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What can be gained from considering a painting not only as an image but also a material object? How does the painter’s own experience of the process of making matter for our understanding of both the painting and its maker? The Painter’s Touch addresses...
Suzanne Preston Blier (Ph.D. 1981 Columbia, Allen Whitehill Clowes Professor of Fine Arts and of African and African American Studies, Harvard University) is an historian of African art and architecture in both the History of Art and Architecture and...