General News

Picturing vision and justice - "Two-day conference explores the nexus of art, race, laws, and norms" - Sarah Lewis

April 23, 2019

When asked in 2016 to guest edit a special edition of Aperture magazine devoted to the photography of the black experience, Sarah Lewis knew two concepts central to the notion of American citizenship — vision and justice — would comprise the issue’s underlying theme.

“No matter the topic — beauty, family, politics, power — the quest for a legacy of photographic representation of African...

Read more about Picturing vision and justice - "Two-day conference explores the nexus of art, race, laws, and norms" - Sarah Lewis

Clay – "Modeling African Design” curated by Suzanne Blier and Jessica Martinez (May/June Harvard Magazine)

April 23, 2019

“Clay—Modeling African Design” was recently curated by Suzanne Blier, Allen Whitehill Clowes Professor of Fine Arts and Professor of African and African American Studies, and Jessica Martinez, Director of Academic and Public Programs and Division Head, Research Curator of African Art Initiatives, Harvard Art Museum.  The exhibition will be on display at the Harvard Art Museums through November 2021.

 

For the related Harvard Magazine article

...

Read more about Clay – "Modeling African Design” curated by Suzanne Blier and Jessica Martinez (May/June Harvard Magazine)

Kristie La (G2) awarded Paul & Daisy Soros Fellowship for New Americans

April 12, 2019

As announced in the New York Times (April 11, 2019), KRISTIE LA (G2) has been awarded a Paul & Daisy Soros Fellowship for New Americans.  This is a truly major graduate-school fellowship awarded to outstanding immigrants and children of immigrants in the United States for their potential to make significant contributions to society, culture, or academic fields.  Kristie is one of 30 awardees selected from a pool of 1,767 applicants representing all fields of graduate study, including the arts and humanities, natural and social sciences, law, and medicine....

Read more about Kristie La (G2) awarded Paul & Daisy Soros Fellowship for New Americans
linda rodriguez

In Memoriam: Linda Marie Rodriguez

October 1, 2018

Linda Marie Rodriguez was a scholar of all things Cuban.

 

Her attributes as a scholar are best represented in her main art historical project developed around José Antonio Aponte, a free black painter, born in Havana around 1760, who created a now-lost book of paintings full of historical and mythical black characters. Her ...

Read more about In Memoriam: Linda Marie Rodriguez

Oliver Wunsch and Jennifer Quick in the June 2018 issue of the Art Bulletin

August 21, 2018

Oliver Wunsch, "Watteau, through the Cracks,” pp. 37–60.
Antoine Watteau’s paintings decayed rapidly. Soon after his death, his contemporaries bemoaned the cracks ravaging his works. They regarded the problem as the product of Watteau’s restless character, noting that his shortsighted personality led him to paint improperly. A deeper explanation situates Watteau’s impatient attitude and impermanent techniques within an emerging culture of ephemeral consumption. An examination of the afterlife of Watteau’s decaying work in the...

Read more about Oliver Wunsch and Jennifer Quick in the June 2018 issue of the Art Bulletin
roxburgh-030718-lecture-bryn-mawr_square

David J. Roxburgh: Painting after the Mass-Produced Image. Bryn Mawr

March 7, 2018

Department Chair
Prince Alwaleed Bin Talal Professor of Islamic Art History, Harvard University

“Painting After the Mass-Produced Image: Art in 19th-Century Iran”

Rulers of the Qajar dynasty (1779-1925) in Iran pursued a broad range of military, bureaucratic and social reforms, formed new institutions—including the first polytechnic (Dar al-Funun, “Abode of the Sciences”), and embraced new technologies of the mass-produced image (photography and lithography). It was also a period of heightened exchange between Iran, India, Russia and the countries of...

Read more about David J. Roxburgh: Painting after the Mass-Produced Image. Bryn Mawr

Pages