2014 Feb 11 Critical Narratives in Visualizing the Black Body from 1850 to Now 5:30pm to 6:30pm Location: Sackler Museum, Room 318 Black History / Art History Lecture & Performance SeriesDeborah Willis, Ph.D., University Professor and Chair, Department of Photography & Imaging Tisch School of the Arts at New York UniversitySponsored by: The Provostial Fund for the Arts and Humanities, The Ethelbert Cooper Gallery of African & African American Art at the Hutchins Center, The Carpenter Center for the Visual Arts, and The Department of the History of Art and Architecture
2013 Nov 21 Archaeology and the Northern Crusader States: The Case of Kinet Höyük 5:30pm to 6:30pm Location: Sackler Museum, Room 318 AKPIA Lecture SeriesScott Redford, Harvard AKPIA Fellow; Professor, Department of Archaeology and History of Art, Koç University, IstanbulSponsored by: The Aga Khan Program for Islamic Architecture, Harvard University Read more about Archaeology and the Northern Crusader States: The Case of Kinet Höyük
2013 Nov 21 Spaces for a Queen: Physical and Imagined Architecture in 17th c. France 5:00pm to 7:00pm Location: Barker Center, Room 133 Architecture and Knowledge SeminarNicola Courtright, Amherst CollegeSponsored by: The Mahindra Humanities Center and the France and the World seminar Read more about Spaces for a Queen: Physical and Imagined Architecture in 17th c. France
2013 Nov 08 Early Chinese Art and Digital Simulation Fri - Sun, Nov 8 to Nov 10, 9:30pm - 12:45pmLocation: Sackler Museum, Rooms 318 & 515 Organized by: Eugene Wang, Abby Aldrich Rockefeller Professor of Asian Art, Department of History of Art and Architecture, Harvard University
2013 Nov 04 Looping, Displacement, Regression: Three Alternatives to Thinking about 'Influence' in Contemporary Art 6:00pm to 7:00pm Location: Barker Center, Room 133 Visual Representation, Materiality, and Medium SeminarSpeaker: Rachel Haidu, University of RochesterSponsored by: The Mahindra Humanities Center Read more about Looping, Displacement, Regression: Three Alternatives to Thinking about 'Influence' in Contemporary Art