |
| Alka Patel | "The ‘Sultanate’ Architecture of Gujarat: A Case Study in Scholarship on Islam In India" | G. Necipoglu |
| Rachel Perry | "Postwar French Painting and the Rhetoric of Defilement" | Y.A. Bois |
| Daniel Sherer | "Anamorphosis and the Hermeneutics of Perspective from Leonardo to Holbein, 1490-1533" | J. Koerner |
| Anthony White | "The Art of Lucio Fontana: Between Utopia and Kitsch" | Y.A. Bois |
| Andres Zervigon | "The End of Dada, Charting the German Avant-Garde’s Move from Photomontage to Figurative Realism" | N. Bryson |
1990 - 1999
1999
| Paul Franklin | "Men in the Making: Case Studies in the Work and Personae of Vaslav Nijinsky, Charlie Chaplin, and Marcel Duchamp, 1909-1929" | N. Bryson |
| Colette Czapski Hemingway | "Female Archaistic Statue Supports: Motives for Archaizing in Greek and Roman Statuary" | D. Mitten |
| Branden Joseph | "Experimental Art: John Cage, Robert Rauschenberg and the Neo-Avant-Garde" | Y.A. Bois |
| Steven Nelson | "Site and Symbol: Framing Cultural Identities in Mousgoum Architecture" | S.P. Blier/N. Bryson |
| Barnaby Nygren | "The Monumental Saint’s Tomb in Italy: 1260-1520" | J. Shearman |
| Lisa Pon | "Raphael, Dürer, and Marcantonio Raimondi: Drawn, Painted, and Printed Images in the Early Cinquecento" | H. Zerner |
| Sonya Rhie Quintanilla | "Emergence of the Stone Sculptural Tradition at Mathura: Mid-Second Century B.C. –First Century A.D." | P. Chandra |
| Christopher Row | "World Without End: Philip Hubert Frohman and the Washington National Cathedral" | J. Shearman |
| Barbara Shapiro-Comte | "The Architect’s Working Drawings in Context: Paris, 1791-1875" | N. Levine |
1998
| Mary Bourne | "Out from the Shadow of Isabella: The Artistic Patronage of Francesco II Gonzaga, Fourth Marquis of Mantua (1484-1519)" | J. Shearman |
| Marian Feldman | "Luxury Goods from Ras Shamra-Ugarit and their Role in the International Relations of the Eastern Mediterranean and Near East During the Late Bronze Age" | I. Winter |
| Maria Gough | "The Artist as Producer: Karl Ioganson, Nikolai Tarabukin and Russian Constructivism, 1918-1926" | Y.A. Bois |
| Stuart Lingo | "The Capuchins and the Art of History. Retrospection and Reform in the Arts in Late Renaissance Italy" | J. Shearman |
| Chris McAuliffe | "Idees Recues: The Role of Theory in the Formation of Postmodernism in the United States, 1965-1985" | Y.A. Bois |
| Anne McClanan | "Empress, Image, State: Imperial Women in the Early Medieval World" | I. Kalavrezou |
| Linda Phipps | "“Constructing” the United Nations Headquarters Modern Architecture as Public Diplomacy" | N. Levine |
| Nicole Rousmaniere | "Vessels of Influence: Chinese Ceramics Imported into Japan and the Formation of the Porcelain Industry" | J. Rosenfield |
| Ann Shafer | "The Carving of an Empire: Neo-Assyrian Monuments on the Periphery" | I. Winter |
| Matthew Simms | "The Impression to Excess: Color and Drawing in Cézanne" | Y.A. Bois |
| Eric Wolf | "The Ecclesiastical Architecture of Francesco di Giorgio Martini: A Study of Theory and Practice" | J. Shearman |
1997
| Harry Cooper | "Dialectics of Painting: Mondrian’s Diamond Sreies, 1918-44" | Y.A. Bois |
| Cigdem Kafescioglu | "The Ottoman Capital in the Making: The Reconstruction of Constantinople in the Fifteenth Century" | G. Necipoglu |
| Pamela Lee | "Object to be Destroyed: The Work of Gordon Matta-T. J. Clark" | Y.A. Bois |
| Elizabeth Mansfield | "Art, History, and Authorship: The Writing of Emilia Francis Dilke" | H. Zerner |
| Laurie Monahan | "A Knife Halfway Through Dreams: Andre Masson, Massacres, and Surrealism of the 1930s" | Y.A. Bois |
| Ning Qiang | "Art, Religion and Politics: Dunhuang Cave 220" | W. Hung |
| Nicolette Trahoulia | "The Venice Alexander Romance, Hellenci Institute Codex Gr. 5: A Study of Alexander the Great as an Imperial Paradigm in Byzantine Art and Literature" | I. Kalavrezou |
| Eugene Yuejin Wang | "Pagoda and Transformation: The Making of Medieval Chinese Visuality" | W. Hung |
1996
| Gauvin Bailey | "Counter Reformation Symbolism and Allegory in Mughal Painting" | G. Necipoglu |
| Andrew Blume | "Studies in the Religious Paintings of Sandro Botticelli" | J. Shearman |
| Cynthea Bogel | "Ritual and Representation in 8thc Japanese Esoteric Sculpture" | J. Rosenfield |
| Karl Johns | "Anthonie Blocklandt and Dutch History Painting of the Renaissance" | S. Slive |
| Eric Neil | "Architecture in Context: The Villas of Baheria, Sicily" | H. Burns |
| Adrian Randolph | "Public Woman. The Visual Logic of Authority and Gender in 15th c Florence" | J. Shearman |
| Celia Riely | "Tung Ch’I-Ch’ Ang’s Life (1555-1636): The Interplay of Politics and Art" | J. Rosenfield |
| William Robinson | "The Early Works of Nicolaes Maes, 1653-1661" | S. Slive |
| Philip Walsh | "The Atelier of Gustave Moreau at the Ecole des Beaux-Arts" | H. Zerner |
| Dorothy Wong | "The Beginings of the Buddhist Stele Tradition in China" | W. Hung |
1995
| Anne Anniger | "Parisian Book Illustration, 1530-1560: The Decades of Liberation" | H. Zerner |
| Bruce Edelstein | "The Early Patronage of Eleonora di Toledo: the Camera Verde and its Dependencies in the Palazzo Vecchio" | J. Shearman |
| Gêraldine Johnson | "In the Eye of the Beholder: Donatello’s Sculpture in the Life of Renaissance Italy" | J. Shearman |
| David Joselit | "Infinite Regress: Marcel Duchamp 1910-1943" | Y.A. Bois |
| Rui Nakamura | "The Hediste Stele in the Context of Hellenic Funerary Art: The Display of the Corpse of a Tragic Woman" | D. Mitten |
| Greg Thomas | "Thêodore Rousseau and the Ecological Landscape" | H. Zerner |
| Margaret Werth | "Le Bonheur de vivre: The Idyllic Image in French Art, 1891-1906" | T..J. Clark |
| Mary-Ann Winkelmes | "FORM AND REFORM: The Cassinese Congregation and Benedictine Reform Architecture" | J. Shearman |
| Stephan Wolohojian | "Closed Encounters: Female Piety, Art, and Visual Experience in the Church of Santa Maria Donna Regina in Naples" | J.S. Ackerman |
| Michael Zell | "Protestant Imagery and Jewish Apologetics: Rembrandt’s Encounter with Rabbi Menasseh ben Israel" | S. Slive |
1994
| Michael Bennett | "The Belted Hero in Early Greece" | E. Vermeule |
| Randi Klebanoff | "The Bolognese Sculpture of Niccolò dell’Arca and Michelangelo: Studies in Context" | J. Shearman |
| Thomas McGrath | "Disegno, Colore and the Disegno Colorito: The Use and Significance of Color in Italian Renaissance Drawings" | J. Shearman |
| Alexander Nagel | "Michelangelo, Raphael and the Altarpiece of Tradition" | J. Shearman |
| Lisa Saltzman | "Art after Auschwitz: Anselm Kiefer and the Possibilities of Representation" | N. Bryson |
| M. Tarek Nabil Swelim | "The Mosque of the Ibn Tulun: A New Perspective" | O. Grabar |
1993
| Daniel Abramson | "Money’s Architecture: The Building of the Bank of England, 1731-1833" | N. Levine |
| Laura Agoston | "Michelangelo’s Christ: The Dialectics of Sculpture" | J. Shearman |
| Howyda Al-Harithy | "Urban Form and Meaning in Early Mamluk Architecture" | O. Grabar |
| Karyn Esielonis | "Gauguin’s Tahiti: The Politics of Exoticism" | T..J. Clark |
| Megan Holmes | "Frate Filippo di Tommasso Dipintore’: Fra Filippo Lippo and Florentine Renaissance Religious Practices" | J. Shearman |
| John William Hutton II | "Rural Buildings in Netherlandish Painting ca 1420 to 1570" | S. Slive |
| Nancy Elizabeth Locke | "Manet and the Family Romance" | T..J. Clark |
| Lucy MacClintock | "Romantic Actualitê: Contemporaneity and Execution in the work of Delacroix, Vernet, Schefser, Sigalom" | H. Zerner |
| John Moore | "The Chinea. A Festival in 18th Century Rome" | J.S. Ackerman |
| Diane Radycki | "Paula Modersohn-Becker: The Gendered Discourse in Modernism" | K. Oberhuber |
| Gyde Shepherd | "A Monument to Pope Pius II Pintorichio and Raphael in the Piccolomini Library in Siena 1494-1508" | J.S. Ackerman |
1992
| Kalyan Chakravarty | "The Temples at Tala and the Art of Daksina Kosala" | P. Chandra |
| Isabelle Frank | "Melozzo da Forlì and the Rome of Pope Sixtus IV (1471-1484)" | J.S. Ackerman |
| Yule Heibel | "Toward a Reconstruction of Modernism, or The Subject’s Dialectic of Evacuation: Modern Painting in Western Germany After World War II" | T..J. Clark |
| Nuha Khoury | "The Mihrab Concept: Palatial Themes in Early Islamic Religious Architecture" | O. Grabar |
| Deborah Krohn | "Civic Patronage of Art in Renaissance San Gimignano" | J. Shearman |
| Howard Lay | "La Fête oux Boulevards Exterieurs: Art and Culture in Fin de Siècle Montmartre" | T..J. Clark |
| Lucy MacClintock | "L’Idée and La Matière: Concept and Execution in French Romantic Painting" | H. Zerner |
| Hugh Rodney Nevitt | "Studies in Dutch Art and the Literature of Courtship, 1600-1650" | S. Slive |
| Eric Rosenberg | "Intricate Channels of Resemblance: Albert Pinkham Ryder and the Politics of Colorism" | H. Zerner |
| Donna Salzer | "Galeazzo Alessi and the Villa in Renaissance Genoa" | J.S. Ackerman |
| William Samonides | "The Kôami Family of Maki-e Lacquerers" | J. Rosenfield |
| Timothy Screech | "The Scientific Gaze of Popular Culture in Later Edo Japan" | J. Rosenfield |
| Jane Casey Singer | "Early Painting in Tibet" | J. Rosenfield |
| Rochelle Ziskin | "The French Crown and the Financiers of Paris: Public and Private Representation at the Place Vendôme, 1685-1792" | J.S. Ackerman |
1991
| Zakaria Ali | "Islamic Art in Southeast Asia: 850 A.D.-1570 A.D." | O. Grabar |
| Jean Chai | "Gian Paolo Lomazzo and the Art of Expression" | J.S. Ackerman |
| Chie Ishibashi | "Hakuho Sculpture: Its Development as Viewed in the Context of the Chronology of Roof-tile Motifs" | J. Rosenfield |
| John O’Brian | "Ruthless Hedonism: The Reception of Matisse in America, 1929-1954" | T..J. Clark |
| Andrej Smrekar | "Surrealism and Painting 1925-1928: Representations" | T..J. Clark |
| Jonathan Weinberg | "Speaking for Vice: Homosexuality in the Art of Charles Demuth Marsden Early American Avant-Garde" | T..J. Clark |
| Christopher Wood | "The Independent Landscapes of Albrecht Altdorfer" | K. Oberhuber |
1990
| Mohammad Al-Asad | "The Modern State Mosque in the Eastern Arab World, 1828-1985" | O. Grabar |
| Ada Cohen | "Studies in Large-Scale Painting and the Mosaic in the Late Classical and Early Hellenistic Periods: Battles, Hunts, Abductions" | D. Mitten |
| Patricia Cummings Loud | "The Art Museums of Louis I. Kahn" | N. Levine |
| Valérie Malenfer | "Dream Journey Over the Xiao and Xiang: Scholar-amateur Landscape Painting in Southern Song China (1127-1279)" | W. Hung |
| John Michael | "The Geras Painter: An Athenian Eccentric and his Associates" | E. Vermeule |
1980 - 1989
1989
| Donna M. Hunter | "Second Nature: The Portraits of J.L. David, 1769-1792" | H. Zerner |
| Maria Luisa Moreno | "Seventeenth and Eighteenth Century Descriptive Accounts on Mexican Architecture" | J.S. Ackerman |
| Diane M. O’Donoghue | "Reflection and Reception: The Origins of the Mirror in Bronze Age China" | W. Hung |
| Scott Nicholas Redford | "The Ceramic Sequence from Medieval Gritille, SE Turkey" | O. Grabar |
| Beatrice St. Laurent | "Ottomanization and Westernization: The Architecture and Urban Development of Bura 1839-1914" | O. Grabar |
| David Marshall Stone | "Theory and Practice in Seicento Art: The Example of Guercino" | S.J. Freedberg |
| Katherine Fischer Taylor | "The Palais de Justice of Paris: Modernization, Historical Self-Consciousness, and Their Prehistory in French Institutional Architecture (1835-1869)" | N. Levine |
1988
| James Deemer | "The City of Omdumran in the Sudan" | O. Grabar |
| Massumeh Farhad | "Safavid Single Page Paintings 1629-1666" | O. Grabar |
| M.L. Fernandez | "Visual Composition of the Cincassian Period Qibla Wall in Cairo" | O. Grabar |
| Ranee Katzenstein | "The Liturgical Manuscripts Made for San Marco: A Study of Art and Patronage in Early Trecento Venice" | O. Grabar |
| Michael Leja | "Art for Modern Man: NY School of Painting and American Culture in the 1940s" | T..J. Clark |
| Liz Prelinger | "Symbolist Print: A Technical Consideration" | T..J. Clark |
| Cynthia Stangroom | "The Development of the Medieval Style in Rajasthan: Ninth and Tenth Century Sculpture" | P. Chandra |
1987
| Jane Aiken | "Renaissance Perspective: Its Mathematical Source and Sanction" | J.S. Ackerman |
| Michael Brand | "The Khalji Complex in Shadiabad Mandu" | O. Grabar |
| Bruce Coats | "The Architecture of Zen-Sect Buddhist Monasteries in Japan, 1200-1500" | J. Rosenfield |
| Rebecca Corrie | "The Conradian Bible, Ms. 152, The Walters Art Gallery: Manuscript Illumination in the Thirteenth-Century Italian Atelier" | E. Kitzinger |
| Rafael Crespo | "Florida’s First Spanish Renaissance Revival" | N. Levine |
| Whitney Davis | "The Canonical Tradition in Ancient Egyptian Art" | E. Bovarsky |
| Larry Feinberg | "The Works of Mirabello Cavalori" | S. Freedberg |
| Laura Giles | "The Paintings and Related Drawings of Giacomo Cavedone (1577-1660)" | S. Freedberg |
| Eleanor Hight | "Moholy-Nagy: Photography and the “New Vision” in Weimar Germany" | C.W. Haxthausen |
| Wu Hung | "The Wu Liang Ci and Eastern Hal Offering Shrines" | J. Rosenfield |
| Eunice Maguire | "The Capitals and Other Granite Carvings of Justinian’s Church at Mount Sinai" | E. Kitzinger |
| Sam Morse | "The Formation of the Plain-Wood Style and the Development of Japanese Buddhist Sculpture, 760-840" | J. Rosenfield |
| Gulru Necipoglu | "The Formation of an Ottoman Imperial Tradition: The Topkapi Palace in the 15th and 16th Centuries" | O. Grabar |
| Amy Newhall | "The Patronage of the Mamluk Sultan Qa-it Bay, 872-901/1468- 1496" | O. Grabar |
| Marta Renger | "The Wiesbaden Codex B 10 and Netherlandish Art around 1400" | K. Oberhuber |
| John Seyller | "The Freer Ramayana and the Atelier of the ‘Abd al-Rahim" | O. Grabar |
| Marion True | "Pre-Sotadean Attic Red-Figure Statuette Vases and Related Vases with Relief Decoration" | D. von Bothmer |
| Chuan-Ying Yen | "The Sculpture from the Tower of Seven Jewels: The Style, Patronage and Iconography of the Monument" | J. Rosenfield |